The Fifth International Symposium on Traditional Polyphony ...

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292 daiva raCiunaite-viCiniene Sin roca mesame mReris (mag. 1). mTeli sutar– tinesi amgvarad sruldeba wriulad. mxo– lod ori sxvadasxva xma JRers erTdrou– lad, garda pirveli muxlisa, sadac wamy– vani xma teqsts marto iwyebs (Račiūnaitė-Vyči– nienė, 2002: 118). treJinesi mravalferovania (cnobilia misi, daaxloebiT, ocamde tipi (Račiūnaitė-Vyčinienė, 2002: 118-166; 204-205), rogorc kanonuri simRe– ris stilis, ise SemsrulebelTa raodenobis mixedviT. litvuri sutartinesis tradicia sutartinesi aris pirobiTi saxelwodeba, romelic ar gamoiyeneba polifoniuri sim– Reris yvela SemTxvevaSi. amitom uZveles polifoniur simReras miesadageba termini linearuli polifonia. es termini aerTi– anebs polifoniuri musikis yvela saxesxva– obas, maT Soris antifonursac 3 . litvis aR– mosavleTSi linearuli polifoniis sxvada– sxva formebia primitiuli pakaitinesis (pa– kaitinės) `monacvle~ sagaloblebi, simetriu– li pakaitinesi, asimetriuli pakaitinesi, uwy– veti sagaloblebi, ori jgufis antifonuri mRera da sami jgufis antifonuri mRera 4 . yvela monacvleobiTi (ameburi) himnis Ziri– Tadi principia is, rom erTi jgufi galobs mTavar teqsts, xolo meore jgufi _ mokle misamRers, galobis Sewyvetis gareSe, vinai– dan jgufebi monacvleobiT galoben. am mona– cvleobiTi sagaloblebis struqtura SesaZ– loa sakmaod mravalferovani iyos. primitiuli monacvlebiTi sagaloblis stru– qtura aseTia: teqsti 5 (4) + misamReri 3 (2). magaliTad: b) antifonuri simRera upopo simRerebSi `meore kontrapunqtulma xmam unda mibaZos pirveli kontrapunqtuli xmis (romelic bolo wuTamde ar ismis) mu– sikalur formulas Cvens dasavlur kanoneb– ze gacilebiT mokle intervaliT~ (Nattiez, 1990: 71). ,,qalebi skivris saxuravs xels ritmulad urtyamen da wriulad kanonurad mRerian. zogierT upopo simReras Tanxlebas taSi uwevs, zogierTi ki sruldeba unisonSi ori an samxmiani gundis mier~ 2 . ainebis tradicia `iekaie (Iekaye) miuTiTebs antifonur anu da– Zaxeba-pasuxis formatze. magaliTad, rimseupopoSi (rimse upopo) erTi solisti da gundi asruleben mokle melodias. solisti zogjer uZRveba jgufs, rom simRera Sereul Sesru– lebiaSi gadaiyvanos. solisti da gundi, Se– saZloa, Seenacvlon erTmaneTs mTliani me– lodiis an misi calkeuli nawilebis al– ternatiul SesrulebaSi~ (Chiba, 2008: 333) (mag. 6, 7).
litvuri da ainuri vokaluri polifoni: zogierTi paraleli I wyvili II wyvili (teqsti 5) (misamR. 2) 1. Kėkštas kėkštelis .......... .......................... Tuj tuj 2. Až kų tu kūdas? .......... ........................ Tuj tuj I wyvili II wyvili (teqsti 5) (misamR. 3) 1. Nepernešioja ……… …………… Dobile! 2. Mana kojalas ……… …………… Dobile! 3. Kamašelių ……… .................... Dobile! simetriul pakaitinesSi orive melodiis seg– menti Tanabari xangrZlivobisaa. struqtura: teqsti 6 + misamReri 6. magaliTad: wyvili II wyvili (teqsti) (misamR.) 1. Aš ėjau, keliavau ...................... ........................... Ai ciuta, da ciuta 2. Viešuoju keleliu ........................... .......................... Ai ciuta, da ciuta 3. Su didžiu vargeliu ........................... .......................... Ai ciuta, da ciuta simetriuli pakaitines simRerebi bevri ar aris da maTi Sesrulebis manera sakmaod gan– sxvavebulia (mag. 5). M isini axlos arian sutartinesTan. iadviga Ciurlionites (Jadvyga Čiurlionytė) azriT, amebu– ri simReris uZvelesi tipi `SesaZloa sutar– tinesis prototipad miviCnioT~ (Čiurlionytė, 1969: 257). mkvlevrisve azriT, ameburi simReris sxvada– sxva tipebma `didi roli Seasrules simRe– rebis strofebis gaerTianebaSi~ (Čiurlionytė, 1969: 260). 293
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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143 NATALIA ZUMBADZE, KETEVAN MATIA
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Caucasian Peoples’ Polyphony and
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natalia zumbaZe, qeTevan maTiaSvili
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155 maia gelaSvili (saqarTvelo) pan
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pankisis xeobis qistebis tradiciuli
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ON THE STUDY OF THE TRADITIONAL MUS
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On the Study of the Traditional Mus
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163 maka xarZiani (saqarTvelo) samx
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samxmiani simRerebis gaerTxmianebis
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samxmiani simRerebis gaerTxmianebis
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On the Change of Three-Part Songs i
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On the Change of Three-Part Songs i
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173 manana SilakaZe (saqarTvelo) qa
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qarTuli da adiReuri instrumentuli m
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177 MANANA SHILAKADZE (GEORGIA) GEO
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Georgian and Adyghe Music in the Co
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manana SilakaZe. danarTi Manana Shi
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Ktradiciuli polifoniis regionuli st
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186 Jana partlasi mizezis gamo. upi
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188 Jana partlasi naxevartoniani ki
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190 ŽANNA PÄRTLAS (ESTONIA) RETRA
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192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
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206 Tamaz gabisonia. danarTi Tamaz
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212 gerald florian mesneri mosaxldn
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214 gerald florian mesneri lebi da
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216 GERALD FLORIAN MESSNER (AUSTRAL
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218 Gerald Florian Messner gives us
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220 Gerald Florian Messner Audio Ex
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222 daviT SuRliaSvili rac Seexeba a
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224 daviT SuRliaSvili tradicia, rom
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226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
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232 daviT SuRliaSvili. danarTi Davi
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234 daviT SuRliaSvili. danarTi Davi
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236 elena iovanoviCi (serbeTi) hibr
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238 elena iovanoviCi rebiT, sakvlev
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240 elena iovanoviCi lis `damuqeba~
Page 242 and 243: 242 JELENA JOVANOVIĆ (SERBIA) HYBR
Page 244 and 245: 244 Jelena Jovanović (Dević, 1979
Page 246 and 247: 246 Jelena Jovanović of the new st
Page 248 and 249: 248 Jelena Jovanović Scope of Ethn
Page 250 and 251: 250 elena iovanoviCi. danarTi Jelen
Page 252 and 253: 252 elena iovanoviCi. danarTi Jelen
Page 254 and 255: 254 liTSi aris SemTxveviTi modulaci
Page 256 and 257: 256 simha aromi, polo valeho mimdev
Page 258 and 259: 258 92 simha aromi, polo valeho ara
Page 260 and 261: 260 axla ganvixiloT G kilos sxvadas
Page 262 and 263: 262 simha aromi, polo valeho gadaxr
Page 264 and 265: 264 simha aromi, polo valeho Semdeg
Page 266 and 267: 266 OUTLINE OF A SYNTAX OF CHORDS I
Page 268 and 269: 268 Simha Arom, Polo Vallejo 51 Mag
Page 270 and 271: 270 Simha Arom, Polo Vallejo Betwee
Page 272 and 273: 272 Simha Arom, Polo Vallejo 5 II I
Page 274 and 275: 274 Simha Arom, Polo Vallejo 88 Ere
Page 276 and 277: 276 Simha Arom, Polo Vallejo Let us
Page 278 and 279: 278 andrea kuzmiCi (kanada) qarTuli
Page 280 and 281: 280 andrea kuzmiCi musikologia da T
Page 282 and 283: 282 andrea kuzmiCi da profesiuls 3
Page 284 and 285: 284 ANDREA KUZMICH (CANADA) THE TRA
Page 286 and 287: 286 Andrea Kuzmich traditional musi
Page 288 and 289: 288 Andrea Kuzmich the ability to l
Page 290 and 291: 290 daiva raCiunaite-viCiniene (lit
Page 294 and 295: 294 daiva raCiunaite-viCiniene litv
Page 296 and 297: 296 daiva raCiunaite-viCiniene / su
Page 298 and 299: 298 daiva raCiunaite-viCiniene nebi
Page 300 and 301: 300 daiva raCiunaite-viCiniene buli
Page 302 and 303: 302 daiva raCiunaite-viCiniene wreS
Page 304 and 305: 304 (Stasys Paliulis) mier 1932 wel
Page 306 and 307: 306 LITHUANIAN AND AINU VOCAL POLYP
Page 308 and 309: 308 Daiva Račiūnaitė -Vyčinien
Page 318 and 319: 318 10 C. Forlivesi assumes that mu
Page 322 and 323: 322 daiva raCiunaite-viCiniene. dan
Page 334 and 335: 334 mixail lobanovi eTnografiisadmi
Page 336 and 337: 336 mixail lobanovi yoveli maTgani
Page 338 and 339: 338 vielebTan, aramed Crdilo-evropu
Page 340 and 341: 340 Mikhail Lobanov Konz mäthil Gr
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342 Mikhail Lobanov due to the lowe
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344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
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franc foedermairi. danarTi Franz F
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517 morimoto masako, honda manabu,
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qarTuli tradiciuli mravalxmianobis
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521 MORIMOTO MASAKO, HONDA MANABU,
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Study on the Sound Structure of Geo
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morimoto masako, honda manabu, niSi
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527 kavai norie, morimoto masako, h
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kavai norie, morimoto masako, honda
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kaxuri simRerebis gaSifvris sakiTxe
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CHALLENGES IN MUSICAL TRANSCRIPTION
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nona lomiZe. danarTi Nona Lomidze.
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555 leila maruaSvili (saqarTvelo) q
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qarTuli xalxuri polifoniis tradicie
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Refraction of Georgian Folk Polypho
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leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
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ioseb Jordania, xelovnebaTmcodneobi
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polo valeho, eTnomusikologiis doqto
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578 simpoziumis organizatorebi mxar
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