The Fifth International Symposium on Traditional Polyphony ...
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litvuri da ainuri vokaluri polif<strong>on</strong>i: zogierTi paraleli<br />

291<br />

cnobil WeSmaritebebsa da sxva mkvlevrebis Tvalsazrisebs. SesaZlebelia, Cem mier aRqmuli<br />

e.w. `zedapiruli~ msgavsebebis miRma arsebobdes ufro Rrma erToba. amaze saubari jer naad–<br />

revia. amisTvis aucilebelia ainebis vokaluri mravalxmianobis gacilebiT Rrma codna da<br />

Semdgomi kvleva.<br />

ainebis vokaluri polif<strong>on</strong>ia avlens gansacvifrebel paralelebs sutartinesTan. amje–<br />

rad Cven SegviZlia visaubroT mxolod tipologiur urTierTobaze am or tradicias Soris.<br />

maTi saerTo maxasiaTeblebia linearuli polif<strong>on</strong>iis formebi, sekunduri dis<strong>on</strong>ansebi, uZve–<br />

lesi teqstebi [saadac uxvadaa <strong>on</strong>omatopeuri (bgerweriTi) Sorisdebulebi], magaliTad, Citis<br />

WikWikis mibaZva, wreSi mRera, simRerisa da cekvis sinkretizmi, maTi simRerebis, gansakuT–<br />

rebiT qalTa repertuaris, ritualuri buneba.<br />

litvuri sutartinesis tradicia<br />

xmis interaqtiul meTodze dayrdnobiT su–<br />

tartinesi iyofa ramdenime fundamentur ti–<br />

pad: hetrof<strong>on</strong>ia, kan<strong>on</strong>i (imitaciuri) da k<strong>on</strong>–<br />

trapunqti.<br />

kan<strong>on</strong>uri sutartinesi efuZneba danarCeni xme–<br />

bis mier erTi da mxolod erTi melodiis<br />

mkacr imitacias. es aris kan<strong>on</strong>i pirveladi<br />

intervaliT. ori warmoebuli xma moicavs<br />

sawyis melodias, romelSic meore avsebs pir–<br />

vels (xmebi JRers paralelurad, TiTqmis<br />

wminda unis<strong>on</strong>Si an heterof<strong>on</strong>iulad erT–<br />

deba) an erTi mReris meoresTan k<strong>on</strong>trastSi.<br />

aseT SemTxvevaSi xmebs Soris warmoiqmneba<br />

paraleluri sekundebi an sxva intervalebi<br />

– sekundebi, terciebi da kvartebi (Račiūnaitė-<br />

Vyčinienė, 2002: 102).<br />

yvelaze popularuli sasimRero stilia ka–<br />

n<strong>on</strong>uri sutartinesi treJinesi `trio~ (sutar–<br />

tinės trejinės ‘threesomes’), romelsac momRerlebi<br />

(zogjer jgufebi) asruleben kan<strong>on</strong>is mkac–<br />

ri dacviT. TiToeuli Semsrulebeli erTve–<br />

ba simReraSi maSin, rodesac sxva Semsru–<br />

lebeli mReris melodiis sxva xmas. anu, meo–<br />

re momRerali erTveba maSin, roca pirveli<br />

jer kidev mReris, xolo mesame – maSin, ro–<br />

ca meore mReris da Semdeg isev pirveli, ma–<br />

1. linearuli polif<strong>on</strong>iis formebi:<br />

a) kan<strong>on</strong>i<br />

ainebis tradicia<br />

ainebis tradiciuli polif<strong>on</strong>ia aris, lit–<br />

vuris garda, erTaderTi sxva polif<strong>on</strong>iuri<br />

tradicia, sadac ase farTod gamoiyeneba ka–<br />

n<strong>on</strong>uri simRera.<br />

ainebis tradiciuli polif<strong>on</strong>ia efuZneba Se–<br />

darebiT mokle musikaluri frazebis kano–<br />

nur imitacias 1 . kazuiukis Tanaxmad (Kazuyuki,<br />

1965, 1975) yvelaze mniSvnelovania ori Janri:<br />

upopo (sruldeba wreSi damjdari moxucebis<br />

mier) da rimses (saferxulo cekva, romelic<br />

Zalian iSviaTad sruldeba kan<strong>on</strong>urad).<br />

rimsesa (rimse) da upopos SefasebaSi imitacia<br />

seriozul kriteriums warmoadgens (mag. 2).<br />

am ukanasknels imitaciurad asrulebs skiv<br />

ris garSemo wriulad damjdari ramdenime<br />

adamiani, romelic skivris Tavsaxurs rit–<br />

mulad abraxunebs (sur. 4). Cveulebriv, jgufs<br />

uxucesi wevri xelmZRvanelobs, romelic sa–<br />

xiT mis marjvniv mjdomi adamianisken aris<br />

mibrunebuli. lideris niSnisTanave es mom–<br />

Rerali iwyebs simReras erTi ritmuli nabi–<br />

jiT gvian. es grZeldeba manam, vidre bolo<br />

Semsrulebeli SeuerTdeba danarCen momRer–<br />

lebs (Jordania, 2006: 155). ainebis kan<strong>on</strong>uri simRe–<br />

ra Seileba iyos orxmiani da meti, eqvsxmi–<br />

anamde (mag. 3, 4).

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