The Fifth International Symposium on Traditional Polyphony ...

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282 andrea kuzmiCi da profesiuls 3 , Tumca, es ori tradicia zegavlenas axdenda erTmaneTze, miT umetes, rom dasavleT evropisgan gansxvavebiT, ar arsebobda sasuliero da saero enebs Soris gansxva– veba. `saukeTeso mgaloblebi, amave dros, iyvnen xalxuri simReris saukeTeso Semsruleblebi, rac aisaxeboda ara marto simReris am ori formis urTierTkavSirze, aramed gansazRvravda sasuliero, anu profesiuli sasimRero praqtikis zegavlenis Taviseburebas saero musika– lur praqtikazec. Tavis mxriv, aman ganapiroba xalxuri simReris ganviTarebis xazi, Zalian niWier momRerlebs, romlebic amave dros iyvnen saocrad sulieri adamianebi, SeeZloT xalxuri sasimRero memkvidreobis ganviTarebis stimulireba (Kuzmich, 2010: 152). da, ra Tqma unda, qarTuli qristianobis gamaerTianebeli ideologiis gareSe, aRniSnuli zegavlena SeuZlebeli iqneboda. filosofiuri TvalsazrisiT, qarTuli eklesia, rogorc adreuli marTlmadidebluri qristianobis ganStoeba, ufro WvretiTia vidre romauli kaTolicizmi an protestantizmi. savaraudod, aRmosavleT orTodoqsuli eklesiis araierarqiuloba, RvTismsaxurebis da Sida saeklesio struqturis CarCos TvalsazrisiT, ufro demokratiul da tolerantul re– ligiad amkvidrebda mas (Ware, 1993: 1-17). qarTvelebi sakmaod xSirad saubroben RmerTze da qristinobaze da amas yovelTvis akeTeben gansakuTrebuli Rrma pativiscemiT, gankiTxvis gareSe. es damokidebuleba gamoxatulia RvTisadmi miZRvnil sadRegrZeloebSic, romelic yovelTvis eZRvneba siyvarulis unars. erT-erTi ansamblis xelmZRvanelma saukeTesod aR– wera es: `tradicia da religia saqarTveloSi gaigivebulia. aman gadagvarCina. es cxovrebis stilia. tradiciis es Tavisebureba gadis siyvarulze, sikeTeze. swored es warmoadgens religiis fundaments~ (interviu daTo uznaZesTan, 2005, Tbilisi, saqarTvelo). SesaZloa es aris is siZvele, romelic qarTuli polifoniaSia Cadebuli. uznaZe aRi– arebs, rom qris ti anobis roli, mraval omgadaxdil saqarTveloSi qveynis gaer Tia ne ba Si da siyvarulis unaris SenarCunebaSi mdgomareobda. aman `ga daar Ci na~ qarTvelebi. ase rom, SesaZlebelia swored qristianobis roli qveynis is toriaSi aris is, rac gamoixateba qar– Tuli polifoniuri simReriT da Sei grZnoba qarTvelebisa da ucxoelebis mier. maRali sulierebis mqone individualebi zrunaven tradiciaze da gaqvs SegrZneba, rom swored ase unda iyos. qarTul polifoniur simReraSi SekavSirebulobisa da gamtanobis paralelurad CrdiloeT dakotas amerikelebi grZnoben mTlianobasa da Wrilobebis moSuSebas, rac qarT– velebs qristianobidan aqvT gamomuSavebuli. namdvilad ar aris martivi amocana koleqtiuri mexsierebis tra di ci ul musikaSi gans– xeuleba. arc musika da arc mexsierebaa ad vilad `wa sakiTxi~. arsebobs yvelasaTvis kargad nacnobi gza, gaigo xal xis is to ria maTi musikis saSualebiT. magram imis ukeTesad gasage– bad, Tu rogor gad moscems musika istorias, unda gaaanalizo warsulis, musikis Semecne– bisa da sxva dasxva gamocdi lebis ur Ti er Tze gavlena da SeZlo erT qsovilSi maTi ga– erTianeba. am TvalsazrisiT, me mimaCnia, rom 1) qveynis istoria zegavlenas axdens musi– kalur praqtikaze; 2) musikis struqturaze (an JRerad kompoziciaze) da 3) praqtikasTan dakavSirebul ritorikaze. me mgoni, SevZeli gameerTianebina is aRqma, romelic akavSirebs musikis zegavlenis qveS myof ucxoelebs, am musikis Semoqmedi xalxis winaparTan. cxadia, musikas gaaCnia kidev uamravi Senakadi, warsulisa da Sesrulebis praqtikis CaTvliT, ro– melic kidev saWiroebs Semdgom ganviTarebas imisaTvis, rom gavigoT, rogor asaxavs qar–– Tuli polifonia warsuls.
qarTuli polifoniis gardamavali memkvidreoba: qarTuli xalxuri simRerebis axali praqtikosebi da warsulis memkvidreoba SeniSvnebi 283 1 koleqtiuri mexsierebis rezervuarze gamokvlevebi aqvs pier noras (Pierre Nora, 1994), romelmac gamo– iyena termini les lieux de memoire (1989). man ganixila mexsierebis materializacia (gansaxiereba), romelic gansxvavdeba mexsierebis sityvaSi gadmotanis, konkretulad gadmocemis praqtikisgan 2 2010 wels sakmaod cxare kamaTi mohyva am moxsenebas am simReris originalur SesrulebasTan dakavSi– rebiT, da Cem mier misi agresiuli JReradobis damowmebas. rogorc miTxres, es simRera Tavdapirvelad iyo ara sabrZolo, aramed yanaSi Sesasrulebeli _ Sromis. originaluri teqstis miuxedavad, zogi– erTi qarTveli daeTanxma Cemeul Sefasebas misi agresiulobis Sesaxeb. gamoiTqva azri, rom istori– uli da gamudmebiTcvalebadi geopolitikuri situacia saqarTveloSi moiTxovda, rom yvela glexi mzad yofiliyo Tavisi miwisa da mosavlis dasacavad. es, ra Tqma unda, saintereso mosazrebaa da gacilebiT met yuradRebas imsaxurebs, vidre me davuTme 3 feodalizmis xanaSi, niWier momRerlebs galobis wyalobiT, namdvilad, SeeZloT mieRwiaT soci– aluri mobilobisTvis, rogorc es aris damowmebuli xelaSvilis ojaxis magaliTiT (karbelaSvili, 1898: 61-67) Targmna nana SariqaZem
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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143 NATALIA ZUMBADZE, KETEVAN MATIA
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Caucasian Peoples’ Polyphony and
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natalia zumbaZe, qeTevan maTiaSvili
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155 maia gelaSvili (saqarTvelo) pan
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pankisis xeobis qistebis tradiciuli
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ON THE STUDY OF THE TRADITIONAL MUS
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On the Study of the Traditional Mus
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163 maka xarZiani (saqarTvelo) samx
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samxmiani simRerebis gaerTxmianebis
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samxmiani simRerebis gaerTxmianebis
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On the Change of Three-Part Songs i
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On the Change of Three-Part Songs i
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173 manana SilakaZe (saqarTvelo) qa
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qarTuli da adiReuri instrumentuli m
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177 MANANA SHILAKADZE (GEORGIA) GEO
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Georgian and Adyghe Music in the Co
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manana SilakaZe. danarTi Manana Shi
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Ktradiciuli polifoniis regionuli st
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186 Jana partlasi mizezis gamo. upi
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188 Jana partlasi naxevartoniani ki
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190 ŽANNA PÄRTLAS (ESTONIA) RETRA
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192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
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206 Tamaz gabisonia. danarTi Tamaz
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212 gerald florian mesneri mosaxldn
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214 gerald florian mesneri lebi da
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216 GERALD FLORIAN MESSNER (AUSTRAL
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218 Gerald Florian Messner gives us
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220 Gerald Florian Messner Audio Ex
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222 daviT SuRliaSvili rac Seexeba a
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224 daviT SuRliaSvili tradicia, rom
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226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
Page 232 and 233: 232 daviT SuRliaSvili. danarTi Davi
Page 234 and 235: 234 daviT SuRliaSvili. danarTi Davi
Page 236 and 237: 236 elena iovanoviCi (serbeTi) hibr
Page 238 and 239: 238 elena iovanoviCi rebiT, sakvlev
Page 240 and 241: 240 elena iovanoviCi lis `damuqeba~
Page 242 and 243: 242 JELENA JOVANOVIĆ (SERBIA) HYBR
Page 244 and 245: 244 Jelena Jovanović (Dević, 1979
Page 246 and 247: 246 Jelena Jovanović of the new st
Page 248 and 249: 248 Jelena Jovanović Scope of Ethn
Page 250 and 251: 250 elena iovanoviCi. danarTi Jelen
Page 252 and 253: 252 elena iovanoviCi. danarTi Jelen
Page 254 and 255: 254 liTSi aris SemTxveviTi modulaci
Page 256 and 257: 256 simha aromi, polo valeho mimdev
Page 258 and 259: 258 92 simha aromi, polo valeho ara
Page 260 and 261: 260 axla ganvixiloT G kilos sxvadas
Page 262 and 263: 262 simha aromi, polo valeho gadaxr
Page 264 and 265: 264 simha aromi, polo valeho Semdeg
Page 266 and 267: 266 OUTLINE OF A SYNTAX OF CHORDS I
Page 268 and 269: 268 Simha Arom, Polo Vallejo 51 Mag
Page 270 and 271: 270 Simha Arom, Polo Vallejo Betwee
Page 272 and 273: 272 Simha Arom, Polo Vallejo 5 II I
Page 274 and 275: 274 Simha Arom, Polo Vallejo 88 Ere
Page 276 and 277: 276 Simha Arom, Polo Vallejo Let us
Page 278 and 279: 278 andrea kuzmiCi (kanada) qarTuli
Page 280 and 281: 280 andrea kuzmiCi musikologia da T
Page 284 and 285: 284 ANDREA KUZMICH (CANADA) THE TRA
Page 286 and 287: 286 Andrea Kuzmich traditional musi
Page 288 and 289: 288 Andrea Kuzmich the ability to l
Page 290 and 291: 290 daiva raCiunaite-viCiniene (lit
Page 292 and 293: 292 daiva raCiunaite-viCiniene Sin
Page 294 and 295: 294 daiva raCiunaite-viCiniene litv
Page 296 and 297: 296 daiva raCiunaite-viCiniene / su
Page 298 and 299: 298 daiva raCiunaite-viCiniene nebi
Page 300 and 301: 300 daiva raCiunaite-viCiniene buli
Page 302 and 303: 302 daiva raCiunaite-viCiniene wreS
Page 304 and 305: 304 (Stasys Paliulis) mier 1932 wel
Page 306 and 307: 306 LITHUANIAN AND AINU VOCAL POLYP
Page 308 and 309: 308 Daiva Račiūnaitė -Vyčinien
Page 318 and 319: 318 10 C. Forlivesi assumes that mu
Page 322 and 323: 322 daiva raCiunaite-viCiniene. dan
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332 daiva raCiunaite-viCiniene. dan
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334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
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338 vielebTan, aramed Crdilo-evropu
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340 Mikhail Lobanov Konz mäthil Gr
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342 Mikhail Lobanov due to the lowe
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344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
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franc foedermairi. danarTi Franz F
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517 morimoto masako, honda manabu,
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qarTuli tradiciuli mravalxmianobis
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521 MORIMOTO MASAKO, HONDA MANABU,
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Study on the Sound Structure of Geo
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morimoto masako, honda manabu, niSi
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527 kavai norie, morimoto masako, h
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kavai norie, morimoto masako, honda
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kaxuri simRerebis gaSifvris sakiTxe
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CHALLENGES IN MUSICAL TRANSCRIPTION
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nona lomiZe. danarTi Nona Lomidze.
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555 leila maruaSvili (saqarTvelo) q
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qarTuli xalxuri polifoniis tradicie
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Refraction of Georgian Folk Polypho
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leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
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ioseb Jordania, xelovnebaTmcodneobi
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polo valeho, eTnomusikologiis doqto
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578 simpoziumis organizatorebi mxar
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