The Fifth International Symposium on Traditional Polyphony ...

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andrea kuzmiCi
musikologia da Tanamedrove musikis istoria epilogSi gvTvazobs termins musikis imanen–
turi istoria, raTa aRweros musikis moqmedebis Tavisebureba, rogorc `kristalizatorisa,
romelSic Tavs iyris, narCundeba da gardaiqmneba dro da mexsiereba~ (Newman, 1993: 269).
aqamde musika, rogorc droiTi xelovneba, zustad ar iyo for mu li re bu li rogorc `ma–
terialuri~ teqsti, romelic kulturis mexsierebis sa fuZ velia. tradiciuli mu sikis mate–
rializeba koleqtiur mexsierebaSi, metad kompleqsuri da Teoriuli sakiTxia, rac gvai–
Zulebs viyoT ufro SemoqmedebiTi da vicodeT musikisTvis damaxasiaTebeli yvela rTuli
forma da ritorikuli asociacia. qarTuli po li foniis msgavs tradiciul musikaSi, sadac
ritorikuli garemo STa in Tq me ba Soreul istoriaSi, me gTavazobT, rom `imanenturi musika–
luri is to ria~ gamovacalkevoT mSobliuri qveynis istoriidan, musikaluri praqtikis is to–
riidan; amas mniSvneloba aqvs musikis ganviTarebisTvis – mu si ka lu ri praqtikis esTetikuri
ganviTarebisTvis.
qarTuli polifonia, misi istoria da siZvelis materializacia qarTvelebisTvis
viwyeb qarTuli polifoniuri musikis aRweriT da statiis am nawils vuZRvni imis ana–
lizs, Tu rogor materi aliz de ba qarTul polifoniur simReraSi warsuli, romelsac igi
Tavis TavSi atarebs. magaliTad, saqarTvelos mier gadaxdili omebis Sesaxeb naTlad mogvi–
Txroben leqsebi, simReraTa Janrebi da ritorika, romelic praq tikas axlavs Tan. magram nak–
lebad naTelia, Tu ra gavlenas axdens konfliqtebi musikaluri praqtikis bunebaze. es
gaurkvevloba gvabnevs da kidev ufro met hipoTezas warmoSobs. rogorc ar unda iyos,
es bundovaneba ufro mkafio konturebs iZens, roca Cven vacnobierebT qristianobis gama–
erTianebel rols saqarTvelos konfliqtebis istoriaSi da mis Sedegebs musikalur ganvi
Ta rebaze.
mTavaria gavacnobieroT, romOMqarTuli polifoniis samxmiani struqtura msoflios am
nawilSi namdvilad anomaliaa, sadac mezoblebi (somxeTis, azerbaijanis da CrdiloeT kavka–
siis msgavsi) monofoniur musikalur praqtikas misdeven. qarTvelebis mixedviT, qarTuli
simRerebis Sesruleba emsaxureba siyvarulis da megobrobis metaforas; andersonis gage–
biT, megobroba kidev erTxel ganamtkicebs qarTvel ers `warmosaxuli sazogadoebis~ meSve–
obiT (Anderson, 1991). magram unda aRiniSnos, rom qarTuli polifonia ar aris stilurad
monoliTuri mTeli qveynis masStabiT. qarTuli polifonia Sedgeba mravali musikaluri di–
aleqtisgan, romlebic gamoxataven qveynis regionalur gansxvavebas. Tavis mxriv, es gamoxa–
tavs im adamianebs, romlebic dasaxlebulni arian kavkasiis gulSi, dasavleTisa da aRmosav–
leTis gzajvaredinze. am mizniT, bevri amtkicebs rom qarTuli polifonia aris qveynis mTli–
anobis dadastureba. es mtkicebuleba iRebs did mniSvnelobas, roca ganixilaven bolo 2000
wlis manZilze, TiTqmis 200 wliT gaerTianebul saqarTvelos. unda iTqvas, rom bolo 1500
wlis saqarTvelos istoria, ZiriTadad, aris patara qristianuli saxelmwifos brZola
Zlevamosil mezoblebTan gadarCenisaTvis. igi mravalgzis iyo dapyrobili, daqucmacebuli,
gaerTianebuli (Suny, 1994; Tournamnoff, 1963).
qarTvelTa polifoniuri musikaluri praqtika uSualod dakavSirebulia warsulTan
da gamoxatavs am eris istoriul da geopolitikur brZolas. es umeteswilad kargad Cans
mSvidobisa da omisadmi miZRvnili simRerebis TematikaSi an sasimRero leqsebis Tanmxleb
ritorikaSi, romelic gamoxatavs mwuxarebasa da moRalatis gakicxvas – iqneba es koncertze,