The Fifth International Symposium on Traditional Polyphony ...

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264 simha aromi, polo valeho Semdeg safexurebs aqvT ormxrivi urTierToba: Cven ver vxedavT ormxriv urTierTobas Semdeg safexurebs Soris: I - IV - I / I - V - I / I - VI - I / IV – VII – IV / VI - III - VI / I _ III, I _ V da III _ V safexurebs Soris araviTari kavSiri ar aris. I _ IV, VI _ III da VII _ III safexurebs Soris aris mxolod calmxrivi urTierToba. daskvna naSromis saTauri akordTa sintaqsis monaxazi zogierT megrul simReraSi warmoadgens Cveni kvlevis momdevno safexurs, rac gulisxmobs qarTuli mravalxmianobis enis da im principebis Seswavlas, romelsac efuZneba harmoniuli sistema. rac Seexeba kvlevis wina etapebs, winamdebare prezentacia mosamzadebeli safexuria, ro– gorc damateba Cveni qarTveli kolegebis kvlevebisa. am SemTxvevaSi, saWiro iyo gagvemijna kvlevis areali. SevarCieT samegrelos regioni, raTa dagvedgina is specifiuri elementebi, riTac igi gansxvavdeboda sxva regionebSi gavrcelebuli formebisagan. me-5 simpoziumis dasrulebis Semdeg (romelzec es moxseneba iqna wakiTxuli) Cven axali masalis mosaZieblad gavemgzavreT samegreloSi ansambl basianis or warmomadgenelTan, gi– orgi donaZesa da zurab wkrialaSvilTan erTad. maT moiZies saWiro kontaqtebi da uzrun– velyofdnen Targmans. erTi kviris ganmavlobaSi CaviwereT sxvadasxva ansamblis, qalTa da mamakacTa, sxadasxva asakobrivi jgufis Sesruleba walenjixaSi, Cxorowyusa da zugdidSi. agreTve, Cven gvqon–da piradi urTierTobis saSualeba qarTuli kulturis iseT gamoCenil moRvawesTan, rogoric gaxlavT polikarpe xubulava. mas Semdeg, rac Cven gavSifreT da gavaanalizeT megru– li simRerebi, SesaZlebloba mogveca, dagvedasturebina am moxsenebaSi warmodgenili mona– cemebisa da hipoTezebis umravlesoba. Cven am kvlevaSi gamoviyeneT adre SemuSavebuli da Camoyalibebuli analitikuri xerxebi: safexurebisa da akordebis gaSifvra, sxvadasxva parametrebisa (kilos da intonaciis) da procesebis (kadansebi da harmoniuli sintaqsi) gancalkeveba. arsebuli musikaluri masalis harmoniul ConCxze dayvaniT da Cveni meTodis Sefasebis mizniT, Cven SevqmeniT akordTa harmoniuli Tanmimdevrobis 4 versia (E, G da A kiloebSi), romelTa Soris mxolod erTi Seesabameboda megruli simRerebis models, xolo danarCeni sami Seicavda ucxo elementebs. ansambl basianis wevrebis daxmarebiT es magaliTebi warvudgineT msmenels. rogorc mo– salodneli iyo, ori varianti maSinve gamoiricxa, erTi ki aRiares, rogorc utyuari, swori. am faqtma ,,nawilobriv~ daadastura Cveni Teoria, radgan erT-erTma nimuSma msmenelebs Soris gamoiwvia dava, radgan igi Seicavda rogorc ucxo, ise megrul elementebs. am davam iseTi masStabi miiRo, rom simpoziumis dasasruls mogviwia sagangebo Sexvedris gamarTva debatebis gagrZelebis mizniT. zemoaRniSnulma Cven ormagi kmayofileba mogvgvara: 1. gaizarda Cveni qarTveli kole–
akordis sintaqsis safuZvlebi zogierT megrul simReraSi 265 gebis interesi da Tanamonawileobis survili, rac, Cveni azriT, Zalze mniSvnelovania Cve– ni Semdgomi kvlevisaTvis da 2. amasTanave, aRmovaCineT, rom mxolod eqsperimentuli meTo– di da sistemaze ,,Zaldataneba~ dagvexmareba qarTuli TviTmyofadi harmoniuli enis Tavi– seburebebis gagebaSi. Targmnes nino razmaZem da maia kaWkaWiSvilma
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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143 NATALIA ZUMBADZE, KETEVAN MATIA
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Caucasian Peoples’ Polyphony and
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natalia zumbaZe, qeTevan maTiaSvili
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155 maia gelaSvili (saqarTvelo) pan
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pankisis xeobis qistebis tradiciuli
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ON THE STUDY OF THE TRADITIONAL MUS
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On the Study of the Traditional Mus
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163 maka xarZiani (saqarTvelo) samx
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samxmiani simRerebis gaerTxmianebis
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samxmiani simRerebis gaerTxmianebis
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On the Change of Three-Part Songs i
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On the Change of Three-Part Songs i
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173 manana SilakaZe (saqarTvelo) qa
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qarTuli da adiReuri instrumentuli m
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177 MANANA SHILAKADZE (GEORGIA) GEO
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Georgian and Adyghe Music in the Co
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manana SilakaZe. danarTi Manana Shi
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Ktradiciuli polifoniis regionuli st
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186 Jana partlasi mizezis gamo. upi
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188 Jana partlasi naxevartoniani ki
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190 ŽANNA PÄRTLAS (ESTONIA) RETRA
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192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
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206 Tamaz gabisonia. danarTi Tamaz
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212 gerald florian mesneri mosaxldn
Page 214 and 215: 214 gerald florian mesneri lebi da
Page 216 and 217: 216 GERALD FLORIAN MESSNER (AUSTRAL
Page 218 and 219: 218 Gerald Florian Messner gives us
Page 220 and 221: 220 Gerald Florian Messner Audio Ex
Page 222 and 223: 222 daviT SuRliaSvili rac Seexeba a
Page 224 and 225: 224 daviT SuRliaSvili tradicia, rom
Page 226 and 227: 226 daviT SuRliaSvili damowmebuli l
Page 228 and 229: 228 Davit Shughliashvili characteri
Page 230 and 231: 230 Davit Shughliashvili the bell),
Page 232 and 233: 232 daviT SuRliaSvili. danarTi Davi
Page 234 and 235: 234 daviT SuRliaSvili. danarTi Davi
Page 236 and 237: 236 elena iovanoviCi (serbeTi) hibr
Page 238 and 239: 238 elena iovanoviCi rebiT, sakvlev
Page 240 and 241: 240 elena iovanoviCi lis `damuqeba~
Page 242 and 243: 242 JELENA JOVANOVIĆ (SERBIA) HYBR
Page 244 and 245: 244 Jelena Jovanović (Dević, 1979
Page 246 and 247: 246 Jelena Jovanović of the new st
Page 248 and 249: 248 Jelena Jovanović Scope of Ethn
Page 250 and 251: 250 elena iovanoviCi. danarTi Jelen
Page 252 and 253: 252 elena iovanoviCi. danarTi Jelen
Page 254 and 255: 254 liTSi aris SemTxveviTi modulaci
Page 256 and 257: 256 simha aromi, polo valeho mimdev
Page 258 and 259: 258 92 simha aromi, polo valeho ara
Page 260 and 261: 260 axla ganvixiloT G kilos sxvadas
Page 262 and 263: 262 simha aromi, polo valeho gadaxr
Page 266 and 267: 266 OUTLINE OF A SYNTAX OF CHORDS I
Page 268 and 269: 268 Simha Arom, Polo Vallejo 51 Mag
Page 270 and 271: 270 Simha Arom, Polo Vallejo Betwee
Page 272 and 273: 272 Simha Arom, Polo Vallejo 5 II I
Page 274 and 275: 274 Simha Arom, Polo Vallejo 88 Ere
Page 276 and 277: 276 Simha Arom, Polo Vallejo Let us
Page 278 and 279: 278 andrea kuzmiCi (kanada) qarTuli
Page 280 and 281: 280 andrea kuzmiCi musikologia da T
Page 282 and 283: 282 andrea kuzmiCi da profesiuls 3
Page 284 and 285: 284 ANDREA KUZMICH (CANADA) THE TRA
Page 286 and 287: 286 Andrea Kuzmich traditional musi
Page 288 and 289: 288 Andrea Kuzmich the ability to l
Page 290 and 291: 290 daiva raCiunaite-viCiniene (lit
Page 292 and 293: 292 daiva raCiunaite-viCiniene Sin
Page 294 and 295: 294 daiva raCiunaite-viCiniene litv
Page 296 and 297: 296 daiva raCiunaite-viCiniene / su
Page 298 and 299: 298 daiva raCiunaite-viCiniene nebi
Page 300 and 301: 300 daiva raCiunaite-viCiniene buli
Page 302 and 303: 302 daiva raCiunaite-viCiniene wreS
Page 304 and 305: 304 (Stasys Paliulis) mier 1932 wel
Page 306 and 307: 306 LITHUANIAN AND AINU VOCAL POLYP
Page 308 and 309: 308 Daiva Račiūnaitė -Vyčinien
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314 Daiva Račiūnaitė -Vyčinien
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318 10 C. Forlivesi assumes that mu
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322 daiva raCiunaite-viCiniene. dan
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334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
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338 vielebTan, aramed Crdilo-evropu
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340 Mikhail Lobanov Konz mäthil Gr
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342 Mikhail Lobanov due to the lowe
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344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
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franc foedermairi. danarTi Franz F
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517 morimoto masako, honda manabu,
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qarTuli tradiciuli mravalxmianobis
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521 MORIMOTO MASAKO, HONDA MANABU,
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Study on the Sound Structure of Geo
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morimoto masako, honda manabu, niSi
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527 kavai norie, morimoto masako, h
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kavai norie, morimoto masako, honda
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kaxuri simRerebis gaSifvris sakiTxe
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CHALLENGES IN MUSICAL TRANSCRIPTION
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nona lomiZe. danarTi Nona Lomidze.
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555 leila maruaSvili (saqarTvelo) q
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qarTuli xalxuri polifoniis tradicie
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Refraction of Georgian Folk Polypho
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leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
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ioseb Jordania, xelovnebaTmcodneobi
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polo valeho, eTnomusikologiis doqto
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578 simpoziumis organizatorebi mxar
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