The Fifth International Symposium on Traditional Polyphony ...

hibriduli vokaluri formebi – centraluri serbeTis axali da Zveli
vokaluri stilebisa da tradiciuli musikaluri dialeqtebis nazavi
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teqsti ufro gviani warmoSobisaa.
saeqspedicio gamokvlevebma cxadyo, rom am regionSi (iasenicas zemoT) hib riduli simRe–
rebis hangs/melodias xalxSi specialuri saxelebi aqvs. me lodi u ri modelis aRmniSvnel
terminad miRebulia Zveli sityva glasi; ax lad wamoSobil termins aria uf ro xSirad
gavigonebT im momRerlebisgan, romlebic mxolod axa li tradiciis simRerebs asruleben.
konkretuli melodiuri mo delebis adgilobriv saxelebSi vlindeba: 1. maTi Sesrulebis
specifika: vxvdebiT terminebs ro goricaa maRali, an didi modeli (Tu eTnoforebs davujerebT,
simRerisas yvirilis xmebi gamoicema, mag. 4) da mZime modeli (mag. 5); 2. im adgilis
Taviseburebebi, sadac simRera sruldeba; aqedan aris termini mTis modeli (mag. 4); 3. funq–
cia: saqorwilo modeli (mag. 1-3); 4. sawyisi refreni, romelic specifikuri melodiuri mode–
lis damaxasiaTebel Tvisebas gansazRvravs (ia-Ti an eia-oia-Ti dawyeba, mag. 2, 6).
imisaTvis, rom sworad gavigoT hibriduli simRerebis genezisi, aucilebelia ganvasx–
vavoT Zveli da axali orxmiani vokaluri tradicia. es elementebi, sxvadasxva kombi naci iT,
gansazRvravs am jgufis simRerebis iersaxes. Zveli tradiciiT, umTa vre sia formis age–
bis monoTematuri principi; igi efuZneba erTian motivur masalas, romelic meordeba da
varirdeba; aseve axasiaTebs aratemperirebuli, SezRuduli bgeraTrigi 3 da heterofonia, he–
terofoniul-burdonuli an burdonul-orxmiani qsovili, romelSic umniSvnelovanes rols
asrulebs maJoruli sekunda melodiaSi da arc Tu iSviaTad kadenciaSi. aseTi Sesrulebis
mniSvnelovan Tvisebas da esTetikur safuZvels warmoadgens JReradobis Sereva-gaerTianeba
(amalgamacia), misi uwyvetoba, rac miiRweva wamyvani xmis da momReralTa jgufis sunTqvis
monacvleobiT (Petrović, 1989: 66). Sesrulebis Zvelebur maneraSi aseve xSiria diftongebic,
rac miznad isaxavs vokalis `daCrdilvas~ 4 .
soflis ufro axali serbuli orxmiani simRerebis Taviseburebas (simReris am tips
aseve eZaxian na bas – baniT) gansazRvravs maTi homofoniuri faqtura, met-naklebi terciuli
paralelizmi da kadencia wminda kvintaze 5 .
iasenicaSi Cawerili homofoniuri simRerebi hibriduli formebis mraval gan sxva ve bul
magaliTs Seicavs 6 . mecnierebis mier gansazRvrulia, rogorc uZvelesi, ise axali tipis
simRerebisTvis damaxasiaTebeli Ta viseburebani. maT Sorisaa serbuli soflis uZveles sim-
Re ris Sem degi niSnebi: kadencia maJorul sekundaze (mag. 1-4, 6-8, 10), aratemperirebuli wyoba
(mag. 1, 2, 6, 9), xmebis gadajvaredineba, rac vlindeba wamyvani xmis daRmaval moZraobaSi fi–
nalisisken, iseve rogorc gaurkveveli simaRlis mqone yvelaze dabali tonis TandaTanobiT
cvlilebaSi an naxtomSi (mag. 1, 4; Golemović, 1984: 135), diftongebsa (mag. 1) da monacvleobiT
sunTqvaSi (mag. 1-5, 8, 9). bolo periodis mraval gamokvlevaSi, monoTematurobisa da frag–
mentulobis principi ganxilulia melopoeturi formis warmoqmnasTan dakavSirebiT (Jova–
nović, 2010: 206-208).
kavSiri hibriduli formis uaxlesi plastis simRerebTan upirvelesad vlindeba homo–
foniur faqturasa da vokaluri xmebis paralelur moZraobaSi (yvela mocemul magaliTSi);
garda amisa, hibridul formaSi met-naklebi stabilurobiT gvxvdeba toni c1 Tanmxleb xmaSi
(mag. 2-6), romelsac xSirad ornamentuli tonis funqcia aqvs, magram aseve SeiZleba Segvxvdes
kadan sSi (mag. 5, 9).
iasenikas hibriduli formebis principTa identificirebisas arsebobs obieqturi xasia–
Tis ori sirTule. pirvelia Tanxlebi xmis iersaxis arasrulyofili daxasiaTeba, gansakuT–