The Fifth International Symposium on Traditional Polyphony ...

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220 Gerald Florian Messner Audio Examples Audio example 1. Waht da Schnee von da Laitn (German dialect; in English: When the snow disappears from the meadow…), it is a five part male song (From the archive of Dieter Fleiss) Audio example 2. Jaz sem pa snuč n en kraju biwu (Carinthian Sloveinian dialect; in English: Yesterday I have been at a place...). (Gerlinde Haid, Josef Sulz and Thomas Nussbaumer (editors). (2000). DER AUTHENTISCHE VOLKSGESANG IN DEN ALPEN, Überlegungen und Beispiele, publisher: Verlag Müller-Speiser, Anif/Salzburg Audio example 3. Je pa davi swanca padla (Carinthian Slovenian dialect; in English: Yesterday fell frost…). (Gerlinde Haid, Josef Sulz and Thomas Nussbaumer (editors). (2000). DER AUTHENTISCHE VOLKSGESANG IN DEN ALPEN, Überlegungen und Beispiele, publisher: Verlag Müller-Speiser, Anif/Salzburg Audio example 4. Da Summa isch aussi (Tyrolian dialect; in English: the summer has left…). (Gerlinde Haid, Josef Sulz and Thomas Nussbaumer (editors). (2000). DER AUTHENTISCHE VOLKSGESANG IN DEN ALPEN, Überlegungen und Beispiele, publisher: Verlag Müller-Speiser, Anif/Salzburg
221 daviT SuRliaSvili (saqarTvelo) ùsityvo~ mravalxmianoba qarTul tradiciul musikaSi musika, erTi mxriv, rogorc abstraqtuli, xolo meore mxriv, rogorc grZnobiTi lo– gikis mqone universaluri ena, kacobriobis istoriis maradarsebuli kategoriaa. gancdis siRrme da SegrZnebebi, romelic musikaluri eniT eniWeba adamians, bunebrivad svams sakiTxs am enis preistoriulobis, pirvelqmnadobis Sesaxeb. SeiZleba iTqvas, rom sametyvelo enis– gan gansxvavebiT, musikalur enaze ar vrceldeba bibliur-istoriuli faqti, caTmwvdomi ba– bilonis godolis Senebisgan gamowveuli risxvisa da sasjelisa. iqneb, swored amitom, mu– sikalur enas, erovnuli niSniT gansxvavebulobisa da identificirebis miuxedavad, Targmna ar esaWiroeba; igi yvelasTvis gasagebia (msmenlis SegZnebadobisa da aRqmadobis xarisxis adekvaturad). musikaluri metyveleba maradiulad zogadsakacobrio kuTvnilebaa! musikis erT-erT umniSvnelovanes Tvisebad, albaT, is unda CaiTvalos, rom am eniT Tqmul azrs unari aqvs adamianis gulTan umoklesi gziT mivides da grZnobaTa sityviTmiuwvdomel Sreebs Seexos. musikis logosi TviT sityvieri teqstis elferis Semcvlelia, zog SemTx– vevaSi _ misi gamamdidrebelic. musikis enas Tavisi sintaqsi (logikuri sintaqsi) aqvs. amde– nad, Zneli asaxsneli ar unda iyos adamianis survili usityvod mRerisa! qarTul tradiciul musikaSi iSviaTobas ar warmoadgens amgvari simRerebi, romelTac pirobiTad ,,usityvo~ simRerebi SegviZlia vuwodoT, radgan maTSi mxolod e. w. glosola– liebs, mniSvnelobis armqone an mniSvnelobadakargul, asemantikur sityvebs da marcvlebs, (e. w. samRerisebs) vxvdebiT. am simReraTa Sinaarsi mTlianad musikaluri enis sintaqss efuZ– neba. ,,usityvo~ simRerebi msoflios sxvadasxva kontinentis, qveynis, kuTxisa da xalxis sasim– Rero tradiciaSi arsebobs. klasikur evropul musikaSi usityvod mReris, anu vokalizis winamorbedad e. w. iubila– cia da melizma iTvleba. vokalizebi sruliad usityvod, rogorc wesi, erT xmovanze imRere– ba, risi analogic qarTul xalxur musikaSi praqtikulad ar gvxvdeba. saintersoa, rom igive suraTia jazSi, sadac ùsityvo~ mRera, romelsac `sketi~ ewodeba, mniSvnelobis armqone marcvalTa mravalgvari kombinaciiT warmoebs. usityvod mReris itorias Tvals Tu gadavavlebT, davinaxavT, rom igi uZvelesi droidan dRevandelobamde, sruliad gansxvavebul stilebSi, mimdinareobebSi, gansxvavebuli tradi– ciis mqone erebSi, rogorc monodiur, ise mravalxmian kulturebSi aqtiurad moqmedi for– maa sasimRero xelovnebisa. qarTul tradiciul musikaSi ùsityvo~ simRerebs, anu simRerebs, romelnic Tavidan bo– lomde asemantikur marcvlebzea agebuli, metwilad dasavleT saqarTveloSi vxvdebiT. kerZod: gurul, megrul, aWarul, svanur, leCxumur, afxazur sasimRero tradiciaSi. unda, iTqvas, rom imereTSic da raWaSic dasturdeba am tipis simRerebi, magram Sedare– biT mcire odenobiT. kerZod, imerulze unda iTqvas, rom saarqivo audio Canaweris saxiT ar– sebuli ramdenime nimuSi. udavod. metyvelebs Zvelad am tradiciis myarad arsebobis Sesaxeb.
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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143 NATALIA ZUMBADZE, KETEVAN MATIA
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Caucasian Peoples’ Polyphony and
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natalia zumbaZe, qeTevan maTiaSvili
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155 maia gelaSvili (saqarTvelo) pan
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pankisis xeobis qistebis tradiciuli
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ON THE STUDY OF THE TRADITIONAL MUS
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On the Study of the Traditional Mus
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163 maka xarZiani (saqarTvelo) samx
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samxmiani simRerebis gaerTxmianebis
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samxmiani simRerebis gaerTxmianebis
Page 169 and 170: On the Change of Three-Part Songs i
Page 171 and 172: On the Change of Three-Part Songs i
Page 173 and 174: 173 manana SilakaZe (saqarTvelo) qa
Page 175 and 176: qarTuli da adiReuri instrumentuli m
Page 177 and 178: 177 MANANA SHILAKADZE (GEORGIA) GEO
Page 179 and 180: Georgian and Adyghe Music in the Co
Page 181 and 182: manana SilakaZe. danarTi Manana Shi
Page 183: Ktradiciuli polifoniis regionuli st
Page 186 and 187: 186 Jana partlasi mizezis gamo. upi
Page 188 and 189: 188 Jana partlasi naxevartoniani ki
Page 190 and 191: 190 ŽANNA PÄRTLAS (ESTONIA) RETRA
Page 192 and 193: 192 Žanna Pärtlas melodic lines c
Page 194 and 195: 194 Jana partlasi. danarTi Žanna P
Page 196 and 197: 196 damwyebi xma qarTul mravalxmian
Page 198 and 199: 198 Tamaz gabisonia g) mxolod simRe
Page 200 and 201: 200 Tamaz gabisonia sovs, damwyebis
Page 202 and 203: 202 Tamaz Gabisonia of these songs
Page 204 and 205: 204 Tamaz Gabisonia mazhogh). So do
Page 206 and 207: 206 Tamaz gabisonia. danarTi Tamaz
Page 212 and 213: 212 gerald florian mesneri mosaxldn
Page 214 and 215: 214 gerald florian mesneri lebi da
Page 216 and 217: 216 GERALD FLORIAN MESSNER (AUSTRAL
Page 218 and 219: 218 Gerald Florian Messner gives us
Page 222 and 223: 222 daviT SuRliaSvili rac Seexeba a
Page 224 and 225: 224 daviT SuRliaSvili tradicia, rom
Page 226 and 227: 226 daviT SuRliaSvili damowmebuli l
Page 228 and 229: 228 Davit Shughliashvili characteri
Page 230 and 231: 230 Davit Shughliashvili the bell),
Page 232 and 233: 232 daviT SuRliaSvili. danarTi Davi
Page 234 and 235: 234 daviT SuRliaSvili. danarTi Davi
Page 236 and 237: 236 elena iovanoviCi (serbeTi) hibr
Page 238 and 239: 238 elena iovanoviCi rebiT, sakvlev
Page 240 and 241: 240 elena iovanoviCi lis `damuqeba~
Page 242 and 243: 242 JELENA JOVANOVIĆ (SERBIA) HYBR
Page 244 and 245: 244 Jelena Jovanović (Dević, 1979
Page 246 and 247: 246 Jelena Jovanović of the new st
Page 248 and 249: 248 Jelena Jovanović Scope of Ethn
Page 250 and 251: 250 elena iovanoviCi. danarTi Jelen
Page 252 and 253: 252 elena iovanoviCi. danarTi Jelen
Page 254 and 255: 254 liTSi aris SemTxveviTi modulaci
Page 256 and 257: 256 simha aromi, polo valeho mimdev
Page 258 and 259: 258 92 simha aromi, polo valeho ara
Page 260 and 261: 260 axla ganvixiloT G kilos sxvadas
Page 262 and 263: 262 simha aromi, polo valeho gadaxr
Page 264 and 265: 264 simha aromi, polo valeho Semdeg
Page 266 and 267: 266 OUTLINE OF A SYNTAX OF CHORDS I
Page 268 and 269: 268 Simha Arom, Polo Vallejo 51 Mag
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270 Simha Arom, Polo Vallejo Betwee
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272 Simha Arom, Polo Vallejo 5 II I
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274 Simha Arom, Polo Vallejo 88 Ere
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276 Simha Arom, Polo Vallejo Let us
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278 andrea kuzmiCi (kanada) qarTuli
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280 andrea kuzmiCi musikologia da T
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282 andrea kuzmiCi da profesiuls 3
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284 ANDREA KUZMICH (CANADA) THE TRA
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286 Andrea Kuzmich traditional musi
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288 Andrea Kuzmich the ability to l
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290 daiva raCiunaite-viCiniene (lit
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292 daiva raCiunaite-viCiniene Sin
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294 daiva raCiunaite-viCiniene litv
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296 daiva raCiunaite-viCiniene / su
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298 daiva raCiunaite-viCiniene nebi
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300 daiva raCiunaite-viCiniene buli
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302 daiva raCiunaite-viCiniene wreS
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304 (Stasys Paliulis) mier 1932 wel
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306 LITHUANIAN AND AINU VOCAL POLYP
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308 Daiva Račiūnaitė -Vyčinien
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318 10 C. Forlivesi assumes that mu
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322 daiva raCiunaite-viCiniene. dan
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334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
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338 vielebTan, aramed Crdilo-evropu
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340 Mikhail Lobanov Konz mäthil Gr
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342 Mikhail Lobanov due to the lowe
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344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
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franc foedermairi. danarTi Franz F
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517 morimoto masako, honda manabu,
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qarTuli tradiciuli mravalxmianobis
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521 MORIMOTO MASAKO, HONDA MANABU,
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Study on the Sound Structure of Geo
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morimoto masako, honda manabu, niSi
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527 kavai norie, morimoto masako, h
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kavai norie, morimoto masako, honda
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kaxuri simRerebis gaSifvris sakiTxe
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CHALLENGES IN MUSICAL TRANSCRIPTION
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nona lomiZe. danarTi Nona Lomidze.
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555 leila maruaSvili (saqarTvelo) q
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qarTuli xalxuri polifoniis tradicie
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Refraction of Georgian Folk Polypho
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leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
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ioseb Jordania, xelovnebaTmcodneobi
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polo valeho, eTnomusikologiis doqto
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578 simpoziumis organizatorebi mxar
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