The Fifth International Symposium on Traditional Polyphony ...
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214<br />

gerald florian mesneri<br />

lebi da kvlav misdeven im modelebsa da wesebs, romlebic kargad aris nacnobi im regi<strong>on</strong>Si<br />

mosaxle xalxisTvis.<br />

erTad simRera, arsebiTad, bunebiT iyo da aris improvizaciuli. es ar aris Tavisufali<br />

improvizacia, es ufro metad improvizaciuli praqtikaa, sadac wesebi, rogori moqnilic ar<br />

unda iyos, imisTvisaa, rom simReris JReradoba akmayofilebdes Semsruleblebs. Tu zogadad<br />

vityviT, es Sesruleba ara marto akmayofilebs sazogadoebas, aramed, umTavresad, yvela mo–<br />

nawilis siamovnebisTvisaa Seqmnili. zogierTi bgera, gansakuTrebiT isini, romlebic dau–<br />

gegmav, improvizaciul SesrulebaSi gvxvdeba, yovelTvis ar aris sasiamovno mosasmeni aka–<br />

demiurad momzadebuli musikosebisTvis. isini masSi aRmoaCenen Seusabamobas, paralelur<br />

kvintebs da oqtavebs da sxva Taviseburebebs, romlebic akrZalulia musikalur praqtikaSi.<br />

es `sufTa~ Sesruleba dRes qreba, radgan Cvenma smenam da g<strong>on</strong>ebam Tanabarad temperirebul<br />

wyobaSi (12-TET) daimaxsovra yvelaferi, gaasufTava da gamoricxa amjerad gavrcelebuli<br />

melodiisa da Cveni globalizebuli musikaluri sistemisTvis e.w. `aramusikaluri~ ucxo<br />

bgerebi. Cans, rom adamianebma, romlebic Soreul rai<strong>on</strong>ebSi cxovrobdnen, SeZles arqauli<br />

tradiciuli formebis SenarCuneba didi xnis manZilze. dRes es mdgomareoba icvleba Cveni<br />

samyaros digitalizaciis gamo.<br />

karinTiis polif<strong>on</strong>iuri stili SenarCunebulia, magram umetesad Cndeba akademiuri homo–<br />

f<strong>on</strong>uri oTxxmiani harm<strong>on</strong>iis `Sesabamis~ CarCoSi. maTSi drodadro SesaZlebelia Zveli heq–<br />

saqorduli modusebisa da egreTwodebuli `veluri~ intervaluri struqturebisa da poli–<br />

f<strong>on</strong>iuri ganviTarebis SeniSvna, Tumca Zalian iSviaTad.<br />

kargad cnobili melodiebi gadaecema Taobidan Taobas da xelaxla iwyeben arsebobas,<br />

magram polif<strong>on</strong>iur qsovils, romelsac qmnian musikosebi formaluri musikaluri aRzrdis<br />

gareSe, garkveulwilad, musikis Seqmnis procesSi kvlav sp<strong>on</strong>tanurobis elementebi SemoaqvT.<br />

TiToeul momRerals Tavisi wvlili Seaqvs harm<strong>on</strong>iul qsovilSi da mReris partias, ro–<br />

melic winaswar ar aris gawerili, magram arsebobs k<strong>on</strong>ceptualurad da Seesabameba mis xmas.<br />

ase rom, es aris koleqtiuri Semoqmedeba da adamianebma, romlebic cxovroben am regi<strong>on</strong>Si,<br />

adreuli bavSvobidan SeiTvises polif<strong>on</strong>iuri unarCvevebi. miCneulia, rom bgeris gadmocema<br />

unda iyos rbili, maSinac ki, roca sruli siZlieriT mRerian. bgeris gadmocemis aseTi xerxi<br />

cnobilia, rogorc bel canto-s stili. bgeris energia Tanabradaa gadanawilebuli mTlian<br />

speqtrze da Semsruleblebi did mniSvnelobas aniWeben e.w. obert<strong>on</strong>ebis anu harm<strong>on</strong>ikebis<br />

farTo rigs.<br />

warmogidgenT karinTiuli sasimRero stilis ramdenime audi<strong>on</strong>imuSs (audiomag. 1-4):<br />

1) Tanamedrove xuTxmiani simReris audi<strong>on</strong>imuSi. es simRera damuSavebuli da naswavlia,<br />

amitom improvizaciuli moulodnelobebi ar axasiaTebs da warmogvidgens dRevandeli sa–<br />

gundo Sesrulebis tradicias. am saxis simRerebisTvis damaxasiaTebeli ena Sua karinTiuli<br />

dialeqtia, warmoCenili adgilobrivi poetis gerhard glavisCingis (Gerhard Glawischning) mier.<br />

sxvadasxva germanuli karinTiuli dialeqti ZiriTadad Zvel samxreTul bavariul idiomebs<br />

emyareba;<br />

2) sloveniuri oTx- da xuTxmiani simRera: a) oTxxmiani simRera aris dolgaBbrdadan<br />

(Dolga Brda), sloveniuri soflidan karinTiis sanapiros marjvniv; Cawerilia 1964 wels (Stajnar,<br />

2000: 86). b) xuTxmiani simRera aris zel pfaredan (Zell Pfarre, slov. Sele pri Fari), romelic Cawe–<br />

rilia 1969 wels. am simRerebis ena aris karinTiuli sloveniuri dialeqti, romelic agreTve

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