The Fifth International Symposium on Traditional Polyphony ...

damwyebi xma qarTul mravalxmianobaSi
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da, sainteresoa, rom yvela variantSi guruli simReris damwyebi mcire moculobisaa, rac,
aseve, romelime xmaSi prioritetis naklebobiT unda aixsnas;
e) sinqronuli mravalxmianoba. amgvari, `qorduli~ wyoba qarTuli simRerisaTvis yvelaze
metadaa damaxasiaTebeli, amitom dawyebis mravalsaxovnebac swored aqaa gamovlenili. sinq–
ronuli wyobis simRerebSi romelime xmis, rogorc damwyebis prioritetuloba ufro me–
tad dialeqturi maxasiaTebliTaa ganpirobebuli da nak le badaa damokidebuli TviT mra–
valxmianobis tipze. ase, magaliTad, svanuri simRerebi, rogorc ufro arqauli, yovelTvis
Sua, winamZRoli (maJoR) xmiT iwyeba (asevea moxeuri, mTiuluri simRerebic), maSin, rodesac
melodiisadmi gansa kuT rebuli midrekilebiT gamorCeul megrul simRerebSi xSiria pirveli
xmiT da wyeba. gamoirCeva qalaquri da sagaloblis stilis nimuSebis zeda xmiT dawyebac;
v) sinTezuri mravalxmianobis, igive heterogenuli wyobis anu specifikuri xmebis Semc–
veli formebi naklebad ganapirobeben simReris dawyebis nor mebs. Tumca mainc unda aRiniS–
nos, rom iseTi specifikuri xmebi, rogoricaa kriman Wu li da, gansakuTrebiT, Semxmobari, tra–
diciulad, simReras ar iwyeben.
Tu simReris damwyebs struqturuli ganviTarebis aspeqtiT davakvirdebiT, pirvel rig–
Si qarTuli mravalxmianobis sawyis formas _ responsorul Sexmianebas unda mivmarToT (ga–
rayaniZe, 1997: 32). momwodebelisa da mopasuxes Soris, cxadia, damwyebi pirveli iqneboda.
damwyebis, rogorc winamZRolis roli qarTul simRe raSi jer kidev qsenofontem aRniSna.
am meqanizmis gamoZaxils dRes mTqme lisa (momwodebeli, korife) da banis (mopasuxe, qoro)
sawyis gasaubrebaSi vxe davT. es urTierToba SemdgomSi, erTi mxriv, damwyebisadmi burdo–
nuli banis Sexa mebad Camoyalibda (kaxur simReraSi), meore mxriv _ mokle ostinaturi fra–
zis pasuxad (nadurebSi). mas Semdeg, rac gundis partia motivurad gamomsaxveli gaxda da
formuluroba SeiZina, simReris warmmarTveli iniciativis funqciac SeiTavsa. am rolma ki
bans simReris damwyebis uflebac moupova. am mxriv, metad sainteresoa da sav lur qarTuli,
ZiriTadad, guruli xma gadaZaxili, romelic simReris frazebs Soris, umetesad, unisonuri
baniT gamoxatul refrens warmoadgens da zogjer dam wye bi swored es xmaa (mag. 11).
qarTuli tradiciuli sakravieri da vokalur-sakravieri nimuSebis sakravieri dasawyisi
ar amJRavnebs imgvar SemoqmedebiT fantazias, rasac _ momRerali dam wyebi. bevri simReris
sakravieri Sesavali erTmaneTs waagavs. sazogadod, sakravieri dawyeba musikaluri Sinaar–
siT SeiZleba iyos:
a) mxolod tonis mimcemi. aq dasakravi, erTgvarad, bur donuli banis, fonis funqcias
iTavsebs;
b) mcire originaluri melodiuri saqcevis mqone. SesaZloa, es fraza mTeli simReris
ganmavlobaSi erTaderT sakravier motivad darCes, riTac mas, regularuli ritmis SemTx–
vevaSi (xevsureTSi safanduro dasakravs xSirad am ukanasknelis gareSec vxvdebiT), ostina–
turi, magram mainc fonuri banis funqcia eniWeba. xSirad wina planze gamodis dasakravis,
rogorc erTgvari gadaZaxilis, funqcia (mag. 12);
g) simReris melodiur motivze agebuli fraza. xSirad simReris sakravieri Sesavali
erT mTlian sasimRero winadadebas `baZavs~.
qarTuli tradiciuli saeklesio sagalobeli, romelic xSirad xalxur yofaSic srul–
deba, ZiriTadad zeda xmiT iwyeba, radgan kanonikur, wamyvan, sta bi lur xmad swored is iTv–
leba. amitom dasavleT saqarTveloSi mas ufro xSirad Tqmas uwodeben (rac, rogorc gvax–