The Fifth International Symposium on Traditional Polyphony ...

Jana partlasi. danarTi
Žanna Pärtlas. APPENDIX
195
cxrili 1. erTi-sami-naxevartonis kilos transformacia: a) erTi-sami-naxe-vartonis wyoba (3-1-3-1)
gaxdeba anhemitonuri-diatonuri wyoba (3-2-2-1); b) erTi-sami-naxevartonis wyoba (1-3-1-3) gaxdeba
harmoniuli minori (3-2-2-1)
Table 1. <strong>The</strong> transformations of the one-three-semitone mode: (a) the one-three-semitone scale (3-1-3-1) turns into the
anhemitonic-diatonic scale (3-2-2-1); (b) the one-three-semitone scale (1-3-1-3) turns into the harmonic minor (3-2-2-1)
a. C C
B B
Ab A
G G
E E
b. B Bb
A# A
G G
F# F#
Eb Eb
D D
3-1-3-1 3-2-2-1 1-3-1-3-1 1-3-1-2-1
cxrili 2. mezobeli bgerebis saSualo intervalebi
Table 2. <strong>The</strong> average intervals between adjacent scale notes
One-three-semitone scale 3 Eb-F# E-G 1 F#-G G-Ab 3 G-A# Ab-B 1 A#-B B-C
Anhemitonic-diatonic scale 3 E-G 2 G-A 2 A-B 2 B-C
Anne&Od’e Vabarna 1959 3,7 0,7 3,2 0,7
Mikitamäe&Värska 1996 2,9 1,5 2,8 0,5
Leiko (Värska) 2006 3,6 1,6 2,4 0,4
Kuldatsäuk (Värska) 2006 - 1,8 2,2 0,4
diagrama 1. centraluri triqordis (1-3 → 2-2) Secvlis procesi. frCxilSi moTavsebuli cifrebi
miuTiTebs TiToeuli gundis momRerlebis dabadebis saSualo TariRs
Diagram 1. <strong>The</strong> process of change in the central trichord (1-3 → 2-2). <strong>The</strong> numbers in brackets are the average years
of birth of the singers in each choir