The Fifth International Symposium on Traditional Polyphony ...

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194 Jana partlasi. danarTi Žanna Pärtlas. APPENDIX magaliTi 1. meTevzis simRera erTi-sam-naxevartoniani wyobiT, asrulebs ane vabarna gundTan erTad 1936w. (sofeli tonja) Example 1. <strong>The</strong> fishing song with the one-three-semitone scale performed by Anne Vabarna and choir in 1936 (Tonja village) magaliTi 2. meTevzis simRera diatonuri bgeraTrigiT asrulebs kripa pilaste gundTan erTad, 1948w. (sofeli haujasaare) Example 2. <strong>The</strong> fishing song with the diatonic scale performed by Kreepa Pihlaste and choir in 1948 (Haudjasaare village) magaliTi 3. Sromis-saTamaSo simRera wisqvilis qva, asruleben ane vabarna da misi qaliSvili ode, 1959w. (sofeli tonja) Example 3. <strong>The</strong> work-game song <strong>The</strong> Grinding Stone performed by Anne Vabarna and her daughter Od’e in 1959 (Tonja village) magaliTi 4. Sromis-saTamaSo simRera wisqvili qva, asrulebs gundi leiko 2006w. (sofeli varska) Example 4. <strong>The</strong> work-game song <strong>The</strong> Grinding Stone performed by the Leiko choir in 2006 (Värska village)
Jana partlasi. danarTi Žanna Pärtlas. APPENDIX 195 cxrili 1. erTi-sami-naxevartonis kilos transformacia: a) erTi-sami-naxe-vartonis wyoba (3-1-3-1) gaxdeba anhemitonuri-diatonuri wyoba (3-2-2-1); b) erTi-sami-naxevartonis wyoba (1-3-1-3) gaxdeba harmoniuli minori (3-2-2-1) Table 1. <strong>The</strong> transformations of the one-three-semitone mode: (a) the one-three-semitone scale (3-1-3-1) turns into the anhemitonic-diatonic scale (3-2-2-1); (b) the one-three-semitone scale (1-3-1-3) turns into the harmonic minor (3-2-2-1) a. C C B B Ab A G G E E b. B Bb A# A G G F# F# Eb Eb D D 3-1-3-1 3-2-2-1 1-3-1-3-1 1-3-1-2-1 cxrili 2. mezobeli bgerebis saSualo intervalebi Table 2. <strong>The</strong> average intervals between adjacent scale notes One-three-semitone scale 3 Eb-F# E-G 1 F#-G G-Ab 3 G-A# Ab-B 1 A#-B B-C Anhemitonic-diatonic scale 3 E-G 2 G-A 2 A-B 2 B-C Anne&Od’e Vabarna 1959 3,7 0,7 3,2 0,7 Mikitamäe&Värska 1996 2,9 1,5 2,8 0,5 Leiko (Värska) 2006 3,6 1,6 2,4 0,4 Kuldatsäuk (Värska) 2006 - 1,8 2,2 0,4 diagrama 1. centraluri triqordis (1-3 → 2-2) Secvlis procesi. frCxilSi moTavsebuli cifrebi miuTiTebs TiToeuli gundis momRerlebis dabadebis saSualo TariRs Diagram 1. <strong>The</strong> process of change in the central trichord (1-3 → 2-2). <strong>The</strong> numbers in brackets are the average years of birth of the singers in each choir
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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Page 143 and 144: 143 NATALIA ZUMBADZE, KETEVAN MATIA
Page 145 and 146: Caucasian Peoples’ Polyphony and
Page 153 and 154: natalia zumbaZe, qeTevan maTiaSvili
Page 155 and 156: 155 maia gelaSvili (saqarTvelo) pan
Page 157 and 158: pankisis xeobis qistebis tradiciuli
Page 159 and 160: ON THE STUDY OF THE TRADITIONAL MUS
Page 161 and 162: On the Study of the Traditional Mus
Page 163 and 164: 163 maka xarZiani (saqarTvelo) samx
Page 165 and 166: samxmiani simRerebis gaerTxmianebis
Page 167 and 168: samxmiani simRerebis gaerTxmianebis
Page 169 and 170: On the Change of Three-Part Songs i
Page 171 and 172: On the Change of Three-Part Songs i
Page 173 and 174: 173 manana SilakaZe (saqarTvelo) qa
Page 175 and 176: qarTuli da adiReuri instrumentuli m
Page 177 and 178: 177 MANANA SHILAKADZE (GEORGIA) GEO
Page 179 and 180: Georgian and Adyghe Music in the Co
Page 181 and 182: manana SilakaZe. danarTi Manana Shi
Page 183: Ktradiciuli polifoniis regionuli st
Page 186 and 187: 186 Jana partlasi mizezis gamo. upi
Page 188 and 189: 188 Jana partlasi naxevartoniani ki
Page 190 and 191: 190 ŽANNA PÄRTLAS (ESTONIA) RETRA
Page 192 and 193: 192 Žanna Pärtlas melodic lines c
Page 196 and 197: 196 damwyebi xma qarTul mravalxmian
Page 198 and 199: 198 Tamaz gabisonia g) mxolod simRe
Page 200 and 201: 200 Tamaz gabisonia sovs, damwyebis
Page 202 and 203: 202 Tamaz Gabisonia of these songs
Page 204 and 205: 204 Tamaz Gabisonia mazhogh). So do
Page 206 and 207: 206 Tamaz gabisonia. danarTi Tamaz
Page 212 and 213: 212 gerald florian mesneri mosaxldn
Page 214 and 215: 214 gerald florian mesneri lebi da
Page 216 and 217: 216 GERALD FLORIAN MESSNER (AUSTRAL
Page 218 and 219: 218 Gerald Florian Messner gives us
Page 220 and 221: 220 Gerald Florian Messner Audio Ex
Page 222 and 223: 222 daviT SuRliaSvili rac Seexeba a
Page 224 and 225: 224 daviT SuRliaSvili tradicia, rom
Page 226 and 227: 226 daviT SuRliaSvili damowmebuli l
Page 228 and 229: 228 Davit Shughliashvili characteri
Page 230 and 231: 230 Davit Shughliashvili the bell),
Page 232 and 233: 232 daviT SuRliaSvili. danarTi Davi
Page 234 and 235: 234 daviT SuRliaSvili. danarTi Davi
Page 236 and 237: 236 elena iovanoviCi (serbeTi) hibr
Page 238 and 239: 238 elena iovanoviCi rebiT, sakvlev
Page 240 and 241: 240 elena iovanoviCi lis `damuqeba~
Page 242 and 243: 242 JELENA JOVANOVIĆ (SERBIA) HYBR
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244 Jelena Jovanović (Dević, 1979
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246 Jelena Jovanović of the new st
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248 Jelena Jovanović Scope of Ethn
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250 elena iovanoviCi. danarTi Jelen
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252 elena iovanoviCi. danarTi Jelen
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254 liTSi aris SemTxveviTi modulaci
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256 simha aromi, polo valeho mimdev
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258 92 simha aromi, polo valeho ara
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260 axla ganvixiloT G kilos sxvadas
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262 simha aromi, polo valeho gadaxr
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264 simha aromi, polo valeho Semdeg
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266 OUTLINE OF A SYNTAX OF CHORDS I
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268 Simha Arom, Polo Vallejo 51 Mag
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270 Simha Arom, Polo Vallejo Betwee
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272 Simha Arom, Polo Vallejo 5 II I
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274 Simha Arom, Polo Vallejo 88 Ere
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276 Simha Arom, Polo Vallejo Let us
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278 andrea kuzmiCi (kanada) qarTuli
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280 andrea kuzmiCi musikologia da T
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282 andrea kuzmiCi da profesiuls 3
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284 ANDREA KUZMICH (CANADA) THE TRA
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286 Andrea Kuzmich traditional musi
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288 Andrea Kuzmich the ability to l
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290 daiva raCiunaite-viCiniene (lit
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292 daiva raCiunaite-viCiniene Sin
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294 daiva raCiunaite-viCiniene litv
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296 daiva raCiunaite-viCiniene / su
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298 daiva raCiunaite-viCiniene nebi
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300 daiva raCiunaite-viCiniene buli
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302 daiva raCiunaite-viCiniene wreS
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304 (Stasys Paliulis) mier 1932 wel
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306 LITHUANIAN AND AINU VOCAL POLYP
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308 Daiva Račiūnaitė -Vyčinien
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318 10 C. Forlivesi assumes that mu
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322 daiva raCiunaite-viCiniene. dan
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334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
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338 vielebTan, aramed Crdilo-evropu
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340 Mikhail Lobanov Konz mäthil Gr
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342 Mikhail Lobanov due to the lowe
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344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
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franc foedermairi. danarTi Franz F
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517 morimoto masako, honda manabu,
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qarTuli tradiciuli mravalxmianobis
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521 MORIMOTO MASAKO, HONDA MANABU,
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Study on the Sound Structure of Geo
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morimoto masako, honda manabu, niSi
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527 kavai norie, morimoto masako, h
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kavai norie, morimoto masako, honda
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kaxuri simRerebis gaSifvris sakiTxe
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CHALLENGES IN MUSICAL TRANSCRIPTION
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nona lomiZe. danarTi Nona Lomidze.
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555 leila maruaSvili (saqarTvelo) q
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qarTuli xalxuri polifoniis tradicie
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Refraction of Georgian Folk Polypho
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leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
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ioseb Jordania, xelovnebaTmcodneobi
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polo valeho, eTnomusikologiis doqto
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578 simpoziumis organizatorebi mxar
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