- Page 1 and 2: m o x s e n e b e b i 4-8 oqtomberi
- Page 3 and 4: s a r C e v i redaqtorebisagan ....
- Page 5 and 6: franc foedermairi (avstria) megruli
- Page 7 and 8: Davit Shughliashvili (Georgia) “W
- Page 9 and 10: edaqtorebisagan winamdebare krebulS
- Page 11 and 12: edaqtorebisagan koleqcias. moxseneb
- Page 13 and 14: From The Editors G
- Page 15: aziuri tradiciuli polifonia ASIAN T
- Page 20 and 21: 20 ioseb Jordania mkvlevarebis yura
- Page 22 and 23: 22 ioseb Jordania xmianobasTan da T
- Page 24 and 25: 24 TRADITIONAL POLYPHONY IN ASIA: P
- Page 26 and 27: 26 Joseph Jordania scholar Schehera
- Page 28 and 29: 28 Joseph Jordania 2. Asian polypho
- Page 30 and 31: 30 Joseph Jordania gestion not only
- Page 32 and 33: 32 virtualuri heterofonia: kompozic
- Page 34 and 35: 34 munir nuretin bekeni (aSS) migvi
- Page 36 and 37: 36 MÜNIR NURETTIN BEKEN (USA) VIRT
- Page 38 and 39: 38 Münir Nurettin Beken This becam
- Page 40 and 41: 40 munir nuretin bekeni. danarTi M
- Page 42 and 43: 42 nino ciciSvili (avstralia, saqar
- Page 44 and 45: 44 nino ciciSvili (2) reCitaciuli b
- Page 46 and 47: 46 nino ciciSvili upirveles yovlisa
- Page 48 and 49: 48 nino ciciSvili kulturis arsebobi
- Page 50 and 51: 50 NINO TSITSISHVILI (AUSTRALIA, GE
- Page 52 and 53: 52 Nino Tsitsishvili Factor 3: scal
- Page 54 and 55: 54 Nino Tsitsishvili A historical i
- Page 56 and 57: 56 Nino Tsitsishvili References Ale
- Page 58 and 59: 58 kunZul balis gamelanis musikis p
- Page 60 and 61: 60 maikl tenzeri saciis xangrZliobi
- Page 62 and 63: 62 maikl tenzeri arsebobas, Sreebs
- Page 64 and 65: 64 Michael Tenzer repeats cyclicall
- Page 66 and 67: 66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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86 marina qavTaraZe, ekaterine buCu
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88 marina qavTaraZe, ekaterine buCu
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90 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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94 Marina Kavtaradze, Ekaterine Buc
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96 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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adiReas tradiciuli kulturis ameburi
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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kavkasiel xalxTa mravalxmianoba da
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kavkasiel xalxTa mravalxmianoba da
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kavkasiel xalxTa mravalxmianoba da
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143 NATALIA ZUMBADZE, KETEVAN MATIA
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Caucasian Peoples’ Polyphony and
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Caucasian Peoples’ Polyphony and
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Caucasian Peoples’ Polyphony and
- Page 151 and 152:
Caucasian Peoples’ Polyphony and
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natalia zumbaZe, qeTevan maTiaSvili
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155 maia gelaSvili (saqarTvelo) pan
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pankisis xeobis qistebis tradiciuli
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ON THE STUDY OF THE TRADITIONAL MUS
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On the Study of the Traditional Mus
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163 maka xarZiani (saqarTvelo) samx
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samxmiani simRerebis gaerTxmianebis
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samxmiani simRerebis gaerTxmianebis
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On the Change of Three-Part Songs i
- Page 171 and 172:
On the Change of Three-Part Songs i
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173 manana SilakaZe (saqarTvelo) qa
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qarTuli da adiReuri instrumentuli m
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177 MANANA SHILAKADZE (GEORGIA) GEO
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Georgian and Adyghe Music in the Co
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manana SilakaZe. danarTi Manana Shi
- Page 183:
Ktradiciuli polifoniis regionuli st
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186 Jana partlasi mizezis gamo. upi
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188 Jana partlasi naxevartoniani ki
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190 ŽANNA PÄRTLAS (ESTONIA) RETRA
- Page 192 and 193:
192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
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206 Tamaz gabisonia. danarTi Tamaz
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208 Tamaz gabisonia. danarTi Tamaz
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210 Tamaz gabisonia. danarTi Tamaz
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212 gerald florian mesneri mosaxldn
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214 gerald florian mesneri lebi da
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216 GERALD FLORIAN MESSNER (AUSTRAL
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218 Gerald Florian Messner gives us
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220 Gerald Florian Messner Audio Ex
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222 daviT SuRliaSvili rac Seexeba a
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224 daviT SuRliaSvili tradicia, rom
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226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
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232 daviT SuRliaSvili. danarTi Davi
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234 daviT SuRliaSvili. danarTi Davi
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236 elena iovanoviCi (serbeTi) hibr
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238 elena iovanoviCi rebiT, sakvlev
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240 elena iovanoviCi lis `damuqeba~
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242 JELENA JOVANOVIĆ (SERBIA) HYBR
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244 Jelena Jovanović (Dević, 1979
- Page 246 and 247:
246 Jelena Jovanović of the new st
- Page 248 and 249:
248 Jelena Jovanović Scope of Ethn
- Page 250 and 251:
250 elena iovanoviCi. danarTi Jelen
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252 elena iovanoviCi. danarTi Jelen
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254 liTSi aris SemTxveviTi modulaci
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256 simha aromi, polo valeho mimdev
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258 92 simha aromi, polo valeho ara
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260 axla ganvixiloT G kilos sxvadas
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262 simha aromi, polo valeho gadaxr
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264 simha aromi, polo valeho Semdeg
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266 OUTLINE OF A SYNTAX OF CHORDS I
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268 Simha Arom, Polo Vallejo 51 Mag
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270 Simha Arom, Polo Vallejo Betwee
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272 Simha Arom, Polo Vallejo 5 II I
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274 Simha Arom, Polo Vallejo 88 Ere
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276 Simha Arom, Polo Vallejo Let us
- Page 278 and 279:
278 andrea kuzmiCi (kanada) qarTuli
- Page 280 and 281:
280 andrea kuzmiCi musikologia da T
- Page 282 and 283:
282 andrea kuzmiCi da profesiuls 3
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284 ANDREA KUZMICH (CANADA) THE TRA
- Page 286 and 287:
286 Andrea Kuzmich traditional musi
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288 Andrea Kuzmich the ability to l
- Page 290 and 291:
290 daiva raCiunaite-viCiniene (lit
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292 daiva raCiunaite-viCiniene Sin
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294 daiva raCiunaite-viCiniene litv
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296 daiva raCiunaite-viCiniene / su
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298 daiva raCiunaite-viCiniene nebi
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300 daiva raCiunaite-viCiniene buli
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302 daiva raCiunaite-viCiniene wreS
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304 (Stasys Paliulis) mier 1932 wel
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306 LITHUANIAN AND AINU VOCAL POLYP
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308 Daiva Račiūnaitė -Vyčinien
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310 Daiva Račiūnaitė -Vyčinien
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312 Daiva Račiūnaitė -Vyčinien
- Page 314 and 315:
314 Daiva Račiūnaitė -Vyčinien
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316 Daiva Račiūnaitė -Vyčinien
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318 10 C. Forlivesi assumes that mu
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320 Daiva Račiūnaitė -Vyčinien
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322 daiva raCiunaite-viCiniene. dan
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324 daiva raCiunaite-viCiniene. dan
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326 daiva raCiunaite-viCiniene. dan
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328 daiva raCiunaite-viCiniene. dan
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330 daiva raCiunaite-viCiniene. dan
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332 daiva raCiunaite-viCiniene. dan
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334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
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338 vielebTan, aramed Crdilo-evropu
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340 Mikhail Lobanov Konz mäthil Gr
- Page 342 and 343:
342 Mikhail Lobanov due to the lowe
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344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
- Page 379 and 380:
qarTuli galobis mravalxmianobis sak
- Page 381 and 382:
ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
- Page 385 and 386:
ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
- Page 389 and 390:
siZvele da tradiciuloba qarTul trad
- Page 391 and 392:
siZvele da tradiciuloba qarTul trad
- Page 393 and 394:
siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
- Page 397 and 398:
Ancientness and Traditionality in G
- Page 399 and 400:
Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
- Page 405 and 406:
mravalxmiani musikaluri qsovilis tr
- Page 407 and 408:
mravalxmiani musikaluri qsovilis tr
- Page 409 and 410:
SPECIFIC FEATURES OF THE POLYPHONIC
- Page 411 and 412:
Specific Features of the Polyphonic
- Page 413 and 414:
Specific Features of the Polyphonic
- Page 415 and 416:
Specific Features of the Polyphonic
- Page 417 and 418:
svimon (jiqi) jangulaSvili. danarTi
- Page 419 and 420:
svimon (jiqi) jangulaSvili. danarTi
- Page 421 and 422:
svimon (jiqi) jangulaSvili. danarTi
- Page 423 and 424:
svimon (jiqi) jangulaSvili. danarTi
- Page 425 and 426:
ivliane nikolaZe: qarTul ZlispirTa
- Page 427 and 428:
ivliane nikolaZe: qarTul ZlispirTa
- Page 429 and 430:
ivliane nikolaZe: qarTul ZlispirTa
- Page 431 and 432:
ivliane nikolaZe: qarTul ZlispirTa
- Page 433 and 434:
Ivliane Nikoladze: The</str
- Page 435 and 436:
Ivliane Nikoladze: The</str
- Page 437 and 438:
Ivliane Nikoladze: The</str
- Page 439 and 440:
jon a. gremi. danarTi John A. Graha
- Page 441 and 442:
jon a. gremi. danarTi John A. Graha
- Page 443 and 444:
jon a. gremi. danarTi John A. Graha
- Page 445 and 446:
jon a. gremi. danarTi John A. Graha
- Page 447 and 448:
M 447 ekaterine diasamiZe (saqarTve
- Page 449 and 450:
mravalxmianobis formebi rusul saekl
- Page 451 and 452:
mravalxmianobis formebi rusul saekl
- Page 453 and 454:
Polyphonic Forms in 17th century Ru
- Page 455 and 456:
Polyphonic Forms in 17th century Ru
- Page 457 and 458:
ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
- Page 467 and 468:
New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
- Page 473 and 474:
gamSvenebaTa struqturuli formulebi
- Page 475 and 476:
ORNAMENTED STRUCTURAL FORMULAS IN T
- Page 477 and 478:
Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
- Page 481:
nino naneiSvili. danarTi Nino Nanei
- Page 485 and 486:
485 gerda lexlaitneri (avstria) non
- Page 487 and 488:
zogierTi mosazreba mravalxmiani mus
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zogierTi mosazreba mravalxmiani mus
- Page 491 and 492:
zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
- Page 495 and 496:
Some Considerations on the Interpre
- Page 497 and 498:
Some Considerations on the Interpre
- Page 499 and 500:
gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
- Page 505 and 506:
megruli simReris sami Sedevri, Cawe
- Page 507 and 508:
Three Masterpieces of Megrelian Son
- Page 509 and 510:
franc foedermairi. danarTi Franz F
- Page 511 and 512:
franc foedermairi. danarTi Franz F
- Page 513:
franc foedermairi. danarTi Franz F
- Page 517 and 518:
517 morimoto masako, honda manabu,
- Page 519 and 520:
qarTuli tradiciuli mravalxmianobis
- Page 521 and 522:
521 MORIMOTO MASAKO, HONDA MANABU,
- Page 523 and 524:
Study on the Sound Structure of Geo
- Page 525 and 526:
morimoto masako, honda manabu, niSi
- Page 527 and 528:
527 kavai norie, morimoto masako, h
- Page 529 and 530:
qarTuli tradiciuli mravalxmianobis
- Page 531 and 532:
qarTuli tradiciuli mravalxmianobis
- Page 533 and 534:
Study on the Sound Structure of Geo
- Page 535 and 536:
Study on the Sound Structure of Geo
- Page 537 and 538:
kavai norie, morimoto masako, honda
- Page 539 and 540:
kaxuri simRerebis gaSifvris sakiTxe
- Page 541 and 542:
CHALLENGES IN MUSICAL TRANSCRIPTION
- Page 543 and 544:
nona lomiZe. danarTi Nona Lomidze.
- Page 545 and 546:
nona lomiZe. danarTi Nona Lomidze.
- Page 547 and 548:
nona lomiZe. danarTi Nona Lomidze.
- Page 549 and 550:
nona lomiZe. danarTi Nona Lomidze.
- Page 551:
nona lomiZe. danarTi Nona Lomidze.
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555 leila maruaSvili (saqarTvelo) q
- Page 557 and 558:
qarTuli xalxuri polifoniis tradicie
- Page 559 and 560:
qarTuli xalxuri polifoniis tradicie
- Page 561 and 562:
qarTuli xalxuri polifoniis tradicie
- Page 563 and 564:
Refraction of Georgian Folk Polypho
- Page 565 and 566:
Refraction of Georgian Folk Polypho
- Page 567 and 568:
Refraction of Georgian Folk Polypho
- Page 569 and 570:
leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
- Page 573 and 574:
ioseb Jordania, xelovnebaTmcodneobi
- Page 575 and 576:
polo valeho, eTnomusikologiis doqto
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578 simpoziumis organizatorebi mxar