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The Fifth International Symposium on Traditional Polyphony ...

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180<br />

Manana Shilakadze<br />

Instrumental accompaniment is the initial and basic functi<strong>on</strong> of the Georgian stringed instrument. <str<strong>on</strong>g>The</str<strong>on</strong>g> old<br />

Georgian terms denoting accompaniment shebaneba, dabaneba are derived from the word bani (the essential<br />

category of the most significant feature of Georgian musical folklore – polyph<strong>on</strong>y).<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> original trait of the Adyghe musical culture is zhyu – vocal accompaniment of a soloist or an instrumental<br />

tune, c<strong>on</strong>structed <strong>on</strong> n<strong>on</strong>-semantic words. Zhyu is a phenomen<strong>on</strong> determining the identity of the Adyghe musical<br />

culture. Zhyu means accompanying by a voice, also an accompanist, accompanying by playing.<br />

By its typological essence and nature, zhyu is identical with Georgian shebaneba. <str<strong>on</strong>g>The</str<strong>on</strong>g> earlier forms of the<br />

instrumental zhyu are attested in the repertoire of the bow instrument (Shitcha-phshina), namely in the specimens of<br />

the devoti<strong>on</strong>al ritual genre. A typologically interesting parallel is the terms phshine, denoting an instrument in general,<br />

and the term dzali occurring in Georgian written sources beginning from the seventh century.<br />

References<br />

Baragunov, V.Kh., Kardangushev, Z.P. (compilers). (1980, 1981, 1986, 1990). In: Narodnie pesni i instrumentalnie naigrishi<br />

adigov (Folk S<strong>on</strong>gs and Instrumental Tunes of the Adyghe). Vol. 1, 2, 3, 4. Editor: Gippius, E.V. Moscow: Sovetskij Kompozitor<br />

(in Russian)<br />

Chich, Gisa. (1984). Geroiko-patrioticheskie traditsii v narodno-pesennom tvorchestve adigov (na ictoriko-etnograficheskom<br />

materiale) [Heroic-Patriotic Traditi<strong>on</strong>s in Folk Singing Art of the Adyghe, (<strong>on</strong> historic-ethnographic material)]. <str<strong>on</strong>g>The</str<strong>on</strong>g>sis for Can–<br />

didates, Degree (history). Maikop (in Russian)<br />

Gutov, A. (1981). “Adigskie skazania o nartakh” (“<str<strong>on</strong>g>The</str<strong>on</strong>g> Adyghe Legends about Narths”). In: Folk S<strong>on</strong>gs and Instrumental Tunes of<br />

the Adyghe. Vol. 2:5-16. Editor: Gippius, E.V. (in Russian)<br />

Kekelidze, Korneli. (1912). Ierusalimskij kan<strong>on</strong>ar VII veka (Gruzinskaia versia) [<str<strong>on</strong>g>The</str<strong>on</strong>g> Jerusalem Lecti<strong>on</strong>ary of the Seventh Century<br />

(Georgian Versi<strong>on</strong>)]. Tiflis (in Russian)<br />

Matsiutin, K. (1953). “Adigskie pesni” (“Adyghe S<strong>on</strong>gs”). Journ. Sovetskaia muzika, No.8 (in Russian)<br />

Naloev, Zaur. (1980). “U istokov pesennogo iskusstva adigov” (“At the Headwaters of Singing Art of the Adyghe”). In: Narodnie<br />

pesni i instrumentalnie naigrishi adigov (Folk S<strong>on</strong>gs and Instrumental Tunes of the Adyghe). Vol. 1:7-26. Editor: Gippius, E.V.<br />

Moscow: Sovetski Kompozitor (in Russian)<br />

Scheibler, Truvor. (1955). “Kabardinskij folklor” (“Kabardian Folklore”). Journ. Sovetskaia muzika, No.6:73-79 (in Russian)<br />

Shikaladze, Manana. (2007). Traditsiuli samusiko sakravebi da kartul-chrdilokavkasiuri etnokulturuli urtiertobani (Traditi<strong>on</strong>al<br />

Musical Instruments and Georgian-North Caucasian Ethno-Cultural Relati<strong>on</strong>s). Tbilisi: Kavkasiuri Sakhli (in Georgian)<br />

Shu, Sh.S. (1964). “Muzika i tantsevalnoe iskusstv” (“Music and Dancing Art”). In: Kultura i bit kolkhoznogo krestianstva adigckoj<br />

avt<strong>on</strong>omnoj oblasti (Culture and Everyday Life of Collective Farmers in the Adyghe Aut<strong>on</strong>omous Regi<strong>on</strong>). P. 177-195. Moscow-<br />

Leningrad (in Russian)<br />

Sokolova, Alla. (2004). Adigskaia garm<strong>on</strong>ika v k<strong>on</strong>teksste etnicheskoj muzikalnoj kulturi (<str<strong>on</strong>g>The</str<strong>on</strong>g> Adyghe Accordi<strong>on</strong> in the C<strong>on</strong>text of<br />

Ethnical Musical Culture). Maikop: Kachestvo (in Russian)<br />

Translated by Liana Gabechava

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