The Fifth International Symposium on Traditional Polyphony ...

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172 Maka Khardziani Audio example 5. Bail Betkil (Svan). Singer David Niguriani, LGMF 107-16 (three-part) Audio example 6. Bail Betkil (Svan). Singer David Niguriani, LGMF 104-7 (one-part) Audio example 7. Shao qurshao (Rachan). Voices from the past, Georgian folk music from the phonograph wax cylinders, CD-8 (three-part) Audio example 8. Shao qurshao (Rachan). Fund of Georgian State Radio and TV (three-part) Audio example 9. Shao qurshao (Rachan). Singer Tornike Skhiereli, (one-part) Translated by Liana Gabechava
173 manana SilakaZe (saqarTvelo) qarTuli da adiReuri instrumentuli musika mravalxmianobis konteqstSi (tipologiuri paralelebi) kavkasiis xalxTa instrumentul musikaSi (instrumentuli hangebi da simReris Tanxleba) arsebul „tradiciuli musikaluri azrovnebis“ (i. zemcovski) formebSi mniSvnelovania mraval– xmianobis tipi, akompanirebis saxeebi, kilo-intonaciuri Taviseburebani da sxva. Cven SevexebiT instrumentul kulturis ganviTarebis adreuli safexurebis amsaxvel, Sesabamis akompanirebis formebs mravalxmianobasTan mimarTebaSi. winaswar SevniSnav, rom amosavalia tradiciuli (da ara Tanamedrove, Tundac tradiciaze daSenebuli) kultura, romlis qveda qronologiur zRvars eTnografiuli masala swvdeba da daaxloebiT, XIX s.-is bolosa da XX s.-is viTarebas Seesabameba. qarTuli da Crdilo kavkasiis xalxTa, maT Soris adiRelTa tradiciul musikaSi wamyva– nia sasimRero Semoqmedeba. instrumentuli musikis roli vokalurTan SedarebiT naklebmniSv– nelovania. qarTul instrumentul kulturaSi TvalsaCinoa dasakravebTan SedarebiT simReris Tanxlebis, akompanementis bevrad maRali mxatvrul-musikaluri Rirebuleba. rogorc qarTul, aseve adiRelTa instrumentul kulturaSi centraluri adgili sime– bian sakravebs ukavia. saqarTveloSi esenia Camosakravi da xemiani, Crdilo kavkasiis xalxeb– Si, maT Soris adiRurSi _ xemiani sakravi. adiReuri saerTo saxelia enobrivad da eTnikurad monaTesave Crdilo-dasavleT kavkasi– is aborigeni mosaxleobis _ adiReelebis, Cerqezebisa da yabardoelebis enisa da kulturisa. cxovroben ruseTis federaciaSi _ adiReSi, yabardo-balyareTsa da yaraCai-CerqezeTSi. ma– Ti TviTsaxelwodebaa adiRe. gamoiyofian eTnografiuli jgufebi: bJeduxebi, abaZexebi, Saf– suRebi, beslanelebi da sxvebi, romlebic adiReuri enis dialeqtebze metyveleben. XIX s.is 60-an wlebSi am mosaxleobis didi nawili gadaasaxles. amJamad iTvlebian dispersiul eTnosad _ gafantuli arian msoflios 50-mde qveyanaSi. tipologiuri SedarebisaTvis aRebuli gvaqvs akompanirebis adreuli formebi, Sesabami– sad is Janrebi, romlebSic es formebia savaraudo. akompanirebis aRmniSvneli Zveli qarTuli terminebi Sebaneba / dabaneba nawarmoebia sity– vidan bani. ivane javaxiSvilis kvleviT, Zveli aRTqmis qarTul TargmanSi (XIs.-XII s.-is dam– degi) termini Sebanebuli niSnavda xmaTa harmoniulad Sewyoba-Sexamebas (javaxiSvili, 1938: 302-303). amave mkvlevris daskvniT, `...Tavdapirvelad bani marTlac imdenad garkveuli (dabali) xmis saxeli ar iyo, ramdenadac zogadad akompanementis, Sebanebisa, xmaTa Sewyobisa. dabali xmis saxelad igi iqca mas Semdeg, rac samxmiani simRera-galoba gaCnda~ (javaxiSvili, 1938: 305). ivane javaxiSvilma isic aRniSna, rom Sebaneba sakravieric SeiZleba yofiliyo (javaxiSvili, 1938: 315). amasTan dakavSirebiT man xazi gausva kidev erT mniSvnelovan moments _ terminebis _ banisa da ebanis urTierTmimarTebas, maT bgeriTsa da semantikur msgavsebas (javaxiSvili, 1938: 315). akompanireba qarTuli simebiani sakravebis Tavdapirveli da ZiriTadi funqciaa. misi warmoSoba ukavSirdeba epikuri (sagmiro da istoriuli leqsebi) Janris ganviTarebis adre–
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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adiReas tradiciuli kulturis ameburi
Page 121 and 122: adiReas tradiciuli kulturis ameburi
Page 123 and 124: 123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
Page 125 and 126: The Meanings and C
Page 131 and 132: ala sokolova. danarTi Alla Sokolova
Page 133 and 134: 133 natalia zumbaZe, qeTevan maTiaS
Page 135 and 136: kavkasiel xalxTa mravalxmianoba da
Page 143 and 144: 143 NATALIA ZUMBADZE, KETEVAN MATIA
Page 145 and 146: Caucasian Peoples’ Polyphony and
Page 153 and 154: natalia zumbaZe, qeTevan maTiaSvili
Page 155 and 156: 155 maia gelaSvili (saqarTvelo) pan
Page 157 and 158: pankisis xeobis qistebis tradiciuli
Page 159 and 160: ON THE STUDY OF THE TRADITIONAL MUS
Page 161 and 162: On the Study of the Traditional Mus
Page 163 and 164: 163 maka xarZiani (saqarTvelo) samx
Page 165 and 166: samxmiani simRerebis gaerTxmianebis
Page 167 and 168: samxmiani simRerebis gaerTxmianebis
Page 169 and 170: On the Change of Three-Part Songs i
Page 171: On the Change of Three-Part Songs i
Page 175 and 176: qarTuli da adiReuri instrumentuli m
Page 177 and 178: 177 MANANA SHILAKADZE (GEORGIA) GEO
Page 179 and 180: Georgian and Adyghe Music in the Co
Page 181 and 182: manana SilakaZe. danarTi Manana Shi
Page 183: Ktradiciuli polifoniis regionuli st
Page 186 and 187: 186 Jana partlasi mizezis gamo. upi
Page 188 and 189: 188 Jana partlasi naxevartoniani ki
Page 190 and 191: 190 ŽANNA PÄRTLAS (ESTONIA) RETRA
Page 192 and 193: 192 Žanna Pärtlas melodic lines c
Page 194 and 195: 194 Jana partlasi. danarTi Žanna P
Page 196 and 197: 196 damwyebi xma qarTul mravalxmian
Page 198 and 199: 198 Tamaz gabisonia g) mxolod simRe
Page 200 and 201: 200 Tamaz gabisonia sovs, damwyebis
Page 202 and 203: 202 Tamaz Gabisonia of these songs
Page 204 and 205: 204 Tamaz Gabisonia mazhogh). So do
Page 206 and 207: 206 Tamaz gabisonia. danarTi Tamaz
Page 212 and 213: 212 gerald florian mesneri mosaxldn
Page 214 and 215: 214 gerald florian mesneri lebi da
Page 216 and 217: 216 GERALD FLORIAN MESSNER (AUSTRAL
Page 218 and 219: 218 Gerald Florian Messner gives us
Page 220 and 221: 220 Gerald Florian Messner Audio Ex
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222 daviT SuRliaSvili rac Seexeba a
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224 daviT SuRliaSvili tradicia, rom
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226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
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232 daviT SuRliaSvili. danarTi Davi
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234 daviT SuRliaSvili. danarTi Davi
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236 elena iovanoviCi (serbeTi) hibr
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238 elena iovanoviCi rebiT, sakvlev
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240 elena iovanoviCi lis `damuqeba~
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242 JELENA JOVANOVIĆ (SERBIA) HYBR
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244 Jelena Jovanović (Dević, 1979
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246 Jelena Jovanović of the new st
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248 Jelena Jovanović Scope of Ethn
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250 elena iovanoviCi. danarTi Jelen
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252 elena iovanoviCi. danarTi Jelen
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254 liTSi aris SemTxveviTi modulaci
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256 simha aromi, polo valeho mimdev
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258 92 simha aromi, polo valeho ara
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260 axla ganvixiloT G kilos sxvadas
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262 simha aromi, polo valeho gadaxr
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264 simha aromi, polo valeho Semdeg
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266 OUTLINE OF A SYNTAX OF CHORDS I
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268 Simha Arom, Polo Vallejo 51 Mag
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270 Simha Arom, Polo Vallejo Betwee
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272 Simha Arom, Polo Vallejo 5 II I
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274 Simha Arom, Polo Vallejo 88 Ere
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276 Simha Arom, Polo Vallejo Let us
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278 andrea kuzmiCi (kanada) qarTuli
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280 andrea kuzmiCi musikologia da T
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282 andrea kuzmiCi da profesiuls 3
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284 ANDREA KUZMICH (CANADA) THE TRA
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286 Andrea Kuzmich traditional musi
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288 Andrea Kuzmich the ability to l
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290 daiva raCiunaite-viCiniene (lit
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292 daiva raCiunaite-viCiniene Sin
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294 daiva raCiunaite-viCiniene litv
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296 daiva raCiunaite-viCiniene / su
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298 daiva raCiunaite-viCiniene nebi
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300 daiva raCiunaite-viCiniene buli
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302 daiva raCiunaite-viCiniene wreS
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304 (Stasys Paliulis) mier 1932 wel
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306 LITHUANIAN AND AINU VOCAL POLYP
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308 Daiva Račiūnaitė -Vyčinien
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318 10 C. Forlivesi assumes that mu
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322 daiva raCiunaite-viCiniene. dan
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334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
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338 vielebTan, aramed Crdilo-evropu
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340 Mikhail Lobanov Konz mäthil Gr
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342 Mikhail Lobanov due to the lowe
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344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
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franc foedermairi. danarTi Franz F
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517 morimoto masako, honda manabu,
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qarTuli tradiciuli mravalxmianobis
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521 MORIMOTO MASAKO, HONDA MANABU,
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Study on the Sound Structure of Geo
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morimoto masako, honda manabu, niSi
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527 kavai norie, morimoto masako, h
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kavai norie, morimoto masako, honda
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kaxuri simRerebis gaSifvris sakiTxe
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CHALLENGES IN MUSICAL TRANSCRIPTION
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nona lomiZe. danarTi Nona Lomidze.
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555 leila maruaSvili (saqarTvelo) q
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qarTuli xalxuri polifoniis tradicie
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Refraction of Georgian Folk Polypho
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leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
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ioseb Jordania, xelovnebaTmcodneobi
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polo valeho, eTnomusikologiis doqto
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578 simpoziumis organizatorebi mxar
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