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162 Maia Gelashvili In: Georgian Musical Culture. Tbilisi: Zaria vostoka Maisuradze, Nino. (1983). Kartuli Khalkhuri Musikis Genezisis, Chamoqalibebisa da Ganvitarebis Problemebi (Problems of Genesis, Formation and Development of Georgian Folk Music). Dissertation work for Doctoral degree (in ethnology and musicology). Javakhishvili Institute of History, Archa-eology and Ethnography of the Georgian Academy of Sciences Maisuradze, Nino. (1989). Kartuli musika da misi istoriul-etnografiuli aspektebi (Georgian Music and its Historical-Ethnographic Aspects). Tbilisi: Metsniereba Makalatia, Sergi. (1984). Khevsureti (Khevsureti). Tbilisi: Nakaduli Margoshvili, Leila (1985). Pankiseli kistebis tses-chveulebebi da tanamedroveoba (Ritualism of the Kists from Pankisi and Modernity). Tbilisi: Metsniereba Mroveli, Leonti. (1955). Kartlis Tskhovreba (History of Georgia). Editor: Qaukhchishvili, S. Tbilisi: Sakhelgami Khangoshvili, Meka. (2000). Vainakhta sagmiro eposi (Heroic Epos of the Vainakhs). Tbilisi Khangoshvili, Khaso. (2005). Kistebi (ong>Theong> Kists). Tbilisi Qazbegi, Alexandre. (1986). Elguja (Elguja). Georgian Prose, vol.11. Tbilisi: Sabchota Sakartvelo Rechmensky, Nikolai. (1965). Muzikalnaya kultura checheno-ingushskoy ASSR. (Musical Culture of Chechen-Ingush Autonomous Soviet Socialist Republic). Moscow: Muzika Audio Examples Audio example 1. Dedamtilis datireba (Mourning over deceased mother-in-law). Audio album: Nanina. Woman’s folks ensemble. (2008). Track 08. Tbilisi Video Examples Video example 1. Nazmi, sung when scutching wool. From Boris Margvelashvili’s personal archive, materials of field expedition in Pankisi, 1987 Video example 2. Zikar. Male lamentation ritual. From Boris Margvelashvili’s personal archive, materials of field expedition in Pankisi, 1987
163 maka xarZiani (saqarTvelo) samxmiani simRerebis gaerTxmianebis sakiTxisaTvis qarTul musikalur folklorSi (raWa da svaneTi) gasul saukuneSi saqarTveloSi did kataklizmebs hqonda adgili, ramac mniSvnelovani kvali daaCina fenomens, romelsac, erTi SexedviT, TiTqos, imanenturad unda axasiaTebdes `mudmivi cvalebadoba~. magram aRmoCnda, rom igi ver egueba iseT cvlilebebs, swored am `cvalebadobis~ reglamentacias rom axdens. mxedvelobaSi maqvs qarTuli tradiciuli musika, romelmac, erTdroulad, ganicada sazogadoebriv cxovrebaSi momxdari pozitiuri (magaliTad, yofiTi pirobebis gaumjobeseba, Sromis procesis meqanizacia da sxv.) da ne– gatiuri (totalitaruli ideologiis gabatoneba adamianis saqmianobisa da azrovnebis yve– la sferoze) movlenebis gavlena, rac specifikurad aisaxa misi ganviTarebis Taviseburebebze. Cemi gamosvlis mizania, Sevecado, gavarkvio, ra cvlilebebi ganapiroba sazogadoebrivi cxovrebis am tendenciebma da rogor aisaxa isini dasavleT saqarTvelos mTis regionebSi mcxovrebi Temebis tradiciul azrovnebaSi. yuradRebas vamaxvileb mxolod erT sakiTxze – musikis arsebobis mravalxmiani formebis erTxmianobiT Canacvlebaze da problemas warmo– vaCen dasavleT saqarTvelos mTis kuTxeebis _ raWisa da svaneTis magaliTze. rogorc cnobilia, folkloris sicocxlisunarianobas ramdenime faqtori ganapirobebs: 1) memkvidreobiToba, romelic awmyos warsulTan akavSirebs; 2) variabeloba, romelic sazr– doobs xalxis SemoqmedebiTi impulsebiT da 3) SerCeviToba, anu im formebis SerCeva, romli– Tac folkloruli nimuSi inaxavs Tavs. kompozitoruli musikisagan gansxvavebiT, romelsac sazogadoeba mza saxiT iRebs da cvlilebebs ar eqvemdebareba, xalxur musikas xelaxla– warmoeba (re-fashioning), xelaxlaqmnadoba (re-creation) aniWebs tradiciul xasiaTs (Grove, 1995: 693). cxadia, swored am `mudmivad cvalebadi~ procesis Sedegia, rom saqarTvelos sxvadasxva kuTxeSi dRemde qmnian simRerebs, maT Soris, rogorc samxmians, ise uZvelesi samxmiani sim– Rerebis erTxmian variantebs sakravis TanxlebiT. gairkva, rom aseTi SemTxvevebi gansakuTrebiT xSiria mTis regionebSi. amjerad Cemi yu– radRebis arealSia raWa da svaneTi. kvlevas vawarmoeb ramdenime simReris _ raWuli yurSaos, sanadiros, svanuri dala kojas xelRvaJales, bail beTqilis, simRera monadireebze _ maga– liTze. erTmaneTs vadareb am simRerebis sxvadasxva variantebs, romlebsac sam jgufSi va– erTianeb: 1) uTanxlebo samxmiani nimuSebi (audiomag. 1, 4, 7), 2) samxmiani nimuSebi sakravis TanxlebiT (audiomag. 2, 5, 8), da 3) erTxmiani nimuSebi sakravis TanxlebiT (audiomag. 3, 6, 9). Cemi mizania, samxmiani simRerebis gaerTxmianebis procesis dinamikaSi warmodgena, am pro– cesis mizezebis dadgena da mis bunebaSi garkveva. xelovnebis sinkretizmis periodis mkvlevrebi saeWvod ar miiCneven im debulebas, rom uZvelesi xalxuri Semoqmedeba, sazogadoebis koleqtiuri azrovnebidan gamomdinare, gundu– ri iyo, orpiruli wyoba ki responsoruli Sesrulebis uZvelesi tradiciidan iRebs saTaves (garayaniZe, 1988). zogierTi mkvlevari kidev ufro Sors midis da mravalxmianobis Camoyali– bebis saTaved dialogs miiCnevs (zemcovski 1988, 2006; Jordania 2006). garda amisa, udavoa sa–
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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86 marina qavTaraZe, ekaterine buCu
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88 marina qavTaraZe, ekaterine buCu
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90 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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94 Marina Kavtaradze, Ekaterine Buc
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96 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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adiReas tradiciuli kulturis ameburi
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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kavkasiel xalxTa mravalxmianoba da
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kavkasiel xalxTa mravalxmianoba da
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kavkasiel xalxTa mravalxmianoba da
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143 NATALIA ZUMBADZE, KETEVAN MATIA
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Caucasian Peoples’ Polyphony and
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Caucasian Peoples’ Polyphony and
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Caucasian Peoples’ Polyphony and
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Caucasian Peoples’ Polyphony and
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natalia zumbaZe, qeTevan maTiaSvili
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155 maia gelaSvili (saqarTvelo) pan
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pankisis xeobis qistebis tradiciuli
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ON THE STUDY OF THE TRADITIONAL MUS
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On the Study of the Traditional Mus
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samxmiani simRerebis gaerTxmianebis
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samxmiani simRerebis gaerTxmianebis
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On the Change of Three-Part Songs i
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On the Change of Three-Part Songs i
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173 manana SilakaZe (saqarTvelo) qa
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qarTuli da adiReuri instrumentuli m
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177 MANANA SHILAKADZE (GEORGIA) GEO
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Georgian and Adyghe Music in the Co
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manana SilakaZe. danarTi Manana Shi
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Ktradiciuli polifoniis regionuli st
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186 Jana partlasi mizezis gamo. upi
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188 Jana partlasi naxevartoniani ki
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190 ŽANNA PÄRTLAS (ESTONIA) RETRA
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192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
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206 Tamaz gabisonia. danarTi Tamaz
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208 Tamaz gabisonia. danarTi Tamaz
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210 Tamaz gabisonia. danarTi Tamaz
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212 gerald florian mesneri mosaxldn
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214 gerald florian mesneri lebi da
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216 GERALD FLORIAN MESSNER (AUSTRAL
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218 Gerald Florian Messner gives us
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220 Gerald Florian Messner Audio Ex
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222 daviT SuRliaSvili rac Seexeba a
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224 daviT SuRliaSvili tradicia, rom
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226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
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232 daviT SuRliaSvili. danarTi Davi
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234 daviT SuRliaSvili. danarTi Davi
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236 elena iovanoviCi (serbeTi) hibr
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238 elena iovanoviCi rebiT, sakvlev
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240 elena iovanoviCi lis `damuqeba~
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242 JELENA JOVANOVIĆ (SERBIA) HYBR
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244 Jelena Jovanović (Dević, 1979
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246 Jelena Jovanović of the new st
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248 Jelena Jovanović Scope of Ethn
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250 elena iovanoviCi. danarTi Jelen
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252 elena iovanoviCi. danarTi Jelen
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254 liTSi aris SemTxveviTi modulaci
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256 simha aromi, polo valeho mimdev
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258 92 simha aromi, polo valeho ara
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260 axla ganvixiloT G kilos sxvadas
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262 simha aromi, polo valeho gadaxr
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264 simha aromi, polo valeho Semdeg
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266 OUTLINE OF A SYNTAX OF CHORDS I
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268 Simha Arom, Polo Vallejo 51 Mag
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270 Simha Arom, Polo Vallejo Betwee
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272 Simha Arom, Polo Vallejo 5 II I
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274 Simha Arom, Polo Vallejo 88 Ere
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276 Simha Arom, Polo Vallejo Let us
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278 andrea kuzmiCi (kanada) qarTuli
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280 andrea kuzmiCi musikologia da T
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282 andrea kuzmiCi da profesiuls 3
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284 ANDREA KUZMICH (CANADA) THE TRA
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286 Andrea Kuzmich traditional musi
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288 Andrea Kuzmich the ability to l
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290 daiva raCiunaite-viCiniene (lit
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292 daiva raCiunaite-viCiniene Sin
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294 daiva raCiunaite-viCiniene litv
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296 daiva raCiunaite-viCiniene / su
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298 daiva raCiunaite-viCiniene nebi
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300 daiva raCiunaite-viCiniene buli
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302 daiva raCiunaite-viCiniene wreS
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304 (Stasys Paliulis) mier 1932 wel
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306 LITHUANIAN AND AINU VOCAL POLYP
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308 Daiva Račiūnaitė -Vyčinien
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310 Daiva Račiūnaitė -Vyčinien
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312 Daiva Račiūnaitė -Vyčinien
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314 Daiva Račiūnaitė -Vyčinien
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316 Daiva Račiūnaitė -Vyčinien
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318 10 C. Forlivesi assumes that mu
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320 Daiva Račiūnaitė -Vyčinien
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322 daiva raCiunaite-viCiniene. dan
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324 daiva raCiunaite-viCiniene. dan
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326 daiva raCiunaite-viCiniene. dan
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328 daiva raCiunaite-viCiniene. dan
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330 daiva raCiunaite-viCiniene. dan
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332 daiva raCiunaite-viCiniene. dan
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334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
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338 vielebTan, aramed Crdilo-evropu
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340 Mikhail Lobanov Konz mäthil Gr
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342 Mikhail Lobanov due to the lowe
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344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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siZvele da tradiciuloba qarTul trad
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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Ancientness and Traditionality in G
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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mravalxmiani musikaluri qsovilis tr
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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Specific Features of the Polyphonic
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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svimon (jiqi) jangulaSvili. danarTi
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svimon (jiqi) jangulaSvili. danarTi
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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ivliane nikolaZe: qarTul ZlispirTa
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ivliane nikolaZe: qarTul ZlispirTa
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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Ivliane Nikoladze: The</str
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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jon a. gremi. danarTi John A. Graha
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jon a. gremi. danarTi John A. Graha
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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zogierTi mosazreba mravalxmiani mus
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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Some Considerations on the Interpre
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Page 507 and 508:
Three Masterpieces of Megrelian Son
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Page 509 and 510:
franc foedermairi. danarTi Franz F
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Page 511 and 512:
franc foedermairi. danarTi Franz F
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Page 513:
franc foedermairi. danarTi Franz F
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Page 517 and 518:
517 morimoto masako, honda manabu,
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Page 519 and 520:
qarTuli tradiciuli mravalxmianobis
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Page 521 and 522:
521 MORIMOTO MASAKO, HONDA MANABU,
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Page 523 and 524:
Study on the Sound Structure of Geo
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Page 525 and 526:
morimoto masako, honda manabu, niSi
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Page 527 and 528:
527 kavai norie, morimoto masako, h
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Page 529 and 530:
qarTuli tradiciuli mravalxmianobis
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Page 531 and 532:
qarTuli tradiciuli mravalxmianobis
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Page 533 and 534:
Study on the Sound Structure of Geo
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Page 535 and 536:
Study on the Sound Structure of Geo
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Page 537 and 538:
kavai norie, morimoto masako, honda
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Page 539 and 540:
kaxuri simRerebis gaSifvris sakiTxe
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Page 541 and 542:
CHALLENGES IN MUSICAL TRANSCRIPTION
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Page 543 and 544:
nona lomiZe. danarTi Nona Lomidze.
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Page 545 and 546:
nona lomiZe. danarTi Nona Lomidze.
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Page 547 and 548:
nona lomiZe. danarTi Nona Lomidze.
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Page 549 and 550:
nona lomiZe. danarTi Nona Lomidze.
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Page 551:
nona lomiZe. danarTi Nona Lomidze.
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Page 555 and 556:
555 leila maruaSvili (saqarTvelo) q
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Page 557 and 558:
qarTuli xalxuri polifoniis tradicie
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Page 559 and 560:
qarTuli xalxuri polifoniis tradicie
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Page 561 and 562:
qarTuli xalxuri polifoniis tradicie
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Page 563 and 564:
Refraction of Georgian Folk Polypho
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Page 565 and 566:
Refraction of Georgian Folk Polypho
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Page 567 and 568:
Refraction of Georgian Folk Polypho
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Page 569 and 570:
leila maruaSvili. danarTi Leila Mar
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Page 571 and 572:
leila maruaSvili. danarTi Leila Mar
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Page 573 and 574:
ioseb Jordania, xelovnebaTmcodneobi
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Page 575 and 576:
polo valeho, eTnomusikologiis doqto
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Page 578 and 579:
578 simpoziumis organizatorebi mxar