The Fifth International Symposium on Traditional Polyphony ...

More documents

Recommendations

Info

152 natalia zumbaZe, qeTevan maTiaSvili. danarTi Natalia Zumbadze, Ketevan Matiashvili. APPENDIX magaliTi 1. kviriola (aslaniSvili, 1954: 30) Example 1. Kviriola (Aslanishvili, 1954: 30) magaliTi 2. (l)azariko: aWara, Camweri ediSer garayaniZe, 1988. qxmSl-is arqivi Example 2. (L)azariko: Achara, recorder Edisher Garaqanidze, 1988. Archive of the Georgian Folk Music Department of Tbilisi State C<strong>on</strong>servatoire magaliTi 3. Колыбельная песня (Барагунов, Кардангушев, 1980: 176; No.77) Example 3. Kolibelnaia Pesnia (Bagunov, Kardangushev, 1980: 176; No.77)
natalia zumbaZe, qeTevan maTiaSvili. danarTi Natalia Zumbadze, Ketevan Matiashvili. APPENDIX magaliTi 4. micvalebulis sulis gamoTxovna (rosebaSvili, 1982: 24) Example 4. Call for the soul of the deceased (Rosebashvili, 1982: 24) magaliTi 5. Песня колхозников (Грузинские народные песни, 1956: 11) Example 5. Pesnia Kolkhoznikov (Gruzinskie Narodnie Pesni, 1956: 11) magaliTi 6. vai, deda (mSveliZe, 1970: 223; No.132) Example 6. Vai Deda (Mshvelidze, 1970: 223; No.132) 153
Page 1 and 2:
m o x s e n e b e b i 4-8 oqtomberi
Page 3 and 4:
s a r C e v i redaqtorebisagan ....
Page 5 and 6:
franc foedermairi (avstria) megruli
Page 7 and 8:
Davit Shughliashvili (Georgia) “W
Page 9 and 10:
edaqtorebisagan winamdebare krebulS
Page 11 and 12:
edaqtorebisagan koleqcias. moxseneb
Page 13 and 14:
From The Editors G
Page 15:
aziuri tradiciuli polifonia ASIAN T
Page 18 and 19:
18 ioseb Jordania anobis arsebuli t
Page 20 and 21:
20 ioseb Jordania mkvlevarebis yura
Page 22 and 23:
22 ioseb Jordania xmianobasTan da T
Page 24 and 25:
24 TRADITIONAL POLYPHONY IN ASIA: P
Page 26 and 27:
26 Joseph Jordania scholar Schehera
Page 28 and 29:
28 Joseph Jordania 2. Asian polypho
Page 30 and 31:
30 Joseph Jordania gestion not only
Page 32 and 33:
32 virtualuri heterofonia: kompozic
Page 34 and 35:
34 munir nuretin bekeni (aSS) migvi
Page 36 and 37:
36 MÜNIR NURETTIN BEKEN (USA) VIRT
Page 38 and 39:
38 Münir Nurettin Beken This becam
Page 40 and 41:
40 munir nuretin bekeni. danarTi M
Page 42 and 43:
42 nino ciciSvili (avstralia, saqar
Page 44 and 45:
44 nino ciciSvili (2) reCitaciuli b
Page 46 and 47:
46 nino ciciSvili upirveles yovlisa
Page 48 and 49:
48 nino ciciSvili kulturis arsebobi
Page 50 and 51:
50 NINO TSITSISHVILI (AUSTRALIA, GE
Page 52 and 53:
52 Nino Tsitsishvili Factor 3: scal
Page 54 and 55:
54 Nino Tsitsishvili A historical i
Page 56 and 57:
56 Nino Tsitsishvili References Ale
Page 58 and 59:
58 kunZul balis gamelanis musikis p
Page 60 and 61:
60 maikl tenzeri saciis xangrZliobi
Page 62 and 63:
62 maikl tenzeri arsebobas, Sreebs
Page 64 and 65:
64 Michael Tenzer repeats cyclicall
Page 66 and 67:
66 Michael Tenzer pulsations serves
Page 68 and 69:
68 maikl tenzeri. danarTi Michael T
Page 70 and 71:
70 magaliTi 4. bgeris simaRlis, dro
Page 72 and 73:
72 iu-siu lu Tsou (Tsou) 6 733 seis
Page 74 and 75:
74 iu-siu lu sawyis etapze taivanel
Page 76 and 77:
76 iu-siu lu 4 paralelur kvartebsa
Page 78 and 79:
78 Yu-Hsiu Lu in Taiwanese aborigin
Page 80 and 81:
80 Yu-Hsiu Lu earliest tribes in th
Page 82 and 83:
82 iu-siu lu. danarTi Yu-Hsiu Lu. A
Page 84 and 85:
84 marina qavTaraZe, ekaterine buCu
Page 86 and 87:
Page 88 and 89:
Page 90 and 91:
Page 92 and 93:
92 Marina Kavtaradze, Ekaterine Buc
Page 94 and 95:
Page 96 and 97:
Page 98 and 99:
98 rie koCi akompanementiT, instrum
Page 100 and 101:
100 cxr. 3 rie koCi 1) kanonuri uko
Page 102 and 103: 102 rie koCi rasac mReroda wamyvani
Page 104 and 105: 104 ON THE POLYPHONIC SINGING STYLE
Page 106 and 107: 106 singing the same melody followi
Page 108 and 109: 108 Rie Kôchi 3. Recent movements
Page 110 and 111: 110 Rie Kôchi Kôchi, Rie. (ed.).
Page 112 and 113: 112 rie koCi. danarTi Rie Kôchi. A
Page 115 and 116: 115 ala sokolova (adiRe, ruseTi) ad
Page 117 and 118: adiReas tradiciuli kulturis ameburi
Page 123 and 124: 123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
Page 125 and 126: The Meanings and C
Page 131 and 132: ala sokolova. danarTi Alla Sokolova
Page 133 and 134: 133 natalia zumbaZe, qeTevan maTiaS
Page 135 and 136: kavkasiel xalxTa mravalxmianoba da
Page 143 and 144: 143 NATALIA ZUMBADZE, KETEVAN MATIA
Page 145 and 146: Caucasian Peoples’ Polyphony and
Page 151: Caucasian Peoples’ Polyphony and
Page 155 and 156: 155 maia gelaSvili (saqarTvelo) pan
Page 157 and 158: pankisis xeobis qistebis tradiciuli
Page 159 and 160: ON THE STUDY OF THE TRADITIONAL MUS
Page 161 and 162: On the Study of the Traditional Mus
Page 163 and 164: 163 maka xarZiani (saqarTvelo) samx
Page 165 and 166: samxmiani simRerebis gaerTxmianebis
Page 167 and 168: samxmiani simRerebis gaerTxmianebis
Page 169 and 170: On the Change of Three-Part Songs i
Page 171 and 172: On the Change of Three-Part Songs i
Page 173 and 174: 173 manana SilakaZe (saqarTvelo) qa
Page 175 and 176: qarTuli da adiReuri instrumentuli m
Page 177 and 178: 177 MANANA SHILAKADZE (GEORGIA) GEO
Page 179 and 180: Georgian and Adyghe Music in the Co
Page 181 and 182: manana SilakaZe. danarTi Manana Shi
Page 183: Ktradiciuli polifoniis regionuli st
Page 186 and 187: 186 Jana partlasi mizezis gamo. upi
Page 188 and 189: 188 Jana partlasi naxevartoniani ki
Page 190 and 191: 190 ŽANNA PÄRTLAS (ESTONIA) RETRA
Page 192 and 193: 192 Žanna Pärtlas melodic lines c
Page 194 and 195: 194 Jana partlasi. danarTi Žanna P
Page 196 and 197: 196 damwyebi xma qarTul mravalxmian
Page 198 and 199: 198 Tamaz gabisonia g) mxolod simRe
Page 200 and 201: 200 Tamaz gabisonia sovs, damwyebis
Page 202 and 203:
202 Tamaz Gabisonia of these songs
Page 204 and 205:
204 Tamaz Gabisonia mazhogh). So do
Page 206 and 207:
206 Tamaz gabisonia. danarTi Tamaz
Page 208 and 209:
Page 210 and 211:
Page 212 and 213:
212 gerald florian mesneri mosaxldn
Page 214 and 215:
214 gerald florian mesneri lebi da
Page 216 and 217:
216 GERALD FLORIAN MESSNER (AUSTRAL
Page 218 and 219:
218 Gerald Florian Messner gives us
Page 220 and 221:
220 Gerald Florian Messner Audio Ex
Page 222 and 223:
222 daviT SuRliaSvili rac Seexeba a
Page 224 and 225:
224 daviT SuRliaSvili tradicia, rom
Page 226 and 227:
226 daviT SuRliaSvili damowmebuli l
Page 228 and 229:
228 Davit Shughliashvili characteri
Page 230 and 231:
230 Davit Shughliashvili the bell),
Page 232 and 233:
232 daviT SuRliaSvili. danarTi Davi
Page 234 and 235:
234 daviT SuRliaSvili. danarTi Davi
Page 236 and 237:
236 elena iovanoviCi (serbeTi) hibr
Page 238 and 239:
238 elena iovanoviCi rebiT, sakvlev
Page 240 and 241:
240 elena iovanoviCi lis `damuqeba~
Page 242 and 243:
242 JELENA JOVANOVIĆ (SERBIA) HYBR
Page 244 and 245:
244 Jelena Jovanović (Dević, 1979
Page 246 and 247:
246 Jelena Jovanović of the new st
Page 248 and 249:
248 Jelena Jovanović Scope of Ethn
Page 250 and 251:
250 elena iovanoviCi. danarTi Jelen
Page 252 and 253:
252 elena iovanoviCi. danarTi Jelen
Page 254 and 255:
254 liTSi aris SemTxveviTi modulaci
Page 256 and 257:
256 simha aromi, polo valeho mimdev
Page 258 and 259:
258 92 simha aromi, polo valeho ara
Page 260 and 261:
260 axla ganvixiloT G kilos sxvadas
Page 262 and 263:
262 simha aromi, polo valeho gadaxr
Page 264 and 265:
264 simha aromi, polo valeho Semdeg
Page 266 and 267:
266 OUTLINE OF A SYNTAX OF CHORDS I
Page 268 and 269:
268 Simha Arom, Polo Vallejo 51 Mag
Page 270 and 271:
270 Simha Arom, Polo Vallejo Betwee
Page 272 and 273:
272 Simha Arom, Polo Vallejo 5 II I
Page 274 and 275:
274 Simha Arom, Polo Vallejo 88 Ere
Page 276 and 277:
276 Simha Arom, Polo Vallejo Let us
Page 278 and 279:
278 andrea kuzmiCi (kanada) qarTuli
Page 280 and 281:
280 andrea kuzmiCi musikologia da T
Page 282 and 283:
282 andrea kuzmiCi da profesiuls 3
Page 284 and 285:
284 ANDREA KUZMICH (CANADA) THE TRA
Page 286 and 287:
286 Andrea Kuzmich traditional musi
Page 288 and 289:
288 Andrea Kuzmich the ability to l
Page 290 and 291:
290 daiva raCiunaite-viCiniene (lit
Page 292 and 293:
292 daiva raCiunaite-viCiniene Sin
Page 294 and 295:
294 daiva raCiunaite-viCiniene litv
Page 296 and 297:
296 daiva raCiunaite-viCiniene / su
Page 298 and 299:
298 daiva raCiunaite-viCiniene nebi
Page 300 and 301:
300 daiva raCiunaite-viCiniene buli
Page 302 and 303:
302 daiva raCiunaite-viCiniene wreS
Page 304 and 305:
304 (Stasys Paliulis) mier 1932 wel
Page 306 and 307:
306 LITHUANIAN AND AINU VOCAL POLYP
Page 308 and 309:
308 Daiva Račiūnaitė -Vyčinien
Page 310 and 311:
Page 312 and 313:
Page 314 and 315:
Page 316 and 317:
Page 318 and 319:
318 10 C. Forlivesi assumes that mu
Page 320 and 321:
Page 322 and 323:
322 daiva raCiunaite-viCiniene. dan
Page 324 and 325:
Page 326 and 327:
Page 328 and 329:
Page 330 and 331:
Page 332 and 333:
Page 334 and 335:
334 mixail lobanovi eTnografiisadmi
Page 336 and 337:
336 mixail lobanovi yoveli maTgani
Page 338 and 339:
338 vielebTan, aramed Crdilo-evropu
Page 340 and 341:
340 Mikhail Lobanov Konz mäthil Gr
Page 342 and 343:
342 Mikhail Lobanov due to the lowe
Page 344 and 345:
344 Mikhail Lobanov Kravchinskaia,
Page 346 and 347:
346 mixail lobanovi. danrTi Mikhail
Page 348 and 349:
348 mixail lobanovi. danrTi Mikhail
Page 350 and 351:
350 ana piotrovska ungreTSi boSa mu
Page 352 and 353:
352 ana piotrovska tradicia grZelde
Page 354 and 355:
354 ana piotrovska iseT istoriul mi
Page 356 and 357:
356 THE NOTION OF SO CALLED GYPSY M
Page 358 and 359:
358 Anna Piotrowska be claimed that
Page 360 and 361:
360 Anna Piotrowska Consequently im
Page 362 and 363:
362 Anna Piotrowska Nettl, Bruno. (
Page 364 and 365:
364 nino razmaZe indi mindi da sxv.
Page 366 and 367:
366 nino razmaZe qme. (2) Sesrulebi
Page 368 and 369:
368 THE DYNAMICS OF THE EVOLUTION O
Page 370 and 371:
370 Nino Razmadze was always perfor
Page 372 and 373:
372 nino razmaZe. danarTi Nino Razm
Page 374 and 375:
374 magaliTi 4. oTxxmianoba patara
Page 377 and 378:
377 ekaterine oniani (saqarTvelo) q
Page 379 and 380:
qarTuli galobis mravalxmianobis sak
Page 381 and 382:
ON THE POLYPHONY OF GEORGIAN CHANT
Page 383 and 384:
On the Polyphony of Georgian Chant
Page 385 and 386:
ekaterine oniani. danarTi Ekaterine
Page 387 and 388:
387 jeremi fauci (aSS) siZvele da t
Page 389 and 390:
siZvele da tradiciuloba qarTul trad
Page 391 and 392:
Page 393 and 394:
Page 395 and 396:
Ancientness and Traditionality in G
Page 397 and 398:
Page 399 and 400:
Page 401 and 402:
401 svimon (jiqi) jangulaSvili (saq
Page 403 and 404:
mravalxmiani musikaluri qsovilis tr
Page 405 and 406:
Page 407 and 408:
Page 409 and 410:
SPECIFIC FEATURES OF THE POLYPHONIC
Page 411 and 412:
Specific Features of the Polyphonic
Page 413 and 414:
Page 415 and 416:
Page 417 and 418:
svimon (jiqi) jangulaSvili. danarTi
Page 419 and 420:
Page 421 and 422:
Page 423 and 424:
Page 425 and 426:
ivliane nikolaZe: qarTul ZlispirTa
Page 427 and 428:
Page 429 and 430:
Page 431 and 432:
Page 433 and 434:
Ivliane Nikoladze: The</str
Page 435 and 436:
Page 437 and 438:
Page 439 and 440:
jon a. gremi. danarTi John A. Graha
Page 441 and 442:
Page 443 and 444:
Page 445 and 446:
Page 447 and 448:
M 447 ekaterine diasamiZe (saqarTve
Page 449 and 450:
mravalxmianobis formebi rusul saekl
Page 451 and 452:
mravalxmianobis formebi rusul saekl
Page 453 and 454:
Polyphonic Forms in 17th century Ru
Page 455 and 456:
Polyphonic Forms in 17th century Ru
Page 457 and 458:
ekaterine diasamiZe. danarTi Ekater
Page 459 and 460:
459 baia JuJunaZe (saqarTvelo) XIX
Page 461 and 462:
XIX saukunis qarTuli samgaloblo tra
Page 463 and 464:
XIX saukunis qarTuli samgaloblo tra
Page 465 and 466:
New Tendencies in the Nineteenth-Ce
Page 467 and 468:
New Tendencies in the Nineteenth-Ce
Page 469 and 470:
aia JuJunaZe. danarTi Baia Zhuzhuna
Page 471 and 472:
aia JuJunaZe. danarTi Baia Zhuzhuna
Page 473 and 474:
gamSvenebaTa struqturuli formulebi
Page 475 and 476:
ORNAMENTED STRUCTURAL FORMULAS IN T
Page 477 and 478:
Ornamented Structural Formulas in t
Page 479 and 480:
nino naneiSvili. danarTi Nino Nanei
Page 481:
nino naneiSvili. danarTi Nino Nanei
Page 485 and 486:
485 gerda lexlaitneri (avstria) non
Page 487 and 488:
zogierTi mosazreba mravalxmiani mus
Page 489 and 490:
Page 491 and 492:
Page 493 and 494:
Some Considerations on the Interpre
Page 495 and 496:
Page 497 and 498:
Page 499 and 500:
gerda lexlaitneri, nona lomiZe. dan
Page 501 and 502:
gerda lexlaitneri, nona lomiZe. dan
Page 503 and 504:
503 franc foedermairi (avstria) meg
Page 505 and 506:
megruli simReris sami Sedevri, Cawe
Page 507 and 508:
Three Masterpieces of Megrelian Son
Page 509 and 510:
franc foedermairi. danarTi Franz F
Page 511 and 512:
Page 513:
Page 517 and 518:
517 morimoto masako, honda manabu,
Page 519 and 520:
qarTuli tradiciuli mravalxmianobis
Page 521 and 522:
521 MORIMOTO MASAKO, HONDA MANABU,
Page 523 and 524:
Study on the Sound Structure of Geo
Page 525 and 526:
morimoto masako, honda manabu, niSi
Page 527 and 528:
527 kavai norie, morimoto masako, h
Page 529 and 530:
Page 531 and 532:
Page 533 and 534:
Page 535 and 536:
Page 537 and 538:
kavai norie, morimoto masako, honda
Page 539 and 540:
kaxuri simRerebis gaSifvris sakiTxe
Page 541 and 542:
CHALLENGES IN MUSICAL TRANSCRIPTION
Page 543 and 544:
nona lomiZe. danarTi Nona Lomidze.
Page 545 and 546:
Page 547 and 548:
Page 549 and 550:
Page 551:
Page 555 and 556:
555 leila maruaSvili (saqarTvelo) q
Page 557 and 558:
qarTuli xalxuri polifoniis tradicie
Page 559 and 560:
Page 561 and 562:
Page 563 and 564:
Refraction of Georgian Folk Polypho
Page 565 and 566:
Page 567 and 568:
Page 569 and 570:
leila maruaSvili. danarTi Leila Mar
Page 571 and 572:
leila maruaSvili. danarTi Leila Mar
Page 573 and 574:
ioseb Jordania, xelovnebaTmcodneobi
Page 575 and 576:
polo valeho, eTnomusikologiis doqto
Page 578 and 579:
578 simpoziumis organizatorebi mxar
show all

The Fifth International Symposium on Traditional Polyphony ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?