The Fifth International Symposium on Traditional Polyphony ...

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142 natalia zumbaZe, qeTevan maTiaSvili audiomagaliTi 21. komkavSiruli sacekvao: kavkasiel xalxTa musika... diski #2-40 audiomagaliTi 22. afxazuri sacekvao: quTaisi, Camweri e. savicki, 1954. qxmSl arqivi, saeqspedicio firi #22-3 audiomagaliTi 23. faTiko: ansambli maWaxela. audioalbomi. Camweri g. donaZe. Tbilisi, 2004. #12 audiomagaliTi 24. kolmeurnis qorwili: kavkasiel xalxTa musika... diski #2-37 audiomagaliTi 25. saqorwilo sacekvao: kavkasiel xalxTa musika... diski #2-47 audiomagaliTi 26. ohohoia hariraTi: harira. megruli simRerebi. audioalbomi. qarTuli xalxuri simReris saerTaSoriso centri. Tbilisi. #22 audiomagaliTi 27. Sromis simRerebis popuri: kavkasiel xalxTa musika... diski #2-38 audiomagaliTi 28. svanuri ferxuli: Ensemble Georgika. audioalbomi. diski III-12 audiomagaliTi 29. simRera didi samamulo omis gmir xaraziaze: kavkasiel xalxTa musika... diski #2-39 audiomagaliTi 30. vinc giyvarda: maiakovski, Camweri e. savicki, 1954. qxmSl arqivi, saeqspedicio firi #22-11 audiomagaliTi 31. antica: kavkasiel xalxTa musika... diski #2-41
143 NATALIA ZUMBADZE, KETEVAN MATIASHVILI (GEORGIA) CAUCASIAN PEOPLES’ POLYPHONY AND ITS RELATION WITH GEORGIAN POLYPHONY (ACCORDING RO THE AUDIO ALBUM – THE MUSIC OF THE CAUCASIAN PEOPLES – FROM THE PHONOGRAM ARCHIVES OF TBILISI STATE CONSERVATOIRE) This paper is based on the Karachai, Adyghe (known in Europe as Circassian) and Abkhazian recorded materials obtained during fieldwork in Abkhazia (1956) and North Caucasus (1957). Both fieldworks were led by Georgian musicologist Vladimer Akhobadze, which are included in the audio album Music of Caucasian peoples from the Tbilisi State Conservatory Phonographic-Archive. In the recordings of the Abaza and Noghai peoples there are no multipart songs, neither do the specimens of homophonic songs and the repertory of songs performed with the accompaniment of an accordion show any relationship with the Georgian songs, therefore we are not going to discuss them 1 . Without taking into consideration the common Caucasian context and comparative data, it is impossible to study the origin of Georgian musical folklore. Research on the common roots of the material and the spiritual culture of the peoples living in the Caucasus has always been the focus of attention of Georgian scholars 2 . Special folkloristic expeditions to Abkhazia and Dagestan (1970 and 1988, Georgian Musical-Cho– reographic Society) were targeted at studying Georgian-Caucasian musical relations. Fieldwork in the Pankisi Gorge (1985, 1989, Tbilisi State Conservatoire) was partially connected with this issue, and there were also research trips in different periods organized by the Institute of History, Archaeology and Ethnography (1957). Unfortunately, due to the complicated political situation it was impossible to launch other planned expeditions to the North Caucasus. <strong>The</strong> published material fails to present a complete picture of the musical art of the Caucasian peoples mentioned above, therefore it cannot be used to fully ascertain its artistic value, though it introduces the character and specific features of these peoples’ music to a certain extent. <strong>The</strong>re are both earlier and comparatively later strata of musical cultures, authors’ specimens among them; alongside with the most ancient songs and instrumental tunes, songs on Soviet themes also occur; sometimes the resemblance between the cultures and their mutual influence are present; in a number of cases the performers’ incompetence can be observed, too. In spite of quite a few insurmountable difficulties we face today (lack of special expeditions and relations with local highly qualified experts, ignorance of Caucasian languages, the paucity of the available material – in a number of cases we cannot even get local editions either), we were encouraged to work on the problem by the vibrant musical material. This time our goal is only to point out the cases of resemblance or difference between the North Caucasian and Georgian specimens of songs or instrumental music we have selected; the explanation of the facts of mutual influence is beyond the aims of our study. Of all the sound recordings included in the audio album we specially singled out Adyghean, Karachai and Abkhazian specimens more or less associated with Georgian culture 3 . Among the Adyghean-Karachai these were mainly two-part songs, plain, basically three or four-degree, with the bass part with a strongly pronounced harmonious function (ezhu);
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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Page 92 and 93: 92 Marina Kavtaradze, Ekaterine Buc
Page 98 and 99: 98 rie koCi akompanementiT, instrum
Page 100 and 101: 100 cxr. 3 rie koCi 1) kanonuri uko
Page 102 and 103: 102 rie koCi rasac mReroda wamyvani
Page 104 and 105: 104 ON THE POLYPHONIC SINGING STYLE
Page 106 and 107: 106 singing the same melody followi
Page 108 and 109: 108 Rie Kôchi 3. Recent movements
Page 110 and 111: 110 Rie Kôchi Kôchi, Rie. (ed.).
Page 112 and 113: 112 rie koCi. danarTi Rie Kôchi. A
Page 115 and 116: 115 ala sokolova (adiRe, ruseTi) ad
Page 117 and 118: adiReas tradiciuli kulturis ameburi
Page 123 and 124: 123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
Page 125 and 126: The Meanings and C
Page 131 and 132: ala sokolova. danarTi Alla Sokolova
Page 133 and 134: 133 natalia zumbaZe, qeTevan maTiaS
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Page 141: kavkasiel xalxTa mravalxmianoba da
Page 145 and 146: Caucasian Peoples’ Polyphony and
Page 153 and 154: natalia zumbaZe, qeTevan maTiaSvili
Page 155 and 156: 155 maia gelaSvili (saqarTvelo) pan
Page 157 and 158: pankisis xeobis qistebis tradiciuli
Page 159 and 160: ON THE STUDY OF THE TRADITIONAL MUS
Page 161 and 162: On the Study of the Traditional Mus
Page 163 and 164: 163 maka xarZiani (saqarTvelo) samx
Page 165 and 166: samxmiani simRerebis gaerTxmianebis
Page 167 and 168: samxmiani simRerebis gaerTxmianebis
Page 169 and 170: On the Change of Three-Part Songs i
Page 171 and 172: On the Change of Three-Part Songs i
Page 173 and 174: 173 manana SilakaZe (saqarTvelo) qa
Page 175 and 176: qarTuli da adiReuri instrumentuli m
Page 177 and 178: 177 MANANA SHILAKADZE (GEORGIA) GEO
Page 179 and 180: Georgian and Adyghe Music in the Co
Page 181 and 182: manana SilakaZe. danarTi Manana Shi
Page 183: Ktradiciuli polifoniis regionuli st
Page 186 and 187: 186 Jana partlasi mizezis gamo. upi
Page 188 and 189: 188 Jana partlasi naxevartoniani ki
Page 190 and 191: 190 ŽANNA PÄRTLAS (ESTONIA) RETRA
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192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
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206 Tamaz gabisonia. danarTi Tamaz
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212 gerald florian mesneri mosaxldn
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214 gerald florian mesneri lebi da
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216 GERALD FLORIAN MESSNER (AUSTRAL
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218 Gerald Florian Messner gives us
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220 Gerald Florian Messner Audio Ex
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222 daviT SuRliaSvili rac Seexeba a
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224 daviT SuRliaSvili tradicia, rom
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226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
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232 daviT SuRliaSvili. danarTi Davi
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234 daviT SuRliaSvili. danarTi Davi
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236 elena iovanoviCi (serbeTi) hibr
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238 elena iovanoviCi rebiT, sakvlev
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240 elena iovanoviCi lis `damuqeba~
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242 JELENA JOVANOVIĆ (SERBIA) HYBR
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244 Jelena Jovanović (Dević, 1979
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246 Jelena Jovanović of the new st
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248 Jelena Jovanović Scope of Ethn
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250 elena iovanoviCi. danarTi Jelen
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252 elena iovanoviCi. danarTi Jelen
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254 liTSi aris SemTxveviTi modulaci
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256 simha aromi, polo valeho mimdev
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258 92 simha aromi, polo valeho ara
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260 axla ganvixiloT G kilos sxvadas
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262 simha aromi, polo valeho gadaxr
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264 simha aromi, polo valeho Semdeg
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266 OUTLINE OF A SYNTAX OF CHORDS I
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268 Simha Arom, Polo Vallejo 51 Mag
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270 Simha Arom, Polo Vallejo Betwee
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272 Simha Arom, Polo Vallejo 5 II I
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274 Simha Arom, Polo Vallejo 88 Ere
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276 Simha Arom, Polo Vallejo Let us
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278 andrea kuzmiCi (kanada) qarTuli
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280 andrea kuzmiCi musikologia da T
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282 andrea kuzmiCi da profesiuls 3
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284 ANDREA KUZMICH (CANADA) THE TRA
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286 Andrea Kuzmich traditional musi
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288 Andrea Kuzmich the ability to l
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290 daiva raCiunaite-viCiniene (lit
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292 daiva raCiunaite-viCiniene Sin
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294 daiva raCiunaite-viCiniene litv
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296 daiva raCiunaite-viCiniene / su
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298 daiva raCiunaite-viCiniene nebi
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300 daiva raCiunaite-viCiniene buli
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302 daiva raCiunaite-viCiniene wreS
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304 (Stasys Paliulis) mier 1932 wel
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306 LITHUANIAN AND AINU VOCAL POLYP
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308 Daiva Račiūnaitė -Vyčinien
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318 10 C. Forlivesi assumes that mu
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322 daiva raCiunaite-viCiniene. dan
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334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
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338 vielebTan, aramed Crdilo-evropu
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340 Mikhail Lobanov Konz mäthil Gr
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342 Mikhail Lobanov due to the lowe
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344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
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franc foedermairi. danarTi Franz F
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517 morimoto masako, honda manabu,
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qarTuli tradiciuli mravalxmianobis
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521 MORIMOTO MASAKO, HONDA MANABU,
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Study on the Sound Structure of Geo
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morimoto masako, honda manabu, niSi
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527 kavai norie, morimoto masako, h
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kavai norie, morimoto masako, honda
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kaxuri simRerebis gaSifvris sakiTxe
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CHALLENGES IN MUSICAL TRANSCRIPTION
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nona lomiZe. danarTi Nona Lomidze.
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555 leila maruaSvili (saqarTvelo) q
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qarTuli xalxuri polifoniis tradicie
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Refraction of Georgian Folk Polypho
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leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
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ioseb Jordania, xelovnebaTmcodneobi
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polo valeho, eTnomusikologiis doqto
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578 simpoziumis organizatorebi mxar
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