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The Fifth International Symposium on Traditional Polyphony ...

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14<br />

Rusudan Tsurtsumia<br />

Joseph Jordania<br />

technology of musical transcripti<strong>on</strong>s of Kakhetian l<strong>on</strong>g s<strong>on</strong>gs.<br />

And finally, a single paper was presented with the theme Traditi<strong>on</strong>al and Art Music. Leila Maruashvili<br />

(Georgia) discussed the refracti<strong>on</strong> of Georgian traditi<strong>on</strong>al polyph<strong>on</strong>y in professi<strong>on</strong>al music.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> success of the symposium proved the success of introducing a special theme to the thematic of the<br />

symposium and attracting the interest of scholars to the relatively neglected (or extremely important) topics of<br />

the study of traditi<strong>on</strong>al polyph<strong>on</strong>y. It was decided that the next symposium will have a special theme dedicated<br />

to comparative methods in studying traditi<strong>on</strong>al polyph<strong>on</strong>y.<br />

We would like to finish our introducti<strong>on</strong> by acknowledging the importance of the rich c<strong>on</strong>cert program that<br />

runs in parallel with the scholarly symposium. Live sounds of traditi<strong>on</strong>al polyph<strong>on</strong>y from different polyph<strong>on</strong>ic<br />

traditi<strong>on</strong>s resounded within the walls of the Tbilisi State C<strong>on</strong>servatory throughout the whole symposium. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

c<strong>on</strong>cert program was so intense that symposium participants sometimes faced an impossible task in choosing<br />

between an interesting scholarly sessi<strong>on</strong> and the performance of an interesting polyph<strong>on</strong>ic traditi<strong>on</strong> by the<br />

bearers of the traditi<strong>on</strong>. <str<strong>on</strong>g>Symposium</str<strong>on</strong>g> opening c<strong>on</strong>cert, completely dedicated to children’s folklore and children<br />

ensembles, was particularly impressive. <str<strong>on</strong>g>The</str<strong>on</strong>g> opening c<strong>on</strong>cert allowed symposium participants to see clearly<br />

the future perspectives of Georgian traditi<strong>on</strong>al polyph<strong>on</strong>y.<br />

At the afterno<strong>on</strong> c<strong>on</strong>certs listeners were able to hear not <strong>on</strong>ly live examples of Georgian and Caucasian<br />

traditi<strong>on</strong>al polyph<strong>on</strong>y, but choral traditi<strong>on</strong>s from Balkans, Baltic countries and Great Britain as well. <str<strong>on</strong>g>The</str<strong>on</strong>g> desire<br />

of the symposium organizers to present new cultures, new faces and new ensembles from different polyph<strong>on</strong>ic<br />

traditi<strong>on</strong>s of the world is gradually becoming a reality. One of the central features of the c<strong>on</strong>cert program of<br />

the symposium was the performance of Austrian village singers, the trio Lindabrunner Dreigesang. <str<strong>on</strong>g>The</str<strong>on</strong>g>ir<br />

brilliant yodeling and authentic stage presence brought great pleasure and let the listeners feel the fragrance<br />

of the Alp mountains.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> success of the <str<strong>on</strong>g>Fifth</str<strong>on</strong>g> <str<strong>on</strong>g>Internati<strong>on</strong>al</str<strong>on</strong>g> <str<strong>on</strong>g>Symposium</str<strong>on</strong>g> <strong>on</strong> Traditi<strong>on</strong>al Polyph<strong>on</strong>y is a testim<strong>on</strong>y to the growing<br />

internati<strong>on</strong>al prestige of the <str<strong>on</strong>g>Internati<strong>on</strong>al</str<strong>on</strong>g> Research Centre for Traditi<strong>on</strong>al Polyph<strong>on</strong>y, and an indicati<strong>on</strong> that the<br />

range and popularity of the Tbilisi polyph<strong>on</strong>ic symposia will most likely grow in the coming years.<br />

Rusudan Tsurtsumia<br />

Joseph Jordania

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