The Fifth International Symposium on Traditional Polyphony ...

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132 ala sokolova. danarTi Alla Sokolova. APPENDIX magaliTi 2. kiorer (Kiorer) _ mosiarule. 1911 wlis Canaweri. gaSifrulia a. n. sokolovas mier Example 2. Kiorer – Going. Sound recording of 1911. Deciphered by A.N. Sokolova
133 natalia zumbaZe, qeTevan maTiaSvili (saqarTvelo) kavkasiel xalxTa mravalxmianoba da misi mimarTeba qarTulTan (audioalbomis _ kavkasiel xalxTa musika Tbilisis saxelmwifo konservatoriis fonoarqividan _ mixedviT) Tema efuZneba audioalbomSi (kavkasiel xalxTa musika Tbilisis saxelmwifo konserva– toriis fonoarqividan, 2010 1 ) Sesul or musikalur-folkloristul eqspediciaSi (1956 _ afxazeTi da 1957 _ yaraCai-CerqezeTi) mopovebul yaraCaul, Cerqezul da afxazur nimuSebs (orive eqspedicias qarTveli musikismcodne vladimer axobaZe xelmZRvanelobda). gamocemaSi warmodgenil abazi da noRaeli xalxebis CanawerebSi mravalxmiani simRera ar mogvepoveba, arc erTxmiani nimuSebi da garmonze Sesrulebuli sasimRero repertuari avlens raime kav– Sirs qarTulTan, ris gamoc maT ar ganvixilavT. kavkasiaSi mcxovrebi xalxebis materialuri da sulieri kulturis saerTo Zirebis mecnieruli kvleva yovelTvis aqtualuri iyo. zogadkavkasiuri konteqstisa da SedarebiTi monacemebis gaTvaliswinebis gareSe qarTuli musikaluri folkloris saTaveebis Seswav– lac SeuZlebelia. am Temis calkeul sakiTxebs sxvadasxva dros sxvadasxva qarTveli mkvle– vari Seexo 2 . qarTul-kavkasiuri samusiko urTierTobebis Seswavlas isaxavda miznad qarTvel mkvle– varTa sagangebo folkloristuli eqspediciebi afxazeTsa da daRestanSi (1970 da 1988, saqarT– velos musikalur-qoreografiuli sazogadoeba). nawilobriv am Temas exmianeboda savele samuSaoebi pankisis xeobaSi (1985, 1989; Tbilisis saxelmwifo konservatoria), aseve _ sxvada– sxva periodis eTnografiuli eqspediciebi, maT Soris adiReSi (1957, istoriis instituti, Tbilisis saxelmwifo universiteti; saqarTvelos saxelmwifo muzeumi; adiRes enis, lite– raturisa da istoriis samecniero-kvleviTi instituti; adiRes mxareTmcodneobis saxelmwi– fo muzeumi). samwuxarod, rTuli politikuri viTarebis gamo wina saukunis 90-iani wlebidan Crdilo– kavkasiaSi dagegmili sxva eqspediciebi veRar Catarda. gamocemuli masala zemoT dasaxelebuli kavkasieli xalxebis musikaluri Semoqmedebis mravalferovnebas srulad ver asaxavs da misi mxatvruli Rirebulebis sazomad bolomde ver gamodgeba, magram am xalxTa musikis xasiaTsa da Taviseburebebs garkveulwilad gvac– nobs. saxezea musikalur kulturaTa rogorc adreuli, ise SedarebiT gviandeli fenebi, maT Soris saavtoro nimuSebi; uZvelesi simRera-dasakravebis gverdiT sabWouri Tematikis sim– Rerebic gvxvdeba; zogjer SeiniSneba kulturaTa msgavseba da gavlenebi; rig SemTxvevaSi, SemsrulebelTa arakompetenturobac aSkaraa. dResdReobiT dauZleveli mTeli rigi sirTuleebis miuxedavad (sagangebo eqspediciebisa da adgilobriv kvalificiur specialistebTan urTierTobis deficiti, kavkasiur enaTa ar– codna, Cven xelT arsebuli masalis simwire _ rig SemTxvevaSi adgilobrivi dargobrivi
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
Page 82 and 83: 82 iu-siu lu. danarTi Yu-Hsiu Lu. A
Page 84 and 85: 84 marina qavTaraZe, ekaterine buCu
Page 92 and 93: 92 Marina Kavtaradze, Ekaterine Buc
Page 98 and 99: 98 rie koCi akompanementiT, instrum
Page 100 and 101: 100 cxr. 3 rie koCi 1) kanonuri uko
Page 102 and 103: 102 rie koCi rasac mReroda wamyvani
Page 104 and 105: 104 ON THE POLYPHONIC SINGING STYLE
Page 106 and 107: 106 singing the same melody followi
Page 108 and 109: 108 Rie Kôchi 3. Recent movements
Page 110 and 111: 110 Rie Kôchi Kôchi, Rie. (ed.).
Page 112 and 113: 112 rie koCi. danarTi Rie Kôchi. A
Page 115 and 116: 115 ala sokolova (adiRe, ruseTi) ad
Page 117 and 118: adiReas tradiciuli kulturis ameburi
Page 123 and 124: 123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
Page 125 and 126: The Meanings and C
Page 131: ala sokolova. danarTi Alla Sokolova
Page 135 and 136: kavkasiel xalxTa mravalxmianoba da
Page 143 and 144: 143 NATALIA ZUMBADZE, KETEVAN MATIA
Page 145 and 146: Caucasian Peoples’ Polyphony and
Page 153 and 154: natalia zumbaZe, qeTevan maTiaSvili
Page 155 and 156: 155 maia gelaSvili (saqarTvelo) pan
Page 157 and 158: pankisis xeobis qistebis tradiciuli
Page 159 and 160: ON THE STUDY OF THE TRADITIONAL MUS
Page 161 and 162: On the Study of the Traditional Mus
Page 163 and 164: 163 maka xarZiani (saqarTvelo) samx
Page 165 and 166: samxmiani simRerebis gaerTxmianebis
Page 167 and 168: samxmiani simRerebis gaerTxmianebis
Page 169 and 170: On the Change of Three-Part Songs i
Page 171 and 172: On the Change of Three-Part Songs i
Page 173 and 174: 173 manana SilakaZe (saqarTvelo) qa
Page 175 and 176: qarTuli da adiReuri instrumentuli m
Page 177 and 178: 177 MANANA SHILAKADZE (GEORGIA) GEO
Page 179 and 180: Georgian and Adyghe Music in the Co
Page 181 and 182: manana SilakaZe. danarTi Manana Shi
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Ktradiciuli polifoniis regionuli st
Page 186 and 187:
186 Jana partlasi mizezis gamo. upi
Page 188 and 189:
188 Jana partlasi naxevartoniani ki
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190 ŽANNA PÄRTLAS (ESTONIA) RETRA
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192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
Page 206 and 207:
206 Tamaz gabisonia. danarTi Tamaz
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Page 212 and 213:
212 gerald florian mesneri mosaxldn
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214 gerald florian mesneri lebi da
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216 GERALD FLORIAN MESSNER (AUSTRAL
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218 Gerald Florian Messner gives us
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220 Gerald Florian Messner Audio Ex
Page 222 and 223:
222 daviT SuRliaSvili rac Seexeba a
Page 224 and 225:
224 daviT SuRliaSvili tradicia, rom
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226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
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232 daviT SuRliaSvili. danarTi Davi
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234 daviT SuRliaSvili. danarTi Davi
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236 elena iovanoviCi (serbeTi) hibr
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238 elena iovanoviCi rebiT, sakvlev
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240 elena iovanoviCi lis `damuqeba~
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242 JELENA JOVANOVIĆ (SERBIA) HYBR
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244 Jelena Jovanović (Dević, 1979
Page 246 and 247:
246 Jelena Jovanović of the new st
Page 248 and 249:
248 Jelena Jovanović Scope of Ethn
Page 250 and 251:
250 elena iovanoviCi. danarTi Jelen
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252 elena iovanoviCi. danarTi Jelen
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254 liTSi aris SemTxveviTi modulaci
Page 256 and 257:
256 simha aromi, polo valeho mimdev
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258 92 simha aromi, polo valeho ara
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260 axla ganvixiloT G kilos sxvadas
Page 262 and 263:
262 simha aromi, polo valeho gadaxr
Page 264 and 265:
264 simha aromi, polo valeho Semdeg
Page 266 and 267:
266 OUTLINE OF A SYNTAX OF CHORDS I
Page 268 and 269:
268 Simha Arom, Polo Vallejo 51 Mag
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270 Simha Arom, Polo Vallejo Betwee
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272 Simha Arom, Polo Vallejo 5 II I
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274 Simha Arom, Polo Vallejo 88 Ere
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276 Simha Arom, Polo Vallejo Let us
Page 278 and 279:
278 andrea kuzmiCi (kanada) qarTuli
Page 280 and 281:
280 andrea kuzmiCi musikologia da T
Page 282 and 283:
282 andrea kuzmiCi da profesiuls 3
Page 284 and 285:
284 ANDREA KUZMICH (CANADA) THE TRA
Page 286 and 287:
286 Andrea Kuzmich traditional musi
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288 Andrea Kuzmich the ability to l
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290 daiva raCiunaite-viCiniene (lit
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292 daiva raCiunaite-viCiniene Sin
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294 daiva raCiunaite-viCiniene litv
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296 daiva raCiunaite-viCiniene / su
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298 daiva raCiunaite-viCiniene nebi
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300 daiva raCiunaite-viCiniene buli
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302 daiva raCiunaite-viCiniene wreS
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304 (Stasys Paliulis) mier 1932 wel
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306 LITHUANIAN AND AINU VOCAL POLYP
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308 Daiva Račiūnaitė -Vyčinien
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318 10 C. Forlivesi assumes that mu
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322 daiva raCiunaite-viCiniene. dan
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Page 330 and 331:
Page 332 and 333:
Page 334 and 335:
334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
Page 338 and 339:
338 vielebTan, aramed Crdilo-evropu
Page 340 and 341:
340 Mikhail Lobanov Konz mäthil Gr
Page 342 and 343:
342 Mikhail Lobanov due to the lowe
Page 344 and 345:
344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
Page 348 and 349:
348 mixail lobanovi. danrTi Mikhail
Page 350 and 351:
350 ana piotrovska ungreTSi boSa mu
Page 352 and 353:
352 ana piotrovska tradicia grZelde
Page 354 and 355:
354 ana piotrovska iseT istoriul mi
Page 356 and 357:
356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
Page 360 and 361:
360 Anna Piotrowska Consequently im
Page 362 and 363:
362 Anna Piotrowska Nettl, Bruno. (
Page 364 and 365:
364 nino razmaZe indi mindi da sxv.
Page 366 and 367:
366 nino razmaZe qme. (2) Sesrulebi
Page 368 and 369:
368 THE DYNAMICS OF THE EVOLUTION O
Page 370 and 371:
370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
Page 374 and 375:
374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
Page 387 and 388:
387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Page 393 and 394:
Page 395 and 396:
Ancientness and Traditionality in G
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Page 399 and 400:
Page 401 and 402:
401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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Page 407 and 408:
Page 409 and 410:
SPECIFIC FEATURES OF THE POLYPHONIC
Page 411 and 412:
Specific Features of the Polyphonic
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Page 415 and 416:
Page 417 and 418:
svimon (jiqi) jangulaSvili. danarTi
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Page 421 and 422:
Page 423 and 424:
Page 425 and 426:
ivliane nikolaZe: qarTul ZlispirTa
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Page 429 and 430:
Page 431 and 432:
Page 433 and 434:
Ivliane Nikoladze: The</str
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Page 437 and 438:
Page 439 and 440:
jon a. gremi. danarTi John A. Graha
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Page 443 and 444:
Page 445 and 446:
Page 447 and 448:
M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
Page 461 and 462:
XIX saukunis qarTuli samgaloblo tra
Page 463 and 464:
XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
Page 467 and 468:
New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
Page 475 and 476:
ORNAMENTED STRUCTURAL FORMULAS IN T
Page 477 and 478:
Ornamented Structural Formulas in t
Page 479 and 480:
nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
Page 485 and 486:
485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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Page 491 and 492:
Page 493 and 494:
Some Considerations on the Interpre
Page 495 and 496:
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Page 499 and 500:
gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
Page 509 and 510:
franc foedermairi. danarTi Franz F
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Page 517 and 518:
517 morimoto masako, honda manabu,
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qarTuli tradiciuli mravalxmianobis
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521 MORIMOTO MASAKO, HONDA MANABU,
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Study on the Sound Structure of Geo
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morimoto masako, honda manabu, niSi
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527 kavai norie, morimoto masako, h
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kavai norie, morimoto masako, honda
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kaxuri simRerebis gaSifvris sakiTxe
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CHALLENGES IN MUSICAL TRANSCRIPTION
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nona lomiZe. danarTi Nona Lomidze.
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Page 547 and 548:
Page 549 and 550:
Page 551:
Page 555 and 556:
555 leila maruaSvili (saqarTvelo) q
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qarTuli xalxuri polifoniis tradicie
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Page 561 and 562:
Page 563 and 564:
Refraction of Georgian Folk Polypho
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Page 569 and 570:
leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
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ioseb Jordania, xelovnebaTmcodneobi
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polo valeho, eTnomusikologiis doqto
Page 578 and 579:
578 simpoziumis organizatorebi mxar
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