The Fifth International Symposium on Traditional Polyphony ...

100
cxr. 3
rie koCi
1) kanonuri ukouk
2) kontrapunqtuli --
3) wamyvani da misi
mimyolebi
ainus sityvebi
farTod gamoiyeneba (dRemde momRerlebi
mimarTaven am sityvas)
dRemde ar moupovebiaT am stilis
aRmniSvneli sityva
iekay-upopo Kubondera, 1939, 2004: 19
uwekaye
ukokaykiri
uwekay
Chiri, 1960, 1973: 92-93
4) unisonuri uwopuk Chiri, 1958, 1973: 304
tamura (Tamura, 1987: 4), haginaka (Haginaka, 1996: 93-95) da nakagava (Nakagava, 2009: 325-326) aR–
niSnaven, rom b. tipi warmoadgens pirdapir gzas ukouk-ken. am Tvalsazriss mec viziareb.
Tumca, ramdenadac CemTvis cnobilia, zogierT Zvel anTologiur CanawerSi (Columbia,
1948, 1949; NHK, 1967; Honda, Kayano, 1976) a. tipi sxvagvaradaa warmodgenili. zogierT Caweril
nimuSSi momRerlebi, romlebic pasuxoben damwyebs, melodias xan simReris dasawyisidan
hyvebian, xan ki frazis Suidan an dasasrulidan, rac SesaZloa, hangis Taviseburebebzea da–
mokidebuli.
unda iTqvas, rom dawmunebuli ara var a. tipis simRerebis ufro gviandel warmoSobaSi,
vidre b. tipisa.
ainus kulturuli aRorZinebis Tanamedrove etapze zogierTi regionuli jgufi mimar–
Tavs tradiciul gzas, roca Sesasruleblad irCevs a. tips b. tipis magivrad, misi siadvi–
lis gamo.
amgvari gansxvavebebi gvxvdeba agreTve calkeul lokalur regionebSi.
2) kontrapunqtuli mRera
zogjer erTdroulad ismis orze meti melodia saferxulo, xandaxan ki sxva cekvebSic
(mag. 3, 4; audiomagaliTi 2 _ audiomagaliT 3-is SuaSi, 1:09 wuTze). dReisaTvis dafiqsire–
bulia melodiebis kombinirebis meTodi, romelic didi xnis ganmavlobaSi STamomavlobiT
gadaecemoda Taobidan Taobas (Chiri, 1960, 1973: 93, 94; Tanimoto, 2000: 168-171). am stilis aRmniSv–
neli sityva dRemde ar aris napovni arc ainur zepir tradiciaSi da arc werilobiT wyaro–
ebSi.
Tu mxedvelobaSi miviRebT ukouk-is efeqtsac, es kontrapunqtuli stili didi xnis gan–
mavlobaSi arsebobda.
`Cven SegviZlia ukouk–is mTeli akustika, xmauriani da TiTqmis maniakaluri, aRviqvaT, ro–
gorc yoveldRiur cxovrebaSi adgilmdebareobis Secvlis erT-erTi mimarTuleba _ bgeraTa
qaosidan sakraluri sivrcisken~ (Tanimoto, 2000: 171).
am stilSi aseve vxvdebiT ostinatos, radgan ainus vokaluri musikis umetesi nawili aige–
ba ganmeorebad, mokle motivebze.