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Word Pictures in the New Testament - David Cox

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<strong>Word</strong> <strong>Pictures</strong> <strong>in</strong> <strong>the</strong> NT [Luke: Chapter 15].<br />

you f<strong>in</strong>d, but <strong>the</strong> first <strong>in</strong> rank and value, <strong>the</strong> f<strong>in</strong>est <strong>in</strong> <strong>the</strong><br />

house. This <strong>in</strong> contrast with his shabby clo<strong>the</strong>s. {A r<strong>in</strong>g}<br />

(\daktulion\). Common <strong>in</strong> classical writers and <strong>the</strong> LXX, but here<br />

only <strong>in</strong> <strong>the</strong> N.T. From \daktulos\, f<strong>in</strong>ger. See \chrusodaktulios\<br />

<strong>in</strong> Jas 2:2. {Shoes} (\hupod•mata\). Sandals, "bound under."<br />

Both sandals and r<strong>in</strong>g are marks of <strong>the</strong> freeman as slaves were<br />

barefooted.<br />

15:23 {The fatted calf} (\ton moschon ton siteuton\). The calf<br />

<strong>the</strong> fatted one. \Siteuton\ is <strong>the</strong> verbal adjective of \sileu•\,<br />

to feed with wheat (\sitos\). The calf was kept fat for festive<br />

occasions, possibly <strong>in</strong> <strong>the</strong> hope of <strong>the</strong> son's return. {Kill}<br />

(\thusate\). Not as a sacrifice, but for <strong>the</strong> feast. {Make merry}<br />

(\euphranth•men\). First aorist passive subjunctive (volitive).<br />

From \euphra<strong>in</strong>•\, an old verb from \eu\ (well) and \phr•n\<br />

(m<strong>in</strong>d).<br />

15:24 {And is alive} (\kai anez•sen\). First aorist active<br />

<strong>in</strong>dicative of \anaza•\, to live aga<strong>in</strong>. Literally, he was dead and<br />

he came back to life. {He was lost} (\•n apol•l•s\, periphrastic<br />

past perfect active of \apollumi\ and <strong>in</strong>transitive, <strong>in</strong> a lost<br />

state) and he was found (\heureth•\). He was found, we have to<br />

say, but this aorist passive is really timeless, he is found<br />

after long wait<strong>in</strong>g (effective aorist) The artists have vied with<br />

each o<strong>the</strong>r <strong>in</strong> pictur<strong>in</strong>g various items connected with this<br />

wonderful parable.<br />

15:25 {As he came and drew nigh} (\h•s erchomenos •ggisen\). More<br />

exactly, "As, com<strong>in</strong>g, he drew nigh," for \erchomenos\ is present<br />

middle participle and \•ggisen\ is aorist active <strong>in</strong>dicative.<br />

{Music} (\sumph•nias\). Our word "symphony." An old Greek word<br />

from \sumph•nos\ (\sun\, toge<strong>the</strong>r, and \ph•n•\, voice or sound),<br />

{harmony, concord}, by a band of musicians. Here alone <strong>in</strong> <strong>the</strong><br />

N.T. {And danc<strong>in</strong>g} (\kai chor•n\). An old word aga<strong>in</strong>, but here<br />

alone <strong>in</strong> <strong>the</strong> N.T. Orig<strong>in</strong> uncerta<strong>in</strong>, possibly from \orchos\ by<br />

meta<strong>the</strong>sis (\orcheomai\, to dance). A circular dance on <strong>the</strong><br />

green.<br />

15:26 {Servants} (\paid•n\). Not \douloi\ (bondslaves) as <strong>in</strong><br />

verse 22. The Greeks often used \pais\ for servant like <strong>the</strong><br />

Lat<strong>in</strong> _puer_. It could be ei<strong>the</strong>r a hired servant (\misthios\,<br />

verse 17) or slave (\doulos\). {He <strong>in</strong>quired} (\epunthaneto\).<br />

Imperfect middle, <strong>in</strong>quired repeatedly and eagerly. {What <strong>the</strong>se<br />

th<strong>in</strong>gs might be} (\ti an ei• tauta\). Not "poor" Greek as Easton<br />

http://www.ccel.org/r/robertson_at/wordpictures/htm/LU15.RWP.html (7 of 9) [28/08/2004 09:05:44 a.m.]

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