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Word Pictures in the New Testament - David Cox

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<strong>Word</strong> <strong>Pictures</strong> <strong>in</strong> <strong>the</strong> NT [Mat<strong>the</strong>w: Chapter 25].<br />

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25:1 {Ten virg<strong>in</strong>s} (\deka par<strong>the</strong>nois\). No special po<strong>in</strong>t <strong>in</strong> <strong>the</strong><br />

number ten. The scene is apparently centered round <strong>the</strong> house of<br />

<strong>the</strong> bride to which <strong>the</strong> bridegroom is com<strong>in</strong>g for <strong>the</strong> wedd<strong>in</strong>g<br />

festivities. But Plummer places <strong>the</strong> scene near <strong>the</strong> house of <strong>the</strong><br />

bridegroom who has gone to br<strong>in</strong>g <strong>the</strong> bride home. It is not<br />

pert<strong>in</strong>ent to <strong>the</strong> po<strong>in</strong>t of <strong>the</strong> parable to settle it. {Lamps}<br />

(\lampadas\). Probably torches with a wooden staff and a dish on<br />

top <strong>in</strong> which was placed a piece of rope or cloth dipped <strong>in</strong> oil or<br />

pitch. But sometimes \lampas\ has <strong>the</strong> mean<strong>in</strong>g of oil lamp<br />

(\luchnos\) as <strong>in</strong> Ac 20:8. That may be <strong>the</strong> mean<strong>in</strong>g here<br />

(Ru<strong>the</strong>rford, _<strong>New</strong> Phrynichus_).<br />

25:3 {Took no oil with <strong>the</strong>m} (\ouk elabon meth' heaut•n elaion\).<br />

Probably none at all, not realiz<strong>in</strong>g <strong>the</strong>ir lack of oil till <strong>the</strong>y<br />

lit <strong>the</strong> torches on <strong>the</strong> arrival of <strong>the</strong> bridegroom and his party.<br />

25:4 {In <strong>the</strong>ir vessels} (\en tois aggeiois\). Here alone <strong>in</strong> <strong>the</strong><br />

N.T., through \agg•\ <strong>in</strong> 13:48. Extra supply <strong>in</strong> <strong>the</strong>se<br />

receptacles besides <strong>the</strong> oil <strong>in</strong> <strong>the</strong> dish on top of <strong>the</strong> staff.<br />

25:5 {They all slumbered and slept} (\enustaxan p•sai kai<br />

eka<strong>the</strong>udon\). They dropped off to sleep, nodded (<strong>in</strong>gressive<br />

aorist) and <strong>the</strong>n went on sleep<strong>in</strong>g (imperfect, l<strong>in</strong>ear action), a<br />

vivid picture drawn by <strong>the</strong> difference <strong>in</strong> <strong>the</strong> two tenses. Many a<br />

preacher has seen this happen while he is preach<strong>in</strong>g.<br />

25:6 {There is a cry} (\kraug• gegonen\). A cry has come.<br />

Dramatic use of <strong>the</strong> present perfect (second perfect active)<br />

<strong>in</strong>dicative, not <strong>the</strong> perfect for <strong>the</strong> aorist. It is not \est<strong>in</strong>\,<br />

but \gegonen\ which emphasizes <strong>the</strong> sudden outcry which has rent<br />

<strong>the</strong> air. The very memory of it is preserved by this tense with<br />

all <strong>the</strong> bustle and confusion, <strong>the</strong> rush<strong>in</strong>g to <strong>the</strong> oil-venders.<br />

{Come ye forth to meet him} (\exerches<strong>the</strong> eis apant•s<strong>in</strong>\). Or, Go<br />

out for meet<strong>in</strong>g him, dependent on whe<strong>the</strong>r <strong>the</strong> cry comes from<br />

outside <strong>the</strong> house or <strong>in</strong>side <strong>the</strong> house where <strong>the</strong>y were sleep<strong>in</strong>g<br />

because of <strong>the</strong> delay. It was a ceremonial salutation neatly<br />

expressed by <strong>the</strong> Greek phrase.<br />

http://www.ccel.org/r/robertson_at/wordpictures/htm/MT25.RWP.html (1 of 6) [28/08/2004 09:03:25 a.m.]<br />

<strong>Word</strong> <strong>Pictures</strong> <strong>in</strong> <strong>the</strong> <strong>New</strong> <strong>Testament</strong><br />

(Mat<strong>the</strong>w: Chapter 25)

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