Word Pictures in the New Testament - David Cox
Word Pictures in the New Testament - David Cox Word Pictures in the New Testament - David Cox
Word Pictures in the NT [Galatians: Chapter 4]. at first, one not in the mind of the writer, like our illustration which throws light on the point. Paul was familiar with this rabbinical method of exegesis (Rabbi Akiba, for instance, who found a mystical sense in every hook and crook of the Hebrew letters) and makes skilful use of that knowledge here. Christian preachers in Alexandria early fell victims to Philo's allegorical method and carried it to excess without regard to the plain sense of the narrative. That startling style of preaching survives yet to the discredit of sound preaching. Please observe that Paul says here that he is using allegory, not ordinary interpretation. It is not necessary to say that Paul intended his readers to believe that this allegory was designed by the narrative. He illustrates his point by it. {For these are} (\hautai gar eisin\). Allegorically interpreted, he means. {From Mount Sinai} (\apo orous Sin•\). Spoken from Mount Sinai. {Bearing} (\genn•sa\). Present active participle of \genna•\, to beget of the male (Mt 1:1-16), more rarely as here to bear of the female (Lu 1:13,57). {Which is Hagar} (\h•tis estin Hagar\). Allegorically interpreted. 4:25 {This Hagar} (\to Hagar\). Neuter article and so referring to the word Hagar (not to the woman, \h•\ Hagar) as applied to the mountain. There is great variety in the MSS. here. The Arabians are descendants of Abraham and Hagar (her name meaning wanderer or fugitive). {Answereth to} (\suntoichei\). Late word in Polybius for keeping step in line (military term) and in papyri in figurative sense as here. Lightfoot refers to the Pythagorean parallels of opposing principles (\sunstoichiai\) as shown here by Paul (Hagar and Sarah, Ishmael and Isaac, the old covenant and the new covenant, the earthly Jerusalem and the heavenly Jerusalem). That is true, and there is a correlative correspondence as the line is carried on. 4:26 {The Jerusalem that is above} (\h• an• Ierousal•m\). Paul uses the rabbinical idea that the heavenly Jerusalem corresponds to the one here to illustrate his point without endorsing their ideas. See also Re 21:2. He uses the city of Jerusalem to represent the whole Jewish race (Vincent). 4:27 {Which is our mother} (\h•tis estin m•t•r h•m•n\). The mother of us Christians, apply the allegory of Hagar and Sarah to us. The Jerusalem above is the picture of the Kingdom of God. Paul illustrates the allegory by quoting Isa 54:1, a song of triumph looking for deliverance from a foreign yoke. {Rejoice} http://www.ccel.org/r/robertson_at/wordpictures/htm/GA4.RWP.html (8 of 9) [28/08/2004 09:12:24 a.m.]
Word Pictures in the NT [Galatians: Chapter 4]. (\euphranth•ti\). First aorist passive imperative of \euphrain•\. {Break forth} (\r•xon\). First aorist active imperative of \r•gnumi\, to rend, to burst asunder. Supply \euphrosun•n\ (joy) as in Isa 49:13. {The desolate} (\t•s er•mou\). The prophet refers to Sarah's prolonged barrenness and Paul uses this fact as a figure for the progress and glory of Christianity (the new Jerusalem of freedom) in contrast with the old Jerusalem of bondage (the current Judaism). His thought has moved rapidly, but he does not lose his line. 4:28 {Now we} (\h•meis de\). Some MSS. have \humeis de\ (now ye). In either case Paul means that Christians (Jews and Gentiles) are children of the promise as Isaac was (\kata Isaak\, after the manner of Isaac). 4:29 {Persecuted} (\edi•ken\). Imperfect active of \di•k•\, to pursue, to persecute. Ge 21:9 has in Hebrew "laughing," but the LXX has "mocking." The Jewish tradition represents Ishmael as shooting arrows at Isaac. {So now} (\houtos kai nun\) the Jews were persecuting Paul and all Christians (1Th 2:15f.). 4:30 {Cast out} (\ekbale\). Second aorist active imperative of \ekball•\. Quotation from Ge 21:10 (Sarah to Abraham) and confirmed in 21:12 by God's command to Abraham. Paul gives allegorical warning thus to the persecuting Jews and Judaizers. {Shall not inherit} (\ou m• kl•ronom•sei\). Strong negative (\ou m•\ and future indicative). "The law and the gospel cannot co-exist. The law must disappear before the gospel" (Lightfoot). See 3:18,29 for the word "inherit." 4:31 {But of the freewoman} (\alla t•s eleutheras\). We are children of Abraham by faith (3:7). [Table of Contents] [Previous] [Next] http://www.ccel.org/r/robertson_at/wordpictures/htm/GA4.RWP.html (9 of 9) [28/08/2004 09:12:24 a.m.] Word Pictures in the New Testament (Galatians: Chapter 4)
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<strong>Word</strong> <strong>Pictures</strong> <strong>in</strong> <strong>the</strong> NT [Galatians: Chapter 4].<br />
at first, one not <strong>in</strong> <strong>the</strong> m<strong>in</strong>d of <strong>the</strong> writer, like our<br />
illustration which throws light on <strong>the</strong> po<strong>in</strong>t. Paul was familiar<br />
with this rabb<strong>in</strong>ical method of exegesis (Rabbi Akiba, for<br />
<strong>in</strong>stance, who found a mystical sense <strong>in</strong> every hook and crook of<br />
<strong>the</strong> Hebrew letters) and makes skilful use of that knowledge here.<br />
Christian preachers <strong>in</strong> Alexandria early fell victims to Philo's<br />
allegorical method and carried it to excess without regard to <strong>the</strong><br />
pla<strong>in</strong> sense of <strong>the</strong> narrative. That startl<strong>in</strong>g style of preach<strong>in</strong>g<br />
survives yet to <strong>the</strong> discredit of sound preach<strong>in</strong>g. Please observe<br />
that Paul says here that he is us<strong>in</strong>g allegory, not ord<strong>in</strong>ary<br />
<strong>in</strong>terpretation. It is not necessary to say that Paul <strong>in</strong>tended his<br />
readers to believe that this allegory was designed by <strong>the</strong><br />
narrative. He illustrates his po<strong>in</strong>t by it. {For <strong>the</strong>se are}<br />
(\hautai gar eis<strong>in</strong>\). Allegorically <strong>in</strong>terpreted, he means. {From<br />
Mount S<strong>in</strong>ai} (\apo orous S<strong>in</strong>•\). Spoken from Mount S<strong>in</strong>ai.<br />
{Bear<strong>in</strong>g} (\genn•sa\). Present active participle of \genna•\, to<br />
beget of <strong>the</strong> male (Mt 1:1-16), more rarely as here to bear of<br />
<strong>the</strong> female (Lu 1:13,57). {Which is Hagar} (\h•tis est<strong>in</strong><br />
Hagar\). Allegorically <strong>in</strong>terpreted.<br />
4:25 {This Hagar} (\to Hagar\). Neuter article and so referr<strong>in</strong>g<br />
to <strong>the</strong> word Hagar (not to <strong>the</strong> woman, \h•\ Hagar) as applied to<br />
<strong>the</strong> mounta<strong>in</strong>. There is great variety <strong>in</strong> <strong>the</strong> MSS. here. The<br />
Arabians are descendants of Abraham and Hagar (her name mean<strong>in</strong>g<br />
wanderer or fugitive). {Answereth to} (\suntoichei\). Late word<br />
<strong>in</strong> Polybius for keep<strong>in</strong>g step <strong>in</strong> l<strong>in</strong>e (military term) and <strong>in</strong><br />
papyri <strong>in</strong> figurative sense as here. Lightfoot refers to <strong>the</strong><br />
Pythagorean parallels of oppos<strong>in</strong>g pr<strong>in</strong>ciples (\sunstoichiai\) as<br />
shown here by Paul (Hagar and Sarah, Ishmael and Isaac, <strong>the</strong> old<br />
covenant and <strong>the</strong> new covenant, <strong>the</strong> earthly Jerusalem and <strong>the</strong><br />
heavenly Jerusalem). That is true, and <strong>the</strong>re is a correlative<br />
correspondence as <strong>the</strong> l<strong>in</strong>e is carried on.<br />
4:26 {The Jerusalem that is above} (\h• an• Ierousal•m\). Paul<br />
uses <strong>the</strong> rabb<strong>in</strong>ical idea that <strong>the</strong> heavenly Jerusalem corresponds<br />
to <strong>the</strong> one here to illustrate his po<strong>in</strong>t without endors<strong>in</strong>g <strong>the</strong>ir<br />
ideas. See also Re 21:2. He uses <strong>the</strong> city of Jerusalem to<br />
represent <strong>the</strong> whole Jewish race (V<strong>in</strong>cent).<br />
4:27 {Which is our mo<strong>the</strong>r} (\h•tis est<strong>in</strong> m•t•r h•m•n\). The<br />
mo<strong>the</strong>r of us Christians, apply <strong>the</strong> allegory of Hagar and Sarah to<br />
us. The Jerusalem above is <strong>the</strong> picture of <strong>the</strong> K<strong>in</strong>gdom of God.<br />
Paul illustrates <strong>the</strong> allegory by quot<strong>in</strong>g Isa 54:1, a song of<br />
triumph look<strong>in</strong>g for deliverance from a foreign yoke. {Rejoice}<br />
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