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66 to right: the top row shows the birds, the middle row the mammals, and the bottom row the reptiles (Sukenik 1932: 55, note 4). The Gerasa scene commemorates the moment when the animals leave Noah’s Ark, as Noah and his family celebrate the event. The panel is bordered by a frieze rendering beasts chasing their victims, with flowers and plants filling the space; the frieze scene begins at the inscription with the chapter four Figure IV-7. Noah’s Ark, pavement of the Gerasa synagogue vestibule. beasts facing opposite directions. In the centre of the east border frieze is an inscription placed upside-down in relation to the entrance of the vestibule. The partly destroyed Greek inscription contains the greeting ‘Holy place. Amen. Sela. Peace to the Synagogue’. It encircles a menorah together with the four ritual objects: lulav and ethrog on one side, shofar and incense shovel on the other (Hachlili 2001: 58-61).
iblical narrative themes and images: representation, origin, and meaning 67 Figure IV-8. Noah’s Ark on the nave mosaic at Misis-Mopsuhestia. The difference between the scene of the animals leaving Noah’s Ark and the chase scene around the border is interpreted in various ways. the two scenes picture the situation before and after the flood according to the narrative in the Midrash (Sukenik 1932: 56). The main scene renders the pure animals while the border depicts tainted animals (Kraeling 1938: 320-321, however that is not exactly accurate). The animals leaving the ark are tame while those in the border are wild beasts, which were not taken into the ark (Goodenough I: 259-260; he also [1968, XII: 133] asserts that the beasts in the border symbolize immortality and the afterlife). Yet the border scene may quite simply be decorative; a similar pursuit scene is found in the Beth She"an small synagogue, where the animals are shown in an inhabited scrolls design. Compare also the chase scene aound the border of the mosaic pavement of the Martyr church at Beth She"an (see Chap. VII). Noah’s Ark on the Mosaic Pavement at Misis-Mopsuhestia The central scene of Noah’s Ark surrounded by various animals is depicted on a mosaic pavement found in a building in Mopsuhestia, the Cilician city on the road from Tarsus to Antioch , south of the Taurus Mountains (Asia Minor). Today Misis is a Turkish town. The building and its mosaic pavement most probably date to the late 5th cen tury CE. The remains of the building consist mainly of parts of the mo saic pavements and a few remnants of walls (Budde 1969: 31-37). The mosaic floor is divided into a wide nave, a south aisle, and two north aisles; the mosaic on one aisle shows episodes from the biblical story of Samson (Budde 1969; Kitzinger 1973; Hachlili 1998: 209-216); Budde (1960 and 1969) maintains that it was a martyrium church, but the structure is probably a synagogue, as suggesed by Avi-Yonah (1981: 186-190): it resembles synagogues in the Land of Israel such as Hammath-Tiberias , which also has a nave flanked by two aisles on one side and a single aisle on the other (Kitzinger 1973: 136; Hachlili 1998: 51-52; 209-216; 249-256). At Misis-Mopsuhestia two renditions of Noah and the ark are portrayed on the western panel of the nave’s mosaic pavement. The earlier panel is in the lower half of the nave. A relaid mosaic lies in the western, later, part of the nave, probably close to the entrance (Budde 1969: 54; pl. 50). It shows a much simpler depiction of Noah’s story, crudely rendered. Noah’s Ark on the Earlier Mosaic Pavement at Misis The scene of Noah’s Ark on the nave mosaic shows the ark surrounded by animals (fig. IV-8; Budde 1969: 38-43, 109, Fig. 26-49; Hachlili
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66<br />
to right: the top row shows the birds, the middle<br />
row the mammals, and the bottom row the reptiles<br />
(Sukenik 1932: 55, note 4).<br />
The Gerasa scene commemorates the moment<br />
when the animals leave Noah’s Ark, as Noah and<br />
his family celebrate the event. The panel is bordered<br />
by a frieze rendering beasts chasing their<br />
victims, with flowers and plants filling the space;<br />
the frieze scene begins at the inscription with the<br />
chapter four<br />
Figure IV-7. Noah’s Ark, pavement of the Gerasa synagogue vestibule.<br />
beasts facing opposite directions. In the centre<br />
of the east border frieze is an inscription placed<br />
upside-down in relation to the entrance of the<br />
vestibule. The partly destroyed Greek inscription<br />
contains the greeting ‘Holy place. Amen. Sela.<br />
Peace to the Synagogue’. It encircles a menorah<br />
together with the four ritual objects: lulav and<br />
ethrog on one side, shofar and incense shovel on<br />
the other (Hachlili 2001: 58-61).