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38<br />

chapter three<br />

Figure III-4. Schematic illustrations of the zodiac panel: a. Hammath Tiberias; b. Sepphoris; c. Huseifa; d. Beth<br />

"Alpha ;<br />

e. Na#aran.<br />

The representation at Hammath Tiberias<br />

shows the central figure driving the solar chariot<br />

(pl. III.5a; fig. III-5a): a young man with a<br />

crown and a halo with rays emanating from it. He<br />

looks up towards his raised right hand; in his left<br />

hand he holds a globe and whip. A star and the<br />

crescent moon are rendered in the upper background;<br />

very little remains of the chariot, only tips<br />

of hooves in the lower part have survived (Dothan<br />

1983: 39-43). The Hammath Tiberias sun god<br />

has all the attributes of Sol invictus (as suggested<br />

by Dothan 1967: 132-134; 1983;41-43; see also<br />

Levine 2003: 103-108); he appears in a similar<br />

posture to the Helios depicted as Kosmokrator on<br />

a 1st-century CE Pompeian fresco, and on a wall<br />

mosaic of the 3rd-4th-century Tomb of the Julii<br />

(pl. III.6a) beneath the Basilica of St. Peter in the<br />

Vatican, Rome (Levi 1944: 302-4, Fig. 21; Stern<br />

1953: pls. 29: 1, 6, 31: 6, 10, 11). A similar sun<br />

god driving a quadriga (pl. III.12b) is depicted in<br />

the astronomic text of Ptolemy (ms. 1291, a 9th<br />

century copy of a 3rd-4th-century original).<br />

At Sepphoris, however, the central circle zodiac<br />

instead of the sun god riding the chariot, the sun<br />

itself is shown with ten rays of light, suspended in<br />

the centre; its central ray is attached to the chariot<br />

(Weiss & Netzer 1996: 26; Weiss 2005: 104-110).<br />

A chariot in frontal position is rendered with two<br />

wheels harnessed to four galloping horses in profile,<br />

two to the right and two to the left. Wavy<br />

blue lines are shown on the lower part between<br />

the horses’ legs (pl. III.5b; fig. III-5b). The horses<br />

are presented in profile resting on their hind legs;<br />

the heads of the two horses in the middle are<br />

turned back to face the sun, while the heads of the<br />

outer horses point outwards. The depiction and<br />

posture of the Sepphoris horses is comparable to<br />

the 3rd-century mosaic from Münster-Sarnheim<br />

in Germany (pl. III.12a; Parlasca 1959: 86-7, 123,<br />

pl. 84,2).

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