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are rendered in non-identical symmetry. Portrayals<br />
of pairs of menoroth flanking the ark occur<br />
most frequently on synagogue mosaic pavements<br />
at Beth-"Alpha, Beth She"an A, Hammath-Tiberias,<br />
Na#aran, Sepphoris, and Susiya (pls. II.1,<br />
2a,b) (Hachlili 2001: IS3.1–4, 6-7).<br />
The menorah, the seven-armed candelabrum,<br />
flanking the Torah shrine or the ark, has a general<br />
elementary shape consisting of a vertical central<br />
shaft with a base in various forms. This supports<br />
six arms, three of which are attached to each side<br />
of the shaft. On top of these arms light fittings<br />
are portrayed (Hachlili 2001: 61,121, figs. III,<br />
2-3). The majority of menoroth portrayed on<br />
the mosaic panels have a tripod base entailing<br />
three more or less similar straight or rounded<br />
legs connected by a horizontal bar. Many of the<br />
menoroth appearing on mosaic pavements, such<br />
as the ones from Beth She"an A, Beth She"an B,<br />
Hammath Tiberias B, Huldah, Huseifa, Ma#on<br />
(Nirim), Sepphoris, and Susiya, depict beautiful<br />
glass containers with flames emanating from the<br />
crossbar (pls. II.1, 2, XI.1; figs. II-10-11).<br />
Although many menoroth are depicted on<br />
mosaic pavements, sometimes with similar<br />
designs, each is rendered in a wholly different<br />
fashion. The model for all of them was just the<br />
elementary form of seven arms and tripod base,<br />
and artists were free to elaborate on this shape.<br />
Sometimes the two menoroth in the pair differ<br />
in their bases, arms, and light fittings.<br />
The form of the menoroth on the mosaic<br />
pavement panels (Hachlili 2001: 121, 133, 139,<br />
148,149) is seven round and decorated arms with<br />
an alternating design of capital-and-flower, which<br />
usually is also the ornamentation of the central<br />
stem. An elaborate kind of the capital-and-flower<br />
design is depicted on the arms of the pair of the<br />
flanking menoroth on the Sepphoris synagogue<br />
mosaic (pl. II.1b). The menoroth shown flanking<br />
the ark on the Beth "Alpha synagogue mosaic<br />
(pl. II.2a) are equipped with round arms in variation<br />
of this kind of stylized form of capital-andflower.<br />
A particularly ornate menorah is found on<br />
the Hammath-Tiberias synagogue mosaic floor:<br />
each of its arms and the stem are composed of a<br />
sequence of alternating pomegranates and cups.<br />
The menorah arms portrayed at the Hammath-<br />
Tiberias stone (Hachlili 2001: pl. II-3) are strikingly<br />
similar. The menorah depicted on the<br />
Samaritan synagogue mosaic floor at el-Hirbeh<br />
has similar arms (pl. II.3a; fig. II-17).<br />
the jewish symbols panel 29<br />
The most common form of stylized menorah<br />
base consists of a simple tripod. Many variations<br />
on this form are observed, among them some<br />
terminating in animal legs and a concave plate.<br />
The most elaborate tripod bases are shown on<br />
synagogue mosaic pavements (Hachlili 2001:<br />
Fig. III-2,3), where some terminate in animal legs<br />
or paws. A stylized portrayal of animal feet is<br />
seen on the Beth She"an A, Sepphoris, and Susiya<br />
synagogue mosaic pavements. The menorah on<br />
the Hammath Tiberias mosaic has a base consisting<br />
of a concave plate borne by three animal legs<br />
(pl. II-1a) (similar to the ivory plaque from Beth<br />
She"an: Hachlili 2001: pl. II-78). The menoroth<br />
of the Beth "Alpha mosaic (pl. II-2a) are particularly<br />
interesting because of the unusual way the<br />
artist chose to portray the tripod bases. Notable<br />
are the unusual stepped bases of the menoroth<br />
from Na#aran (fig. II-11b).<br />
The Four Ritual Utensils<br />
A group of cult utensils is frequently represented<br />
with the menorah on the Torah shrine mosaic<br />
panel, among them the four ritual utensils: shofar,<br />
lulav, ethrog, and incense shovel, separately or together.<br />
The first three of these are associated with<br />
the Feast of Tabernacles (Succoth) (Hachlili 2001:<br />
211-228). In some instances another object, the<br />
hanging lamp, is shown adjacent to the menorah.<br />
Animals such as lions and birds are at times integrated<br />
into the scene around the menorah also<br />
(Hachlili 1988: 267-268; 1998: 347-355; 2001:<br />
211-227).<br />
The shofar is portrayed in the form of a ram’s<br />
horn, open and wide at one end, narrowing and<br />
with a knob-like protuberance at the other end.<br />
The shofar form as a rule is realistically rendered,<br />
although occasionally it is shown stylized, and is<br />
commonly shown paired on synagogue mosaic<br />
pavements: for instance, with the incense shovel<br />
at Hammath Tiberias, Beth "Alpha, and Beth<br />
She"an A; with the lulav at Susiya; with tongs<br />
at Sepphoris (pls. II-1, 2a-b). The shofar played<br />
a ceremonial and ritual function in the Temple,<br />
together with a pair of trumpets, and was especially<br />
associated with the New Year (Rosh HaShanah)<br />
and Yom Kippur.<br />
The lulav (palm branch) is one of four ritual<br />
plants associated with Tabernacles. The others<br />
are the ethrog, the myrtle (hadas), and the willow<br />
(arava). The lulav is presented in various forms;<br />
realistically it features mostly on mosaic pavements.<br />
At times it appears on mosaics as a stylized