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are rendered in non-identical symmetry. Portrayals<br />

of pairs of menoroth flanking the ark occur<br />

most frequently on synagogue mosaic pavements<br />

at Beth-"Alpha, Beth She"an A, Hammath-Tiberias,<br />

Na#aran, Sepphoris, and Susiya (pls. II.1,<br />

2a,b) (Hachlili 2001: IS3.1–4, 6-7).<br />

The menorah, the seven-armed candelabrum,<br />

flanking the Torah shrine or the ark, has a general<br />

elementary shape consisting of a vertical central<br />

shaft with a base in various forms. This supports<br />

six arms, three of which are attached to each side<br />

of the shaft. On top of these arms light fittings<br />

are portrayed (Hachlili 2001: 61,121, figs. III,<br />

2-3). The majority of menoroth portrayed on<br />

the mosaic panels have a tripod base entailing<br />

three more or less similar straight or rounded<br />

legs connected by a horizontal bar. Many of the<br />

menoroth appearing on mosaic pavements, such<br />

as the ones from Beth She"an A, Beth She"an B,<br />

Hammath Tiberias B, Huldah, Huseifa, Ma#on<br />

(Nirim), Sepphoris, and Susiya, depict beautiful<br />

glass containers with flames emanating from the<br />

crossbar (pls. II.1, 2, XI.1; figs. II-10-11).<br />

Although many menoroth are depicted on<br />

mosaic pavements, sometimes with similar<br />

designs, each is rendered in a wholly different<br />

fashion. The model for all of them was just the<br />

elementary form of seven arms and tripod base,<br />

and artists were free to elaborate on this shape.<br />

Sometimes the two menoroth in the pair differ<br />

in their bases, arms, and light fittings.<br />

The form of the menoroth on the mosaic<br />

pavement panels (Hachlili 2001: 121, 133, 139,<br />

148,149) is seven round and decorated arms with<br />

an alternating design of capital-and-flower, which<br />

usually is also the ornamentation of the central<br />

stem. An elaborate kind of the capital-and-flower<br />

design is depicted on the arms of the pair of the<br />

flanking menoroth on the Sepphoris synagogue<br />

mosaic (pl. II.1b). The menoroth shown flanking<br />

the ark on the Beth "Alpha synagogue mosaic<br />

(pl. II.2a) are equipped with round arms in variation<br />

of this kind of stylized form of capital-andflower.<br />

A particularly ornate menorah is found on<br />

the Hammath-Tiberias synagogue mosaic floor:<br />

each of its arms and the stem are composed of a<br />

sequence of alternating pomegranates and cups.<br />

The menorah arms portrayed at the Hammath-<br />

Tiberias stone (Hachlili 2001: pl. II-3) are strikingly<br />

similar. The menorah depicted on the<br />

Samaritan synagogue mosaic floor at el-Hirbeh<br />

has similar arms (pl. II.3a; fig. II-17).<br />

the jewish symbols panel 29<br />

The most common form of stylized menorah<br />

base consists of a simple tripod. Many variations<br />

on this form are observed, among them some<br />

terminating in animal legs and a concave plate.<br />

The most elaborate tripod bases are shown on<br />

synagogue mosaic pavements (Hachlili 2001:<br />

Fig. III-2,3), where some terminate in animal legs<br />

or paws. A stylized portrayal of animal feet is<br />

seen on the Beth She"an A, Sepphoris, and Susiya<br />

synagogue mosaic pavements. The menorah on<br />

the Hammath Tiberias mosaic has a base consisting<br />

of a concave plate borne by three animal legs<br />

(pl. II-1a) (similar to the ivory plaque from Beth<br />

She"an: Hachlili 2001: pl. II-78). The menoroth<br />

of the Beth "Alpha mosaic (pl. II-2a) are particularly<br />

interesting because of the unusual way the<br />

artist chose to portray the tripod bases. Notable<br />

are the unusual stepped bases of the menoroth<br />

from Na#aran (fig. II-11b).<br />

The Four Ritual Utensils<br />

A group of cult utensils is frequently represented<br />

with the menorah on the Torah shrine mosaic<br />

panel, among them the four ritual utensils: shofar,<br />

lulav, ethrog, and incense shovel, separately or together.<br />

The first three of these are associated with<br />

the Feast of Tabernacles (Succoth) (Hachlili 2001:<br />

211-228). In some instances another object, the<br />

hanging lamp, is shown adjacent to the menorah.<br />

Animals such as lions and birds are at times integrated<br />

into the scene around the menorah also<br />

(Hachlili 1988: 267-268; 1998: 347-355; 2001:<br />

211-227).<br />

The shofar is portrayed in the form of a ram’s<br />

horn, open and wide at one end, narrowing and<br />

with a knob-like protuberance at the other end.<br />

The shofar form as a rule is realistically rendered,<br />

although occasionally it is shown stylized, and is<br />

commonly shown paired on synagogue mosaic<br />

pavements: for instance, with the incense shovel<br />

at Hammath Tiberias, Beth "Alpha, and Beth<br />

She"an A; with the lulav at Susiya; with tongs<br />

at Sepphoris (pls. II-1, 2a-b). The shofar played<br />

a ceremonial and ritual function in the Temple,<br />

together with a pair of trumpets, and was especially<br />

associated with the New Year (Rosh HaShanah)<br />

and Yom Kippur.<br />

The lulav (palm branch) is one of four ritual<br />

plants associated with Tabernacles. The others<br />

are the ethrog, the myrtle (hadas), and the willow<br />

(arava). The lulav is presented in various forms;<br />

realistically it features mostly on mosaic pavements.<br />

At times it appears on mosaics as a stylized

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