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256<br />

chapter twelve<br />

Figure XII-5. Plan of the Monastery of Lady Mary, Beth She"an.<br />

right to left, with many exceptions, especially the<br />

northern column. Some of the birds are depicted<br />

in confronting pairs, as in the seventh row. In<br />

some of the rows the same species are rendered<br />

close together, and some birds in rows 4-5 are<br />

even depicted upside-down. Two additional large<br />

medallions near the west door contain confronting<br />

peacocks.<br />

5. The floor of room L is decorated with<br />

the inhabited scroll design consisting of vinebranches<br />

issuing from an amphora forming<br />

twelve medallions arranged in three rows of four<br />

(fig. VI-10). Each medallion contains a figure in<br />

hunting, vintage, or everyday life scenes. Leaves,<br />

grapes, and tendrils decorate the medallions.<br />

Among the medallions are animals and birds.<br />

I should like to propose that these five mosaic<br />

pavements were executed by the same artist/s (or<br />

workshop); this proposition is based on stylistic<br />

similarities, evinced by a comparison of the following<br />

constituents of composition of the mosaics<br />

of the small synagogue in the House of Leontis<br />

and room L of the monastery.<br />

The inhabited scroll designs on the two pavements<br />

show some similarities in general outline<br />

and composition:<br />

i. The amphorae on the two are identical<br />

(pl. VI.g,h).<br />

ii. The vine branches, grape clusters and<br />

leaves of the designs are similar (pl.<br />

XII.5a,b).<br />

iii. The areas between the medallions of the

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