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Odysseus fighting the monster Scylla, and Odysseus<br />

and the sirens (pl. XII.4a). A Greek inscription<br />

within a circle, surrounded by birds, occupies<br />

the central panel. On the right side of the inscription<br />

is depicted a (mutilated) five-branched menorah<br />

(pl. XII. 4b). The lower panel is rendered with<br />

a Nilotic landscape (pl. V.1), including a personification<br />

of the Nile, a nilometer, a representation<br />

of the city of ‘Alexandria’, a crocodile attacking<br />

a cow, and a sailor in a boat (see Chap. V.<br />

p. 97).<br />

2. A small room in the south part of the building<br />

is suggested to be a synagogue or a prayer room<br />

(Bahat 1981) (fig. XII-4). The room is decorated<br />

with a mosaic pavement displaying the inhabited<br />

vine scroll design consisting of nine medallions,<br />

surrounded by a narrow inner and a broad outer<br />

ornate frame (fig. VI-10). The medallions panel<br />

has an amphora at the centre of its base, flanked<br />

by two horned animals. Animals and birds inhabit<br />

the medallions, except for the central one, which<br />

contains a menorah flanked by an ethrog and<br />

a lamp or incense box suspended from it, with<br />

the word םולש shalom written above it (see Chap.<br />

VI, p. 125). A narrow inner frame surrounds the<br />

central panel, containing four amphorae at the<br />

corners with vine branches issuing from them that<br />

traverse animal chase scenes. The broad outer<br />

frame surrounding the whole panel is decorated<br />

with rhomboid medallions filled with objects and<br />

birds.<br />

mosaicists, workshops, and the repertory 255<br />

Figure XII-4. Plan of the Beth Leontis complex.<br />

II. The Christian Monastery of Lady Mary at<br />

Tell Mastaba, outside Beth She"an, was discovered<br />

close to the city wall and is dated from its<br />

inscriptions to 567 (Fitzgerald 1939: 1, pl. 2). It<br />

consists of a large structure with a main entrance<br />

in the south leading into Hall A, which opens onto<br />

several rooms (fig. XII-5). Most of the rooms were<br />

paved with mosaics (Fitzgerald 1939: 1, 5-9,16).<br />

The mosaic pavements of the Monastery rooms<br />

to be compared to the Jewish mansion are as follows<br />

(fig. XII-5).<br />

3. Hall A has a floor laid in a scheme of octagons,<br />

squares, and rhombs, filled with animals,<br />

birds, fishes, fruit, and objects (fig. XII-6). The<br />

octagons are larger and contain a hunting horseman,<br />

beasts, peacocks, etc. The central part of<br />

the floor is filled with a large medallion with two<br />

concentric circles. The inner circle contains two<br />

upper parts of figures bearing torches, representing<br />

the sun and the moon. The outer circle is<br />

divided into twelve radial units with figures signifying<br />

the twelve months. Each contains a clad<br />

figure carrying various objects, having at its feet<br />

the Latin name of the month and the number of<br />

days in Greek (pl. VIII.4).<br />

4. The mosaic in the Chapel room G shows<br />

a field of 80 linked medallions arranged in thirteen<br />

rows (fig. XII-7), each containing the figure<br />

of a bird. The birds are arranged in groups of<br />

eight in each row except, in four in the three<br />

upper rows. Most of the birds are walking from

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