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VI.17 Vessels on inhabited vine scroll mosaic pavements: a. Ma‘on, two vessels; b. Shellal; c. Jerusalem, Armenian mosaic; d. Be’er Shem‘a; e. Beth Loya, three vessels; f. Petra church, seven vessels.
VI.18 Vine leaves and bunches of grapes on inhabited vine scroll mosaic pavements: Vine leaves: a. Shellal; b. Petra; c. Ma‘on synagogue; d. Be’er Shem‘a; e. Jerusalem, ‘Armenian’ church; f. Beth She’an synagogue; g. Beth She’an Monastery, Room L; h. Beth Loya. Bunches of grapes; i. Gaza synagogue; j. Shellal; k. Beth She’an Monastery, Room L; l. Beth She’an synagogue; m. Shellal; n. Ma‘on synagogue; o. Be’er Shem‘a; p. Beth Loya; q. Jerusalem, ‘Armenian’ church.
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294 glossary
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Ψ ή φ ο ς ס פ י ס פ Ancie
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contents To my beloved granddaughte
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contents CONTENTS List of Color Pla
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contents C Pastoral and Rural Scene
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list of color plates xi LIST OF COL
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list of color plates xiii V.4 Nilom
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list of color plates xv Mt. Nebo; g
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list of color plates xvii Authority
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list of figures xix LIST OF FIGURES
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list of figures xxi Figure IV-15. D
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list of figures xxiii Figure VIII-5
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list of figures xxv LIST OF TABLES
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foreword xxvii FOREWORD התדיב
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One of the most significant and fru
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pavement at Caesarea the word is sp
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mosaic pavements adorning buildings
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Introduction: Jewish Figurative Art
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Figure II-3. Beth "Alpha synagogue:
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to the Sefer HaRazim Yahoweh reside
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ut all served as repositories for t
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pomegranates and cups (Hachlili 200
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open ark with scrolls is depicted,
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are rendered in non-identical symme
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pavements of Samarian synagogues an
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of two columns surmounting an arche
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A group of ancient synagogues disco
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the zodiac panel and its significan
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the bust of the season Nisan (Sprin
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The Summer attributes, the sickle a
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Table III-1. Comparative chart of t
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Figure III-12. Part of a stone ceil
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A Roman villa at Odos Triakosion in
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the four seasons, representing the
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iblical narrative themes and images
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Noah’s Ark biblical narrative the
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Jonah biblical narrative themes and
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Nilotic scenes are a recurrent them
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iconographic elements of nilotic sc
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I.1 Masada mosaic pavements: a. ant
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I.3 Jerusalem, Upper City, pavement
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II.1 Torah shrine panels on synagog
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II.3 Comparable shrines on Jordan m
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III.1 Hammath Tiberias synagogue zo
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III.3 Beth "Alpha synagogue zodiac
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III.5 Sun God on synagogue pavement
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III.7 Zodiac signs on synagogue pav
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III.9 Zodiac signs on synagogue pav
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III.11 The four seasons on synagogu
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IV.1 Binding of Isaac on synagogue
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IV.3 David-Orpheus on the Gaza syna
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IV.5 The Orpheus mosaic, Jerusalem.
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IV.7 Sepphoris synagogue, The Conse
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V.1 Nilotic scene at Beth Leontis,
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V.3 Nilotic scene at Sepphoris Nile
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eagle. Another Nilotic scene appear
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shown standing on the river bank as
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The depiction of a putto riding a c
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Table V.1. Nilotic Elements on Byza
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Nile Festival mosaic, with the addi
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The ‘inhabited scroll’ became o
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donkey. Lively animal chase scenes
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naturalistic in execution, and unli
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which contains objects flanked by s
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Figure VI-7. Group II: Jerusalem, t
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the outer ones; the second survivin
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Table VI-1a. Composition and Repert
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Group III consists of the mosaics e
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the ‘inhabited scrolls’ mosaic
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Figure VI-13. Beth She"an, Monaster
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Figure VI-15. Sede Nahum mosaic fra
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Table VI-2a. (Cont.) Mosaic Date ce
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Table VI-2b. (Cont.) Mosaic Date ce
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In the south aisle of St. George ch
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four amphorae in the centre of the
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On Jordanian mosaics, in the acanth
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to have grapes of both styles (pl.
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ightly observes that the different
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grape harvesting, pastoral, and hun
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Rural activities and pastoral scene
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Table VII.1. Vintage scenes on vine
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Figures Treading Grapes and the Pre
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The forerunners for these vintage s
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Snake and Mongoose Confrontation Th
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Table VII.2. Animal chase and comba
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iconographic aspects of rural life
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scenes are found in the mid-5th- to
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Table VII.3. Big Game Hunting scene
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likewise surround the basin of the
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the cathedral at Madaba (Piccirillo
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443, 455-6, 466) holds that this ty
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Personification is a common theme o
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Rivers of Paradise, but only two of
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irds, apparently created by the Fou
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in an intercolumnar space (Church o
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the seasons with deliberate differe
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personification of natural forces 1
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crook Spring’s attribute at the B
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personification of natural forces 1
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while in mosaics of the Greek East
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Page 261 and 262: Animals in a repeated antithetic sy
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Page 265 and 266: (Ovadiah 1987: 105) and at the Naha
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Page 271 and 272: iconoclasm on mosaic pavements of s
Page 281 and 282: A significant subject in ancient ar
Page 283 and 284: These compositions with division in
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Page 289 and 290: Some scholars propose that depictio
Page 291 and 292: V.5 City representations: a. Beth L
Page 293 and 294: V.7 The sail boat: a. Beth Leontis,
Page 295 and 296: VI.1 Gaza synagogue pavement.
Page 297 and 298: VI.3 Jerusalem ‘Armenian’ churc
Page 299 and 300: VI.6-8 Petra Church: North Aisle mo
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Page 303 and 304: VI.10 The church of the Deacon Thom
Page 305 and 306: VI.12 Amphorae depicted on inhabite
Page 307 and 308: VI.14 Bird of prey on inhabited vin
Page 309: VI.16 Baskets on inhabited vine scr
Page 313 and 314: VI.20 Subdued animals: a. Be’er S
Page 315 and 316: VII.2 Transporting grapes: a. El Ha
Page 317 and 318: VII.4 Flute player: a. Beth She’a
Page 319 and 320: VII.6 Snake and mongoose confrontat
Page 321 and 322: VII.8 Dog chasing hare/rabbit on ch
Page 323 and 324: Inhabited Vine Scrolls Pavements A
Page 325 and 326: similar in the general depiction of
Page 327 and 328: etween synagogue and church 233 Fig
Page 329 and 330: part are evidently connected: almos
Page 331 and 332: etween synagogue and church 237 Fig
Page 333 and 334: Mukhayyat (Bagatti 1949: 99, pl. 29
Page 335 and 336: time. They might have contained gen
Page 337 and 338: Artists, workshops and schools of m
Page 339 and 340: • The same artisans are mentioned
Page 341 and 342: 1933: 146, No. 23, 8; 1934: 73 =198
Page 343 and 344: characteristically mixed origin of
Page 345 and 346: The Sepphoris Mosaicists The Seppho
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Page 349 and 350: Odysseus fighting the monster Scyll
Page 351 and 352: Figure XII-6. Hall A mosaic, Monast
Page 353 and 354: mosaicists, workshops, and the repe
Page 355 and 356: Dating The Monastery was dated by i
Page 357 and 358: mosaicists, workshops, and the repe
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mosaicists, workshops, and the repe
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different themes based on comparabl
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esults were mosaics in the old Diak
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Jews toartists and craftsmen. Among
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epeated use was supplemented by fre
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mosaicists, workshops, and the repe
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of designs from general pattern boo
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concluding remarks, comments, and o
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list of sites 289 LIST OF SITES Sit
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Site Date Centuries CE Jordan (Arab
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VII.10 Jabaliyah Diakonikon mosaic
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VII.12 Hunter/soldier on foot with
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VII.14 Feline with cub: a. Gaza syn
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VII.16 Shepherd: a. Be’er Shem‘
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VII.18 Figure leading camel: a. Kis
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VII.20 Fishing: a. Beth Loya, two e
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VIII.2 Seasons: a. Caesarea: Spring
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VIII.4 Beth She’an monastery, Hal
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IX.2 Flanking birds: a. Beth Shean,
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IX.4 a. Huseifa, unidentical menoro
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X.2 Susiya synagogue: a. panel Tora
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X.4 Jabaliyah church, north aisle.
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XI.2 Crosses on mosaic pavements: a
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XI.4 Tabgha, Church of the Multipli
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XII.2
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XII.4 Beth Leontis, Beth She’an:
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XII.6 Similarities between animals:
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XII.8 Similarities between animals
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glossary 293 GLOSSARY Aedicula Ston
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list of sites 295 ABBREVIATIONS ACR
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Abel, F. M. 1924 Décourvertes réc
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1969 Antike Mosaiken in Kilikien, I
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2001 The Nilometer, in Measuting an
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The Art of Byzantium and the Mediev
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1995 The Activity of the Mosaicists
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1971 The Secret of the ‘En Gedi I
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