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216 to eradicate all human and animal images, pronounced by Caliph Yasid II in 721. (3) The local Christian and Jewish communities in some areas objected to the animated motifs on the pavements and carried out the disfigurement. When Scholars debate the dating of the iconoclasm crisis, in the knowledge that the provinces of Arabia, Palaestina and Syria were under Islamic rule from about 636. Bagatti (1949: 256) and Schick (1995: 223) maintain that the iconoclastic movement must be dated after 719-720, possibly owing to the decree of Yazid II and based on the destruction of the mosaic at al-Quwaysmah (717) and of the eastern mosaic panel on the Acropolis church at Ma’in (719/20). Piccirillo (1993: 41-2) maintains that archaeological evidence indicates that the crisis must have arisen after the laying down of the last figurative mosaics at Ma‘in, Al- Quwaysmah, and Umm al-Rasas, dated to the Umayyad period. Therefore, the undamaged animated pavements at Madaba and Mt. Nebo ‘can be taken as historical evidence for dating the abandonment of the church before the era of iconoclasm’. He suggests, ‘since this phenomenon occurs in all the churches of a town such as Kastron Mefaa (Umm al-Rasas) and since all the churches involved carried the name of the orthodox bishop of Madaba, the archaeological data cannot be explained as a sectarian phenomenon within the local Christian community’. Piccirillo further argues (1993a: 30): ‘On the whole these signs of aversion to images in the mosaics of the churches of Jordan testify to a period of crisis which the Christian community in Jordan underwent during the Umayyad and Abbasid periods, after a time of relative peace and tolerance by the Muslim authorities’. The disfigurement and restoration or transformation probably occurred at the same time on most of the pavements, possibly later on the mosaics with crudely repaired damage or with different tesserae. Other instances where the damage was careless and not restored may have been the work of new residents after the churches were out of use, at the end of the Umayyad period or later (Schick 1995: 196). Schick (1995: 207-209) concludes that the icono clastic damage occurred some time after the Islamic conquest, probably the last decades of the Umayyad period. The damage was likely to have been the result of an coordinated action chapter ten throughout the region at a single time. Ognibene (1998: 383) claims that the iconophobic crisis dates to a period immediately following the years ca. 718-720—‘the last documented period in which a group of mosaics with animated subjects were laid and which have sustained a detailed disfiguring action’. A second phase of iconoclastic damage at the mosaic of the chapel at #Ayn al-Kanish is dated to precisely 762; this is evinced by the substituted geometric design of the west part of the pavement and recorded in inscription B. She maintains that the disfigurement of the mosaic at #Ayn al-Kanish occurred in a relatively short period, between the early 8th century and 762, when the iconophobic crisis seems to have ended 1 . * The destruction of figures, methodical defacing, and undamaged Hebrew inscriptions on mosaic pavements and sculpture in the synagogues is usually explained as the work of Jewish iconoclasts, contemporary with a thematic change in mosaic design to floral and geometric patterns (as on the ‘En Gedi and Jericho synagogue pavements) and to inscriptions (at ‘En Gedi and Rehov). These replaced figurative art on the pavements, perhaps as a result of self-imposed restrictions by the Jewish communities, possibly even before the iconoclastic actions in Christianity and Islam (Avi-Yonah 1960: 34-35; Hachlili 1988: 398; Ilan 1989: 31; Schick 1995: 202-204; Fine 2000: 190). It seems to represent a change in the Jewish attitude to figurative art in the late 6th–early 7th century; Jews perhaps started to implement restrictions on synagogue pavement decoration; a general reluctance to represent human and animal forms resulted, and the aniconic convention prevailed. Some scholars (Avi-Yonah 1961: 42; Kitzinger 1954: 130, note 204; Barber 1997: 1022, note 11, 1034-1036) suggest that the strictness of the Jews at the late 6th or early 7th centuries might have been caused by the polemic with Christians over images. 1 About dating the nave mosaic of St. Stephen at Umm al- Rasas to 717/8 or to 785, Schick and Bowersock (1998: 697) maintain that the original date should be 718, and the inscription of 785 was probably rearranged.

iconoclasm on mosaic pavements of synagogues and churches 217 Avi-Yonah (1961: 42) claimed that this ‘aniconic orthodoxy resumed its way even before the similar trends prevailed in Islam and in the iconoclastic tendency at Byzantium... The old fear of the human image returned…it was now in protest against and in opposition to the use of images by the church’. Schick (1995: 182) disagreed, arguing that figures decorated later synagogue mosaics such as Beth "Alpha and the mid-7th century beth midrash at Meroth. However, the Beth "Alpha pavement is dated to early or mid-6th century, probably before the restrictions were imposed, and the Meroth mosaic decorates a side room of the synagogue, suggested by the excavators to be a beth midrash, whose ornamentation might have enjoyed greater leniency. The few examples of iconoclasm found on synagogues pavements seem more likely to be the result of a decision by the specific local community to ban the display of images. At Susiya the mosaic was completely renewed with different geometric designs, while at Na#aran the images were destroyed and not repaired, which suggests that the synagogue was no longer in use. The number of church mosaics in Israel and Jordan with iconoclastic damage is about 65 (about 11 pavements in Israel) while about 85 mosaics are undamaged (Schick 1995: tables 7, 10-11; Ognibene 1998: 384). In Jordan the damage to mosaics is concentrated in several towns where a great number of church mosaics were damaged, but it also befell church floors in many other villages: at Gerasa the mosaics of several churches (seven), at Madaba those of only a few (four) and at Umm al-Rasas all the pavements (seven; all repaired). The archaeological evidence proves that not all churches sustained iconoclastic damage. All church pavements at Umm al-Rasas were disfigured but only a few at Madaba and on Mt. Nebo, while others did not suffer at all. Though disfiguring animated renditions on church pavements might have been an organized campaign, it apparently affected only certain mosaics, apparently reflecting local occurrences. The dates of the iconoclastic crises also are in dispute, though most scholars seem to agree that the damage was done at the end of the 7th century or early 8th century. However, some disfigurements are unusually dated: the Jabaliyah Diakonikon pavement (dated to 445) shows disfigurement and crude repair to the human figures and animals while other images survived intact (pl. VII.11). On the church pavement at Jabaliyah, dated to the 8th century, the animals and birds of the north aisle pavement were disfigured (Humbert 2000: 121, 123). The churches of Umm al-Rasas, all of which suffered at the hands of the iconoclasts, might indicate two waves of the crisis occurred. All the pavements were originally decorated with figured motifs and are dated to the late 6th century (Bishop Sergius church to 587/8, Priest Wa"il church to 586, and the Church of the Rivers to 579 or 594). This implies that iconoclastic damage and crude repair probably occurred some time in the late 6th or early 7th century, and possibly was organized by a principal authority. Nevertheless, in the 8th century St. Stephen’s church was once again paved with an elaborate figurative mosaic, which was some time later damaged by iconoclasts and repaired. The very small number of synagogue pavements affected by the iconoclastic crises indicates that it undoubtedly reflected local cases. The Jews regarded the synagogue floor as a place to walk and tread on; the decoration, albeit with meaning and importance, was not sacred and the local community tolerated even the hand of God to be depicted on the Beth "Alpha pavement. They might even have purposely rendered the biblical scenes on the pavement to intensify the feeling that the ornamentation was not sacred and should not be worshiped. The iconoclast destruction, primarily churches of Palaestina and Arabia, and in a few synagogues, was apparently caused by the status of these regions as the Holy Land, the land of the Bible, the cradle of Judaism and Christianity, hence more susceptible to zealously pious approaches. The somewhat random destruction of church pavements, and their repair concurrent with the notably diverse periods of damage, presumably indicate that waves of iconophobic actions at different points in time affected the sites and were the result of the zeal of select local communities and their leaders, or possibly of the resident clergy. The absence of repair to damaged pavements might have been the result of the local community leaving, as can be deduced from the careful disfigurement of the pavements, or due to the inaction of later occupants.

216<br />

to eradicate all human and animal images, pronounced<br />

by Caliph Yasid II in 721. (3) The local<br />

Christian and Jewish communities in some areas<br />

objected to the animated motifs on the pavements<br />

and carried out the disfigurement.<br />

When<br />

Scholars debate the dating of the iconoclasm<br />

crisis, in the knowledge that the provinces of<br />

Arabia, Palaestina and Syria were under Islamic<br />

rule from about 636. Bagatti (1949: 256) and<br />

Schick (1995: 223) maintain that the iconoclastic<br />

movement must be dated after 719-720, possibly<br />

owing to the decree of Yazid II and based on the<br />

destruction of the mosaic at al-Quwaysmah (717)<br />

and of the eastern mosaic panel on the Acropolis<br />

church at Ma’in (719/20). Piccirillo (1993: 41-2)<br />

maintains that archaeological evidence indicates<br />

that the crisis must have arisen after the laying<br />

down of the last figurative mosaics at Ma‘in, Al-<br />

Quwaysmah, and Umm al-Rasas, dated to the<br />

Umayyad period. Therefore, the undamaged<br />

animated pavements at Madaba and Mt. Nebo<br />

‘can be taken as historical evidence for dating<br />

the abandonment of the church before the era<br />

of iconoclasm’. He suggests, ‘since this phenomenon<br />

occurs in all the churches of a town such as<br />

Kastron Mefaa (Umm al-Rasas) and since all the<br />

churches involved carried the name of the orthodox<br />

bishop of Madaba, the archaeological data<br />

cannot be explained as a sectarian phenomenon<br />

within the local Christian community’. Piccirillo<br />

further argues (1993a: 30): ‘On the whole these<br />

signs of aversion to images in the mosaics of the<br />

churches of Jordan testify to a period of crisis<br />

which the Christian community in Jordan underwent<br />

during the Umayyad and Abbasid periods,<br />

after a time of relative peace and tolerance by the<br />

Muslim authorities’.<br />

The disfigurement and restoration or transformation<br />

probably occurred at the same time<br />

on most of the pavements, possibly later on the<br />

mosaics with crudely repaired damage or with different<br />

tesserae. Other instances where the damage<br />

was careless and not restored may have been the<br />

work of new residents after the churches were out<br />

of use, at the end of the Umayyad period or later<br />

(Schick 1995: 196).<br />

Schick (1995: 207-209) concludes that the<br />

icono clastic damage occurred some time after<br />

the Islamic conquest, probably the last decades<br />

of the Umayyad period. The damage was likely<br />

to have been the result of an coordinated action<br />

chapter ten<br />

throughout the region at a single time.<br />

Ognibene (1998: 383) claims that the iconophobic<br />

crisis dates to a period immediately following<br />

the years ca. 718-720—‘the last documented<br />

period in which a group of mosaics with animated<br />

subjects were laid and which have sustained a<br />

detailed disfiguring action’. A second phase of<br />

iconoclastic damage at the mosaic of the chapel<br />

at #Ayn al-Kanish is dated to precisely 762; this<br />

is evinced by the substituted geometric design of<br />

the west part of the pavement and recorded in<br />

inscription B. She maintains that the disfigurement<br />

of the mosaic at #Ayn al-Kanish occurred<br />

in a relatively short period, between the early<br />

8th century and 762, when the iconophobic crisis<br />

seems to have ended 1 .<br />

*<br />

The destruction of figures, methodical defacing,<br />

and undamaged Hebrew inscriptions on mosaic<br />

pavements and sculpture in the synagogues is usually<br />

explained as the work of Jewish iconoclasts,<br />

contemporary with a thematic change in mosaic<br />

design to floral and geometric patterns (as on the<br />

‘En Gedi and Jericho synagogue pavements) and<br />

to inscriptions (at ‘En Gedi and Rehov). These replaced<br />

figurative art on the pavements, perhaps as<br />

a result of self-imposed restrictions by the Jewish<br />

communities, possibly even before the iconoclastic<br />

actions in Christianity and Islam (Avi-Yonah<br />

1960: 34-35; Hachlili 1988: 398; Ilan 1989: 31;<br />

Schick 1995: 202-204; Fine 2000: 190). It seems<br />

to represent a change in the Jewish attitude to<br />

figurative art in the late 6th–early 7th century;<br />

Jews perhaps started to implement restrictions on<br />

synagogue pavement decoration; a general reluctance<br />

to represent human and animal forms<br />

resulted, and the aniconic convention prevailed.<br />

Some scholars (Avi-Yonah 1961: 42; Kitzinger<br />

1954: 130, note 204; Barber 1997: 1022, note<br />

11, 1034-1036) suggest that the strictness of the<br />

Jews at the late 6th or early 7th centuries might<br />

have been caused by the polemic with Christians<br />

over images.<br />

1 About dating the nave mosaic of St. Stephen at Umm al-<br />

Rasas to 717/8 or to 785, Schick and Bowersock (1998: 697)<br />

maintain that the original date should be 718, and the<br />

inscription of 785 was probably rearranged.

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