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210<br />
A. Iconoclasm in Synagouges<br />
Several synagogue pavements suffered from iconoclasm<br />
probably in the mid- or late 6th century.<br />
At the Na#aran synagogue all the mosaic images<br />
of humans and animals suffered extensive damage<br />
(Vincent 1961; Benoit 1961; Schick 1995: 203-4;<br />
Fine 2000: 189 with some errors in the described<br />
damage). In the upper panel in the nave, the biblical<br />
scene of Daniel in the Lions’ Den was almost<br />
completely destroyed; only Daniel’s arms and rear<br />
parts of the lions survived (figs. II-4; IV-16). In<br />
the central zodiac panel the signs and the seasons<br />
were carefully and methodically removed<br />
(pls. III.4a; X.1a; fig. X.1). Only the outlines of<br />
most of the signs survived. Three were eradicated<br />
entirely, but all the identifying Hebrew inscriptions<br />
were left untouched. In the third panel, with<br />
a geometric design of circles and hexagonals containing<br />
animals and various items, all the animals<br />
were damaged while the fruits and objects were<br />
unharmed. This mosaic was not repaired.<br />
However, the small panel rendering a pair of<br />
gazelles at the entrance of the Na#aran synagogue<br />
was carefully repaired with cubes of different sizes<br />
copying and replacing the damaged parts of the<br />
two animals (pl. X.1a).<br />
The undamaged Hebrew and Aramaic inscriptions<br />
and the panel of the Torah shrine and<br />
menoroth at Na#aran, as well as the extensive but<br />
precise iconoclastic disfigurement of the mosaic<br />
of the nave, seem to suggest that Jews executed<br />
the iconoclastic damage. The lack of repair to the<br />
nave mosaic implies that the damage was possibly<br />
done at a later phase, when further use of<br />
the mosaic in its damaged form was not possible,<br />
though the excavation yielded insufficient data to<br />
verify this suggestion.<br />
The mosaic at the Susiya synagogue shows<br />
damage and repair all over it (Gutman et al.<br />
1981, fig. on p.123; Yeivin 1989: 95, fig. 1, 16;<br />
Fine 2000: 190). The mosaic panel in front of the<br />
second bema shows the Torah shrine flanked by<br />
a pair of menoroth and a pair of deer (pls. II.2b,<br />
X.2a); only the deer on the right was destroyed,<br />
with just a small part of the animal’s body crudely<br />
repaired with different cubes.<br />
The nave mosaic was divided into three panels:<br />
the large eastern panel, with a geometric design<br />
of squares, lozenges, and octagons originally containing<br />
birds, was damaged and crudely repaired.<br />
In the central panel the zodiac images originally<br />
covered this part of the floor; of these, only a small<br />
chapter ten<br />
section of two zodiac signs and a wing of a season<br />
survived at the south end (pl. X.2b); the panel was<br />
covered over and replaced by a geometric design<br />
with a large rosette in its centre.<br />
The western panel apparently showed Daniel<br />
in the Lions’ Den originally. Of this, only remains<br />
of a human hand, lions’ bodies and the inscription<br />
לא [ינד] [Dani]el survived (pl. X.2c). The nave<br />
mosaic was framed with a meander pattern alternating<br />
with metopes filled with birds, fruit, and<br />
flora motifs; the birds were damaged and crudely<br />
repaired. Two chancel screens found in the Susiya<br />
synagogue also show obvious signs of iconoclasm.<br />
Both show a tree flanked by animals, whose heads<br />
are damaged (Yeivin 1989: 94, figs. 8, 9). The<br />
Susiya mosaic, in contrast to the Na#aran pavement,<br />
was repaired at the time of, or a little later<br />
than, its iconoclasic destruction. This enabled the<br />
community to continue to use the Susiya synagogue<br />
floor in later periods.<br />
Several architectural fragments at the Meroth<br />
synagogue show iconoclastic damage, such as the<br />
three arch stones on which the human figures<br />
were disfigured (Ilan and Damati 1987: 47,76).<br />
The damage to several parts of the mosaics of<br />
this synagogue is regarded as deliberate by some<br />
scholars. One instance given is found on the<br />
mosaic floor of the figure of David with Goliath<br />
weapons (Ilan 1989: 24-26), has had his eyes taken<br />
out (pl. IV.6), perhaps intentionally (Fine 2000:<br />
189). However, at a later stage (late 5th or early<br />
6th century) the floor of hewn flagstones that had<br />
been laid over the mosaic was lifted to expose the<br />
mosaic. The eyes could have been damaged then,<br />
or at any time much later. Another mosaic pavement<br />
found in a side room (suggested as a beth<br />
midrash) of the Meroth synagogue (stage III, first<br />
half of the 7th century: Ilan 1989: 31-33, figs. 17,<br />
18; Talgam 1987: 153) was mostly destroyed, but<br />
a lamb’s head and a wolf flanking a large vase<br />
accompanied by the Hebrew inscription of Isaiah<br />
65: 25 are still visible (pl. IV.8a). That the lamb’s<br />
head survived might indicate that the iconoclasts<br />
did not do their work thoroughly. Similar damage<br />
was wrought on a stone lintel at this building’s<br />
entrance: the heads and bodies of two eagles<br />
shown there flanking a wreath suffered iconoclastic<br />
injury, but the accompanying Hebrew<br />
inscription was undamaged.<br />
Further destruction involves several defaced<br />
figurative reliefs, screens, and sculpture. This is<br />
observed at Galilean synagogues such as Bar‘am,<br />
Capernaum, and Tiberias (Schick 1995: 202,