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192<br />
calendar grouped with the Sun and Moon (Monastery<br />
of Lady Mary at Beth She"an). Similar designs<br />
of the Labours of the Months appear on<br />
mosaics in the Greek East and at Carthage.<br />
Examples are found at Hall A of Lady Mary<br />
Monastery and in the narthex of the funerary<br />
chapel at El-Hammam. Both render the Labours<br />
of the Months but the two are of different design<br />
(Fitzgerald 1939: 6, pls. VI-VIII; Avi-Yonah 1936:<br />
22-26, pl. xv).<br />
The months in the El-Hammam narthex are<br />
depicted on a panel in two rows of six, each row<br />
divided into two separated groups (pl. VIII-3).<br />
The months consist of active, full-length standing<br />
figures, each with its Latin name and number<br />
of days inscribed in Greek; between the figures<br />
are plants with coloured leaves (Avi-Yonah 1936:<br />
22-26, pl. XV; Webster 1938: 24-25, no.15; Åkerström-Hougen<br />
1974: 122, no. 3). The left part<br />
of the mosaic with the first six months is badly<br />
damaged. Only nine months: January, February,<br />
April May, July, August, September, November<br />
and December are preserved, some only in fragments,<br />
while the inscriptions partly survived. July<br />
is depicted as a youth dressed in a tunic holding<br />
a big leaf full of fruit. August is a youth clad in a<br />
decorated short tunic; he holds a fan in his right<br />
hand and an amphora in his left. September is<br />
a youth clad in a decorated tunic, his right arm<br />
encircling a two-handled jar on his left shoulder<br />
while the left hand holds a cock head downwards.<br />
November is a figure dressed in a decorated tunic<br />
and holding a yellow basket. December is represented<br />
as a female (Åkerström-Hougen 1974:<br />
122, no. 3 maintains the figure is undoubtedly a<br />
man) clad in a robe and a mantle drawn over her<br />
head, wearing green slippers; she holds a mattock<br />
in her left hand; this hooded figure was probably<br />
influenced by the representation of Winter.<br />
In the Monastery of Lady Mary the personification<br />
of the months appears in the centre of<br />
the carpet in Hall A (pl. VIII-4, fig. VIII-8). The<br />
design of the central composition is two concentric<br />
circles, the outer divided into twelve units. Within<br />
each unit is a single figure in frontal pose and in<br />
full activity; at its feet appear the Latin name of<br />
the relevant month and the number of its days in<br />
Greek letters. The inner circle contains the personifications<br />
of Sun and Moon, as female busts<br />
bearing torches (Fitzgerald 1939: 6, pls. VI-VIII;<br />
Webster 1938: 23-24, no. 18; Åkerström-Hougen<br />
1974: 123-4, no. 4).<br />
chapter eight<br />
The months are personified as full-length male<br />
figures with short curly hair; only February has a<br />
beard. January is almost completely lost but shows<br />
the head and a shod foot. February wears a short<br />
tunic and carries a hoe. March is personified as<br />
a warrior, clad in a tunic and perhaps a cuirass,<br />
a huge mantle, and a helmet; he leans on his<br />
shield. April is a shepherd garbed in a short tunic<br />
and barefoot. He carries a goat in his arms and<br />
a bucket for milk in his left hand. May is dressed<br />
in a long tunic and trousers; a dalmatic held up<br />
in front carries flowers. June is a partly damaged<br />
figure, wearing in a sleeveless tunic and holding<br />
a seed-box (?) in his left hand and a sickle (?) in<br />
his right. July wears a short tunic and cap. He<br />
carries a sheaf of corn over his left shoulder and a<br />
sickle in his right hand. August is damaged, only<br />
the head and the lower garment having survived.<br />
September is a vintager wearing a short tunic, and<br />
holding a bunch of grapes in his right hand and<br />
an object in his left. October is a fowler clad in<br />
a short sleeveless decorated tunic and barefoot.<br />
A basket-like object or a net is slung over his left<br />
shoulder, and he holds a stick in his right hand.<br />
November is a man dressed in a short decorated<br />
tunic and a mantle; a string of birds hangs down<br />
from his right hand and some object rests on<br />
his left shoulder. December is a sower clad in a<br />
short decorated tunic and holding a sack in his<br />
left hand, from which he scatters seed.<br />
The two Christian examples from El Hammam<br />
and the Monastery of Lady Mary at Beth-She"an<br />
are different in their basic form but similar in the<br />
general depiction of the personified Labours of the<br />
Months. The emphasis in these personifications is<br />
on the figures’ rural occupations. The attributes<br />
for each month are different in the mosaics, but<br />
the Latin names of the months and the number of<br />
days written in Greek letters are identical, and are<br />
found only in Byzantine mosaics in northern and<br />
southern Palestine and the Negev. The inscribed<br />
names of the months remain Macedonian until<br />
later (Avi-Yonah 1936: 22-25).<br />
Avi-Yonah (1936: 24) maintains that both<br />
pavements are an independent variant of the<br />
transition from Roman to Byzantine style, and<br />
that the monastery mosaic anticipates the later<br />
Byzantine tradition more than does the El-Hammam<br />
pavement.<br />
The Christian pavements at Beth-She"an represent<br />
civil and agricultural calendars, probably<br />
following earlier Roman calendar designs