06.05.2013 Views

Untitled

Untitled

Untitled

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

192<br />

calendar grouped with the Sun and Moon (Monastery<br />

of Lady Mary at Beth She"an). Similar designs<br />

of the Labours of the Months appear on<br />

mosaics in the Greek East and at Carthage.<br />

Examples are found at Hall A of Lady Mary<br />

Monastery and in the narthex of the funerary<br />

chapel at El-Hammam. Both render the Labours<br />

of the Months but the two are of different design<br />

(Fitzgerald 1939: 6, pls. VI-VIII; Avi-Yonah 1936:<br />

22-26, pl. xv).<br />

The months in the El-Hammam narthex are<br />

depicted on a panel in two rows of six, each row<br />

divided into two separated groups (pl. VIII-3).<br />

The months consist of active, full-length standing<br />

figures, each with its Latin name and number<br />

of days inscribed in Greek; between the figures<br />

are plants with coloured leaves (Avi-Yonah 1936:<br />

22-26, pl. XV; Webster 1938: 24-25, no.15; Åkerström-Hougen<br />

1974: 122, no. 3). The left part<br />

of the mosaic with the first six months is badly<br />

damaged. Only nine months: January, February,<br />

April May, July, August, September, November<br />

and December are preserved, some only in fragments,<br />

while the inscriptions partly survived. July<br />

is depicted as a youth dressed in a tunic holding<br />

a big leaf full of fruit. August is a youth clad in a<br />

decorated short tunic; he holds a fan in his right<br />

hand and an amphora in his left. September is<br />

a youth clad in a decorated tunic, his right arm<br />

encircling a two-handled jar on his left shoulder<br />

while the left hand holds a cock head downwards.<br />

November is a figure dressed in a decorated tunic<br />

and holding a yellow basket. December is represented<br />

as a female (Åkerström-Hougen 1974:<br />

122, no. 3 maintains the figure is undoubtedly a<br />

man) clad in a robe and a mantle drawn over her<br />

head, wearing green slippers; she holds a mattock<br />

in her left hand; this hooded figure was probably<br />

influenced by the representation of Winter.<br />

In the Monastery of Lady Mary the personification<br />

of the months appears in the centre of<br />

the carpet in Hall A (pl. VIII-4, fig. VIII-8). The<br />

design of the central composition is two concentric<br />

circles, the outer divided into twelve units. Within<br />

each unit is a single figure in frontal pose and in<br />

full activity; at its feet appear the Latin name of<br />

the relevant month and the number of its days in<br />

Greek letters. The inner circle contains the personifications<br />

of Sun and Moon, as female busts<br />

bearing torches (Fitzgerald 1939: 6, pls. VI-VIII;<br />

Webster 1938: 23-24, no. 18; Åkerström-Hougen<br />

1974: 123-4, no. 4).<br />

chapter eight<br />

The months are personified as full-length male<br />

figures with short curly hair; only February has a<br />

beard. January is almost completely lost but shows<br />

the head and a shod foot. February wears a short<br />

tunic and carries a hoe. March is personified as<br />

a warrior, clad in a tunic and perhaps a cuirass,<br />

a huge mantle, and a helmet; he leans on his<br />

shield. April is a shepherd garbed in a short tunic<br />

and barefoot. He carries a goat in his arms and<br />

a bucket for milk in his left hand. May is dressed<br />

in a long tunic and trousers; a dalmatic held up<br />

in front carries flowers. June is a partly damaged<br />

figure, wearing in a sleeveless tunic and holding<br />

a seed-box (?) in his left hand and a sickle (?) in<br />

his right. July wears a short tunic and cap. He<br />

carries a sheaf of corn over his left shoulder and a<br />

sickle in his right hand. August is damaged, only<br />

the head and the lower garment having survived.<br />

September is a vintager wearing a short tunic, and<br />

holding a bunch of grapes in his right hand and<br />

an object in his left. October is a fowler clad in<br />

a short sleeveless decorated tunic and barefoot.<br />

A basket-like object or a net is slung over his left<br />

shoulder, and he holds a stick in his right hand.<br />

November is a man dressed in a short decorated<br />

tunic and a mantle; a string of birds hangs down<br />

from his right hand and some object rests on<br />

his left shoulder. December is a sower clad in a<br />

short decorated tunic and holding a sack in his<br />

left hand, from which he scatters seed.<br />

The two Christian examples from El Hammam<br />

and the Monastery of Lady Mary at Beth-She"an<br />

are different in their basic form but similar in the<br />

general depiction of the personified Labours of the<br />

Months. The emphasis in these personifications is<br />

on the figures’ rural occupations. The attributes<br />

for each month are different in the mosaics, but<br />

the Latin names of the months and the number of<br />

days written in Greek letters are identical, and are<br />

found only in Byzantine mosaics in northern and<br />

southern Palestine and the Negev. The inscribed<br />

names of the months remain Macedonian until<br />

later (Avi-Yonah 1936: 22-25).<br />

Avi-Yonah (1936: 24) maintains that both<br />

pavements are an independent variant of the<br />

transition from Roman to Byzantine style, and<br />

that the monastery mosaic anticipates the later<br />

Byzantine tradition more than does the El-Hammam<br />

pavement.<br />

The Christian pavements at Beth-She"an represent<br />

civil and agricultural calendars, probably<br />

following earlier Roman calendar designs

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!