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142<br />
On some Arabian inhabited scroll mosaics a<br />
wicker basket full of grapes and carried by figures<br />
is portrayed, within medallions at the church of<br />
the Sts. Lot and Procopius (pl. VI.11) (Piccirillo<br />
1993: fig. 204), on the inhabited acanthus scroll<br />
mosaic of the Upper Chapel of the Priest John at<br />
Mukhayyat on Mt. Nebo (Piccirillo 1993: fig. 119),<br />
and in the 8th-century St. Stephen at Umm al-<br />
Rasas (Piccirillo 1993: fig. 386). Baskets are seen<br />
on other types of mosaics too (Saller and Bagatti<br />
1949: 111), such as the pavement at the Baptistry<br />
Chapel in the Cathedral Church in Madaba (Piccirillo<br />
1993: figs. 119, 204-5, 224, 229). Baskets<br />
filled with fruit also appear on mosaics in Syria-<br />
Phoenicia at Houarte and Zaharani.<br />
Vessels<br />
Various vessels are common motifs represented<br />
frequently in the central axial column in groups<br />
I and II (pl. VI.17): shown in the central axial<br />
column at Ma#on are a semi-globular bowl with<br />
a circular foot, filled with fruit, and a cantharus<br />
with a knob and splaying foot filled with red wine<br />
(?). There is an amphora with two small handles,<br />
and a water vessel containing a hen that has laid<br />
an egg (pl. VI.19)(Avi Yonah 1960: 26-29). Fruit<br />
bowls are seen at Jerusalem and on the pavement<br />
of the Be"er Shem#a church, at Beth Loya<br />
a vase and two semi-globular bowls one with two<br />
birds drinking from it appear on the axial column.<br />
Amphorae appear in the central column in the<br />
mosaics of Shellal and Jerusalem (figs. VI-6,7). A<br />
cantharos ornamented with a lobed design and<br />
a splaying foot with two birds drinking from it<br />
is seen on the Caesarea mosaic (fig. VI-16). At<br />
Petra, a number of vases, bowls and a plate appear<br />
on the axial column of the northern aisle (B5,<br />
B11, B13, B16, B17, B18, B20, B23, B28) (pls.<br />
VI.6-8).<br />
Vine Leaves and Bunches of Grapes<br />
The portrayal of vine leaves and grapes developed<br />
into a schematic and stylized form more<br />
as a decorative device than a natural design.<br />
The round medallions end in a small volute in<br />
Gaza, Ma#on, and Shellal, in a vine leaf at Beth<br />
She"an synagogue and Beth She"an Monastery<br />
Room L, and sometimes in a bunch of grapes<br />
at Hazor-Ashdod, the Jerusalem ‘Armenian’<br />
church mosaic, and Petra, or in a mixture of<br />
chapter six<br />
all of them. A difference in the the vine leaves<br />
and grapes is apparent in many of the mosaics<br />
(pl. VI.18).<br />
The style and shape of vine leaves on the inhabited<br />
scroll mosaics vary and can be divided into<br />
three types (pl. VI.18a-h): (1) leaves in one colour,<br />
closely assembled into a schematic three parts<br />
central leave with with three or four fronds, placed<br />
freely and in random locations (pl. VI.18a,b); this<br />
type is seen at #Asida, Gaza, Hazor-Ashdod, Kh.<br />
Sokho, Beth Loya, Shellal, el Hammam, Beth<br />
She"an, Petra and Suwayfiyah in Jordan. (2) The<br />
vine leaves are depicted more naturalistically, with<br />
one half in a light colour and the other half dark<br />
(pl. VI.18c,d); this type appears at Be"er Shem#a<br />
and Ma#on, Caesarea (?), and on Jordanian pavements<br />
at the Chapel of Elias, Maria and Soreg<br />
in Gerasa, and St. Stephen at Umm al-Rasas. (3)<br />
Vine leaves in one colour with a three- or fivepart<br />
leaf, decorated with one or two light coloured<br />
crosslets (pl. VI.18e-h); this type appear at the<br />
Beth She"an synagogue, the Beth She"an monastry<br />
Room L, and the Jerusalem ‘Armenian’ church<br />
mosaic, and on Jordanian mosaics at Al Khadir,<br />
Madaba, the church of Deacon Thomas, Kaianus<br />
Lower Church, Sts. Lot and Procopius, and the<br />
Lower Chapel of the Priest John.<br />
The bunches of grapes have a schematic shape,<br />
often hanging from two strings sometimes on a<br />
small ring, rendered in and out of the medallion<br />
in all directions (Levi 1971, I: 515; Avi Yonah<br />
1960: 33-4). The bunches of grapes are arranged<br />
in a round ring-like representation in several<br />
colours set in three or four rows. Two styles of<br />
grape depiction are observed (pl. VI.18i-q): (1)<br />
the grapes are oval or round with a central dot<br />
(pl. VI.18i-l); these are seen on the pavements<br />
at Gaza, Hazor-Ashdod, Beth She"an monastry<br />
Room L, the Lower Chapel of the Priest John<br />
on Mt. Nebo, Kaianus lower church and at St.<br />
Stephen at Umm al-Rasas. (2) the bunches appear<br />
in a dark outline and two parts, in horizontal<br />
rows with two or three colours, one half light and<br />
the other half dark (pl. VI.18m-q). At Ma#on the<br />
grapes are oval and the clusters regularly hang<br />
only in one direction; the same shape is rendered<br />
at the ‘Armenian’ church in Jerusalem; at Beer<br />
Shem#a, Beth Loya, Ma#on, at Deir el-Asfur and<br />
Kh. Sokho; at the Jordan inhabited scrolls mosaics<br />
of Sts. Lot and Procopius, Deacon Thomas,<br />
Suwayfiyah and the Chapel of Elias, Maria and<br />
Soreg at Gerasa. The pavement at Shellal seems