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142<br />

On some Arabian inhabited scroll mosaics a<br />

wicker basket full of grapes and carried by figures<br />

is portrayed, within medallions at the church of<br />

the Sts. Lot and Procopius (pl. VI.11) (Piccirillo<br />

1993: fig. 204), on the inhabited acanthus scroll<br />

mosaic of the Upper Chapel of the Priest John at<br />

Mukhayyat on Mt. Nebo (Piccirillo 1993: fig. 119),<br />

and in the 8th-century St. Stephen at Umm al-<br />

Rasas (Piccirillo 1993: fig. 386). Baskets are seen<br />

on other types of mosaics too (Saller and Bagatti<br />

1949: 111), such as the pavement at the Baptistry<br />

Chapel in the Cathedral Church in Madaba (Piccirillo<br />

1993: figs. 119, 204-5, 224, 229). Baskets<br />

filled with fruit also appear on mosaics in Syria-<br />

Phoenicia at Houarte and Zaharani.<br />

Vessels<br />

Various vessels are common motifs represented<br />

frequently in the central axial column in groups<br />

I and II (pl. VI.17): shown in the central axial<br />

column at Ma#on are a semi-globular bowl with<br />

a circular foot, filled with fruit, and a cantharus<br />

with a knob and splaying foot filled with red wine<br />

(?). There is an amphora with two small handles,<br />

and a water vessel containing a hen that has laid<br />

an egg (pl. VI.19)(Avi Yonah 1960: 26-29). Fruit<br />

bowls are seen at Jerusalem and on the pavement<br />

of the Be"er Shem#a church, at Beth Loya<br />

a vase and two semi-globular bowls one with two<br />

birds drinking from it appear on the axial column.<br />

Amphorae appear in the central column in the<br />

mosaics of Shellal and Jerusalem (figs. VI-6,7). A<br />

cantharos ornamented with a lobed design and<br />

a splaying foot with two birds drinking from it<br />

is seen on the Caesarea mosaic (fig. VI-16). At<br />

Petra, a number of vases, bowls and a plate appear<br />

on the axial column of the northern aisle (B5,<br />

B11, B13, B16, B17, B18, B20, B23, B28) (pls.<br />

VI.6-8).<br />

Vine Leaves and Bunches of Grapes<br />

The portrayal of vine leaves and grapes developed<br />

into a schematic and stylized form more<br />

as a decorative device than a natural design.<br />

The round medallions end in a small volute in<br />

Gaza, Ma#on, and Shellal, in a vine leaf at Beth<br />

She"an synagogue and Beth She"an Monastery<br />

Room L, and sometimes in a bunch of grapes<br />

at Hazor-Ashdod, the Jerusalem ‘Armenian’<br />

church mosaic, and Petra, or in a mixture of<br />

chapter six<br />

all of them. A difference in the the vine leaves<br />

and grapes is apparent in many of the mosaics<br />

(pl. VI.18).<br />

The style and shape of vine leaves on the inhabited<br />

scroll mosaics vary and can be divided into<br />

three types (pl. VI.18a-h): (1) leaves in one colour,<br />

closely assembled into a schematic three parts<br />

central leave with with three or four fronds, placed<br />

freely and in random locations (pl. VI.18a,b); this<br />

type is seen at #Asida, Gaza, Hazor-Ashdod, Kh.<br />

Sokho, Beth Loya, Shellal, el Hammam, Beth<br />

She"an, Petra and Suwayfiyah in Jordan. (2) The<br />

vine leaves are depicted more naturalistically, with<br />

one half in a light colour and the other half dark<br />

(pl. VI.18c,d); this type appears at Be"er Shem#a<br />

and Ma#on, Caesarea (?), and on Jordanian pavements<br />

at the Chapel of Elias, Maria and Soreg<br />

in Gerasa, and St. Stephen at Umm al-Rasas. (3)<br />

Vine leaves in one colour with a three- or fivepart<br />

leaf, decorated with one or two light coloured<br />

crosslets (pl. VI.18e-h); this type appear at the<br />

Beth She"an synagogue, the Beth She"an monastry<br />

Room L, and the Jerusalem ‘Armenian’ church<br />

mosaic, and on Jordanian mosaics at Al Khadir,<br />

Madaba, the church of Deacon Thomas, Kaianus<br />

Lower Church, Sts. Lot and Procopius, and the<br />

Lower Chapel of the Priest John.<br />

The bunches of grapes have a schematic shape,<br />

often hanging from two strings sometimes on a<br />

small ring, rendered in and out of the medallion<br />

in all directions (Levi 1971, I: 515; Avi Yonah<br />

1960: 33-4). The bunches of grapes are arranged<br />

in a round ring-like representation in several<br />

colours set in three or four rows. Two styles of<br />

grape depiction are observed (pl. VI.18i-q): (1)<br />

the grapes are oval or round with a central dot<br />

(pl. VI.18i-l); these are seen on the pavements<br />

at Gaza, Hazor-Ashdod, Beth She"an monastry<br />

Room L, the Lower Chapel of the Priest John<br />

on Mt. Nebo, Kaianus lower church and at St.<br />

Stephen at Umm al-Rasas. (2) the bunches appear<br />

in a dark outline and two parts, in horizontal<br />

rows with two or three colours, one half light and<br />

the other half dark (pl. VI.18m-q). At Ma#on the<br />

grapes are oval and the clusters regularly hang<br />

only in one direction; the same shape is rendered<br />

at the ‘Armenian’ church in Jerusalem; at Beer<br />

Shem#a, Beth Loya, Ma#on, at Deir el-Asfur and<br />

Kh. Sokho; at the Jordan inhabited scrolls mosaics<br />

of Sts. Lot and Procopius, Deacon Thomas,<br />

Suwayfiyah and the Chapel of Elias, Maria and<br />

Soreg at Gerasa. The pavement at Shellal seems

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