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which contains objects flanked by symmetrical<br />
antithetic animals.<br />
The Shellal church in the west-south Negev is<br />
decorated with an inhabited vine scroll mosaic,<br />
dated by inscription to 561/2 (Avi-Yonah 1933:<br />
no.306; Trendall 1957). It is composed of five<br />
columns and probably nine rows, of which only<br />
seven survived; the upper part of the mosaic and<br />
parts of two columns on the left side are destroyed<br />
(fig. VI-6). The vine-trellis issues from an amphora<br />
in the centre of the first row, flanked by a pair of<br />
peacocks. An axial column is replete with objects<br />
such as baskets, bowls, and a bird-cage, and is<br />
flanked symmetrically by columns and rows of<br />
alternating birds and animals. Some of the flanking<br />
animals in the alternating rows are not identical<br />
(a lion and a tigress in row 4) and the animals<br />
in scenes of pursuit in the second and the sixth<br />
rows are presented in different poses.<br />
The Jerusalem ‘Armenian’ church nave is<br />
decorated with an inhabited vine scrolls mosaic,<br />
dated to the 6th century (Avi-Yonah 1933: 36,<br />
no.132; Evans 1982). The mosaic composition<br />
consists of five columns and nine rows (fig. VI-7;<br />
pl. VI.3).<br />
The vine-trellis issues from an amphora emerging<br />
from an acanthus leaf in the centre of the first<br />
row, flanked by a pair of peacocks and birds. An<br />
axial column with objects such as baskets, a bowl,<br />
a bird-cage and birds is flanked symmetrically by<br />
columns and rows containing only an assortment<br />
of alternating birds facing the column (except for<br />
the birds in row 4). Almost all flanking birds are<br />
identical.<br />
The inhabited vine scroll mosaic on the nave<br />
of Horvat Beth Loya church in Judaea is severely<br />
damaged by iconoclastic defacement and by<br />
grave-digging in the Muslim period (Patrich and<br />
Tsafrir 1993: 268). It consists of five columns and<br />
twelve rows (pl. VI.4, fig. VI-9b). The vine-trellis<br />
issues from an amphora in the centre of the<br />
first row, flanked by a pair of peacocks. An axial<br />
column contains objects such as a double basket, a<br />
goblet, a flask, and a bird-cage. It is flanked symmetrically<br />
by almost completely defaced columns<br />
and rows of alternating birds and animals. The<br />
entire pavement is enclosed in an acanthus scroll<br />
border inhabited by animals and birds, showing<br />
hunting and pastoral scenes similar to some other<br />
pavements of vine scrolls design (see Table VI<br />
below).<br />
The two church mosaics at Be"er-Shem#a and<br />
Petra are assigned to this group primarily because<br />
the ‘inhabited scrolls’ mosaic pavements 117<br />
they display its distinctive features: a central vertical<br />
axial column with objects; the figures in the<br />
medallions in each row set facing each symmetrically,<br />
on either side of the axial column. But in<br />
addition, these two mosaics include a rare depiction<br />
of human figures in various rural activities.<br />
The mosaic on the nave of St. Stephen at Be"er-<br />
Shem#a (Khirbet el-Far) is wholly preserved and is<br />
dated to the mid-6th century (Gazit and Lender<br />
1993: 275-6). It has five columns and eleven rows<br />
(pl. VI.5, fig. VI-9a.).<br />
The inhabited vine scrolls arise from a vase at<br />
the centre of the bottom row flanked by a pair<br />
of lions, each depicted in two medallions with<br />
heads and legs outside them; whereas the peacocks<br />
appear in the top row, each rendered in two<br />
medallions flanking a fruit bowl. Only the second,<br />
third and seventh rows have alternating animals<br />
and birds similar to the Ma#on mosaic. Although<br />
the design looks symmetrical it is not as rigid and<br />
heraldic as the other group II designs.<br />
Though the mosaic belongs to group II, the<br />
composition is different in some aspects: the<br />
medallions of the axial central column are only<br />
partly filled with objects: a basket of fruit (row<br />
3), a hanging ‘Gaza’ jar made into a dovecote<br />
with a pair of doves (row 5) (pl. XII.3f ), a basket<br />
with bunches of grapes (row 6), a bird-in-cage<br />
(row 7), and a fruit bowl (row 11). Other medallions<br />
contain the unique humans figures: a woman<br />
breast-feeding a baby (row 2) (pl. VII.17a), a flute<br />
player (row 4) (pl. XII.4b), a shepherd leaning on<br />
his staff (row 8) (pl. VII.16a), and a man, with the<br />
Greek inscription ΒΙΚΤWΡ (VICTOR), carrying<br />
a tray (row 10) (pl. XII.17a). Several animals in<br />
the second and fourth rows are presented in different<br />
poses; scenes of pursuit in the fifth and<br />
eighth rows and some of the flanking animals in<br />
the same row are different (leopardess and lioness<br />
in row 2, elephant and giraffe in row 9, horse<br />
and mare in row 10).<br />
The two medallions on the side columns of<br />
several rows contain linked scenes maintaining<br />
some sort of symmetry: two animal pursuit scenes,<br />
a dog chasing a vixen and a bitch after a doe<br />
rabbit (pl. VII.8c,d), flank the central medallion in<br />
row 5; a panther pursuing a deer on the left, and<br />
a wolf pursuing an ibex on the right, appear in<br />
row 8 (pl. VII.5b,c). The animal chase scenes are<br />
comparable to those at the Gaza synagogue but<br />
are less aggressive. A figure leading a donkey on<br />
the left and one leading a camel on the right flank<br />
a double basket in row 6 (pls. VII.2b, VII.18b);