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which contains objects flanked by symmetrical<br />

antithetic animals.<br />

The Shellal church in the west-south Negev is<br />

decorated with an inhabited vine scroll mosaic,<br />

dated by inscription to 561/2 (Avi-Yonah 1933:<br />

no.306; Trendall 1957). It is composed of five<br />

columns and probably nine rows, of which only<br />

seven survived; the upper part of the mosaic and<br />

parts of two columns on the left side are destroyed<br />

(fig. VI-6). The vine-trellis issues from an amphora<br />

in the centre of the first row, flanked by a pair of<br />

peacocks. An axial column is replete with objects<br />

such as baskets, bowls, and a bird-cage, and is<br />

flanked symmetrically by columns and rows of<br />

alternating birds and animals. Some of the flanking<br />

animals in the alternating rows are not identical<br />

(a lion and a tigress in row 4) and the animals<br />

in scenes of pursuit in the second and the sixth<br />

rows are presented in different poses.<br />

The Jerusalem ‘Armenian’ church nave is<br />

decorated with an inhabited vine scrolls mosaic,<br />

dated to the 6th century (Avi-Yonah 1933: 36,<br />

no.132; Evans 1982). The mosaic composition<br />

consists of five columns and nine rows (fig. VI-7;<br />

pl. VI.3).<br />

The vine-trellis issues from an amphora emerging<br />

from an acanthus leaf in the centre of the first<br />

row, flanked by a pair of peacocks and birds. An<br />

axial column with objects such as baskets, a bowl,<br />

a bird-cage and birds is flanked symmetrically by<br />

columns and rows containing only an assortment<br />

of alternating birds facing the column (except for<br />

the birds in row 4). Almost all flanking birds are<br />

identical.<br />

The inhabited vine scroll mosaic on the nave<br />

of Horvat Beth Loya church in Judaea is severely<br />

damaged by iconoclastic defacement and by<br />

grave-digging in the Muslim period (Patrich and<br />

Tsafrir 1993: 268). It consists of five columns and<br />

twelve rows (pl. VI.4, fig. VI-9b). The vine-trellis<br />

issues from an amphora in the centre of the<br />

first row, flanked by a pair of peacocks. An axial<br />

column contains objects such as a double basket, a<br />

goblet, a flask, and a bird-cage. It is flanked symmetrically<br />

by almost completely defaced columns<br />

and rows of alternating birds and animals. The<br />

entire pavement is enclosed in an acanthus scroll<br />

border inhabited by animals and birds, showing<br />

hunting and pastoral scenes similar to some other<br />

pavements of vine scrolls design (see Table VI<br />

below).<br />

The two church mosaics at Be"er-Shem#a and<br />

Petra are assigned to this group primarily because<br />

the ‘inhabited scrolls’ mosaic pavements 117<br />

they display its distinctive features: a central vertical<br />

axial column with objects; the figures in the<br />

medallions in each row set facing each symmetrically,<br />

on either side of the axial column. But in<br />

addition, these two mosaics include a rare depiction<br />

of human figures in various rural activities.<br />

The mosaic on the nave of St. Stephen at Be"er-<br />

Shem#a (Khirbet el-Far) is wholly preserved and is<br />

dated to the mid-6th century (Gazit and Lender<br />

1993: 275-6). It has five columns and eleven rows<br />

(pl. VI.5, fig. VI-9a.).<br />

The inhabited vine scrolls arise from a vase at<br />

the centre of the bottom row flanked by a pair<br />

of lions, each depicted in two medallions with<br />

heads and legs outside them; whereas the peacocks<br />

appear in the top row, each rendered in two<br />

medallions flanking a fruit bowl. Only the second,<br />

third and seventh rows have alternating animals<br />

and birds similar to the Ma#on mosaic. Although<br />

the design looks symmetrical it is not as rigid and<br />

heraldic as the other group II designs.<br />

Though the mosaic belongs to group II, the<br />

composition is different in some aspects: the<br />

medallions of the axial central column are only<br />

partly filled with objects: a basket of fruit (row<br />

3), a hanging ‘Gaza’ jar made into a dovecote<br />

with a pair of doves (row 5) (pl. XII.3f ), a basket<br />

with bunches of grapes (row 6), a bird-in-cage<br />

(row 7), and a fruit bowl (row 11). Other medallions<br />

contain the unique humans figures: a woman<br />

breast-feeding a baby (row 2) (pl. VII.17a), a flute<br />

player (row 4) (pl. XII.4b), a shepherd leaning on<br />

his staff (row 8) (pl. VII.16a), and a man, with the<br />

Greek inscription ΒΙΚΤWΡ (VICTOR), carrying<br />

a tray (row 10) (pl. XII.17a). Several animals in<br />

the second and fourth rows are presented in different<br />

poses; scenes of pursuit in the fifth and<br />

eighth rows and some of the flanking animals in<br />

the same row are different (leopardess and lioness<br />

in row 2, elephant and giraffe in row 9, horse<br />

and mare in row 10).<br />

The two medallions on the side columns of<br />

several rows contain linked scenes maintaining<br />

some sort of symmetry: two animal pursuit scenes,<br />

a dog chasing a vixen and a bitch after a doe<br />

rabbit (pl. VII.8c,d), flank the central medallion in<br />

row 5; a panther pursuing a deer on the left, and<br />

a wolf pursuing an ibex on the right, appear in<br />

row 8 (pl. VII.5b,c). The animal chase scenes are<br />

comparable to those at the Gaza synagogue but<br />

are less aggressive. A figure leading a donkey on<br />

the left and one leading a camel on the right flank<br />

a double basket in row 6 (pls. VII.2b, VII.18b);

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