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naturalistic in execution, and unlike group II the<br />

animals at Gaza and Hazor-Ashdod frequently<br />

extend outside the medallions. Furthermore, this<br />

is the earliest group of inhabited vine scroll mosaics<br />

in Paleastina made during the early 6th century,<br />

dated by inscriptions: the Gaza synagogue to<br />

508/9, and the Hazor-Ashdod church to 512.<br />

The Gaza-Maiumas synagogue pavement<br />

shows coherence in the natural portrayal of the<br />

animals. For instance, the lioness feeds her cub<br />

in one medallion (pl. VII.14a) while in the next<br />

two in the same row a ferocious tigress pounces<br />

on a terrified fleeing donkey (pl. VII.5a). This<br />

contrasts with the placid, subdued, and passive<br />

depiction of most of the beasts on the pavements<br />

of the later group II.<br />

The Gaza mosaic has a unique feature, namely<br />

a Greek inscription flanked by peacocks in a<br />

medallion in the central column; a similar pattern<br />

the ‘inhabited scrolls’ mosaic pavements 115<br />

Figure VI-4 Group I pavements: a. Gaza synagogue; b. Hazor-Ashdod church; c. #Asida church.<br />

is found on the hall mosaic of the lower chapel of<br />

Priest John at Mukhayyat on Mt. Nebo, where<br />

an inscription is flanked by two horned stags in<br />

the last row of the inhabited vine scroll pavement<br />

(Piccirillo 1993: 176, fig. 240). The first row at<br />

Gaza is entirely destroyed, but might also have<br />

shown lions flanking a vase, like the other two<br />

designs of this group.<br />

The general design at Gaza and Hazor-’Ashdod<br />

seems to place more emphasis on the horizontal<br />

rows of the composition.<br />

However, some features characteristic of the<br />

organization and order of the composition, which<br />

develop further in later group II, are already<br />

apparent. These include the stylization and geometric<br />

manner of the scrolls, vine trellis, and<br />

grapes; the alternating rows of animals and birds<br />

and the leaning to symmetrical heraldic composition.<br />

Still, the rigid symmetry characteristic of

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