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Making History Personal: Constantine Cavafy and the Rise of Rome

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Frier, “<strong>Making</strong> <strong>History</strong> <strong>Personal</strong>,” page 10<br />

account <strong>Cavafy</strong> may have known only through Bevan), Ptolemy, accompanied by a eunuch <strong>and</strong><br />

three slaves, obtained lodging in a shabby garret. The Seleucid prince Demetrius, long held as a<br />

hostage in <strong>Rome</strong> <strong>and</strong> by consequence deeply cynical about Roman actions, 31 none<strong>the</strong>less pressed<br />

Ptolemy to accept clothing <strong>and</strong> a crown befitting his station; but <strong>the</strong> Egyptian pretender declined.<br />

<strong>Cavafy</strong> preserves <strong>the</strong> broad outlines <strong>of</strong> <strong>the</strong> story, but supplies from Bevan what Diodorus omits:<br />

Ptolemy’s reason for refusing Demetrius’ generosity is tactical, in that he prefers to appear be-<br />

fore “<strong>the</strong> Senate / as an ill-fortuned <strong>and</strong> impoverished man, / that with greater success he might<br />

beg.” 32<br />

Silver tetradrachm <strong>of</strong> Demetrius I Soter<br />

(http://fontes.lstc.edu/~rklein/Documents/seleucids.htm)<br />

Demetrius, in turn, is <strong>the</strong> protagonist in<br />

“Of Demetrius Soter (162-150 B.C.)” (1915), one<br />

<strong>of</strong> <strong>the</strong> deepest <strong>and</strong> most sharply drawn <strong>of</strong> <strong>Cavafy</strong>’s poems on this period. 33<br />

As in <strong>the</strong> elegies dis-<br />

cussed above, this lengthy poem has a “before <strong>and</strong> after” design, but one that is structured quite<br />

differently. Following a one-line introduction undercutting any possible suspense (“His every<br />

expectation turned out wrong!”), <strong>Cavafy</strong> portrays Demetrius in his long years as a hostage at<br />

<strong>Rome</strong>, yearning to return to a Syria that he only vaguely remembers; he hopes to “end <strong>the</strong> shame<br />

that since <strong>the</strong> time <strong>of</strong> <strong>the</strong> Battle / <strong>of</strong> Magnesia had ground his homel<strong>and</strong> down.” But after he<br />

successfully escapes from <strong>Rome</strong> in 162 <strong>and</strong> claims his throne, <strong>the</strong> reality turns out o<strong>the</strong>rwise.<br />

31<br />

E.g., “That <strong>the</strong>y [<strong>the</strong> Hellenistic monarchs] have, at bottom, / become <strong>the</strong> servants <strong>of</strong> <strong>the</strong> Romans, in a way, /<br />

<strong>the</strong> Seleucid knows; <strong>and</strong> that those people give / <strong>and</strong> take away <strong>the</strong>ir thrones / arbitrarily, however <strong>the</strong>y like, he<br />

knows.” <strong>Cavafy</strong>’s direct inspiration for <strong>the</strong>se lines may be Polybius 31.2.7 <strong>and</strong> 10.7.<br />

32<br />

Diodorus, 31.18.1-2; Bevan, Seleucus II (1902) 189, who states that Demetrius was not allowed to “spoil a<br />

calculated stage effect”; see Green, Alex<strong>and</strong>er to Actium (1990) 442: “ostentatious poverty.” Valerius Maximus,<br />

Memorabilia 5.1.1, observes that <strong>the</strong> Senate eventually provided Ptolemy with suitable accommodations; Bevan,<br />

although citing <strong>the</strong> passage, omits this report, as does <strong>Cavafy</strong>. Polybius, 31.10, recounts a separate visit to <strong>Rome</strong> by<br />

Ptolemy VIII in 163.<br />

33<br />

Liddell, <strong>Cavafy</strong> 175: “Demetrius is <strong>the</strong> one heroic figure in an unheroic world, <strong>and</strong> he has an underst<strong>and</strong>ing<br />

that goes beyond his own personal problems to comprehend <strong>the</strong> collapse <strong>of</strong> his world.” Sometime before his death<br />

in 175, Seleucus IV, Demetrius’ fa<strong>the</strong>r, had sent Demetrius as a hostage to <strong>Rome</strong>; Demetrius was <strong>the</strong>n about 10 or<br />

12 years old. On Demetrius’ reign, see Habicht, “Seleucids” 356-362; Ehling, Untersuchungen (2008) 130-153.<br />

While a hostage at <strong>Rome</strong>, Demetrius was only a prince <strong>and</strong> an heir apparent. On <strong>the</strong> poem, see Pinchin, Alex<strong>and</strong>ria<br />

Still (1977) 48-49, observing how “<strong>Cavafy</strong> compresses <strong>the</strong> time dimension.”

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