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Appendix 1

Appendix 1

Appendix 1

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The Filmmaker’s Guide to Final Cut Pro Workfl ow<br />

Figure 1.8 Clip window in Cinema Tools<br />

Periodically during production, the time code generator in the slate needs to be synchronized to the<br />

time code coming from the recorder. In this case, the two are off because the telecine machine is still<br />

fi nding sync. They will match at sticks close.<br />

Notice also, we are parked on a time code ending in 0 and so we should be on an A frame. The pull<br />

down cycle identifi er shows A with the 1 and 2 overprinted. This is exactly what we should be seeing.<br />

As this is 29.97 video and has not been reversed to 23.98, the key code information will not move<br />

forward in a smooth or readable way. There will be a clear A followed by a clear B followed by a<br />

B and C overprinted, followed by a C and D overprinted, and then a complete D. If you refer back<br />

to Figure 1.3 of 3.2 pull down pattern or cadence, you will see why this is so. Because of the 3 : 2<br />

cadence, you will never see a complete C frame; they are always overprinted this way unless the<br />

video has been reverse telecined. This is a simple way to identify reversed video: look for the C<br />

frames. This is also why the C frame is underlined.<br />

If you are going to fi nish in 24P or on fi lm, you have more work to do here and you will be coming<br />

back often. If you are fi nishing on video, you are ready to start editing.<br />

Inked Edge Code Numbers<br />

Before computer editing, fi lm was cut with sound recorded onto magnetic fi lm, simply fi lm with<br />

magnetic oxide for recording sound. Before magnetic fi lm, these tracks were photographic fi lm with<br />

optical sound. Once the sound was in sync with the work print (which is a noncolor-corrected positive<br />

print of the camera original; see Chapter 5 for more detail), both were “inked” with matching<br />

edge numbers. This way, if the sound was moved out of sync, the numbers could guide the editor in<br />

putting the sound back into sync.<br />

As there are no magnetic sound tracks in computer editing, there is no reason to ink edge numbers, yet<br />

Cinema Tools supports this. This is simply for ease of use with some workfl ows for fi nishing on fi lm.<br />

10

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