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Appendix 1

Appendix 1

Appendix 1

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The Filmmaker’s Guide to Final Cut Pro Workfl ow<br />

Figure 1.1 Quadra telecine machine<br />

The telecine machine is controlled remotely from the “telecine bay.” Figure 1.2 shows this, which<br />

is a control room where the video image is displayed and color correction can be performed using<br />

very powerful, digital, color-correction systems. The system can be interlocked with time code sound<br />

recorders that can be locked to the picture so that the production sound can be synchronized with<br />

the picture or “sunc up” during telecine. The system can also export a “telecine log,” a record of<br />

Figure 1.2 Telecine bay<br />

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