Appendix 1

Appendix 9: Deconstructing Several Films’ Workfl ows
• Understand the reasons for the work fl ow, not just the steps. This is critical when problems come
up or work-arounds are necessary.
• Reverse to 23.98 not 24. The “simpler” 24 FPS workfl ow is not simpler. It only sounds simpler.
Lost Hope and More
Directed by Carmon Cone and Isaiah Mcamini
Written by Jessie Griffi th
Figure A9.3 Lost Hope and More poster
Lost Hope and More was another student fi lm made by students at the Brooks Institute as part of the
Kodak student fi lmmaker program. It was shot and fi nished on Kodak 35 mm with a Dolby LCRS and
Dolby 5.1 sound track. Production audio was recorded on a PD6 digital recorder with smart slate.
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