Appendix 1

The Filmmaker’s Guide to Final Cut Pro Workfl ow
Figure A3.7 Panavision Genesis 262
that is the size of a super 35 mm fi lm frame, making it possible to now use the full line of Panavision
35 mm lenses, and creating an image with the same depth of fi eld and other image-to-focal length
parameters as 35 mm fi lm cameras. It’s an HD video system, and records in HD Cam SR using a
camera mounted Sony recorder. The chip captures in a fourteen bit mode, which is transformed into
a recordable ten bit using the “Panalog 4” transform curve resulting in a ten stop contrast range.
The Arrifl ex D20, shown in Figure A3.8, uses a 2,880 × 1,620 pixel custom-made, single-chip
CMOS sensor that is the exact size of a super 35 mm frame. CMOS is similar to the CCD chips used
in most cameras, but the CMOS has the processor built right into the chip making it possible to do
extra image processing in the chip without needing to send the data through the camera to the
processor.
Figure A3.8 ARRI D20
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