Appendix 1
Appendix 1 Appendix 1
Lost Hope and More Directed by Carmon Cone and Isaiah Mcamini Written by Jessie Griffi th Figure i.3 shows the poster from the movie Lost Hope and More, which was the second student fi lm made by students at the Brooks Institute as part of the Kodak student fi lmmaker program. It was shot and fi nished on Kodak 35 mm with a Dolby LCRS and Dolby 5.1 sound track. Production audio was recorded on a PD4 digital recorder with smart slate. The planned workfl ow was a standard Final Cut Pro/Cinema Tools fi lm-to-fi lm workfl ow with cut work print, Pro Tools sound design and mixes, conformed negative, A-B rolls, and 35 mm release prints. We follow this fi lm as it moves through its workfl ow in the chapters that follow. Like all fi lms, the project started with a script—in this case, a submission of student scripts. Certain elements were required to be in every script submitted: each project had to be an action comedy, have a scene at a party, a scene at the Santa Barbara Film Festival, and a SWAT team. The script Figure i.3 Lost Hope and More The Kodak 35 mm Project xvii
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- Page 14: A Letter from the Author I edited m
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- Page 22: Final Cut also exports a variety of
- Page 26: Organizing and Editing Introduction
- Page 30: The Kodak 35 mm Project The Kodak 3
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Lost Hope and More<br />
Directed by Carmon Cone and Isaiah Mcamini<br />
Written by Jessie Griffi th<br />
Figure i.3 shows the poster from the movie Lost Hope and More, which was the second student fi lm<br />
made by students at the Brooks Institute as part of the Kodak student fi lmmaker program. It was shot<br />
and fi nished on Kodak 35 mm with a Dolby LCRS and Dolby 5.1 sound track. Production audio was<br />
recorded on a PD4 digital recorder with smart slate. The planned workfl ow was a standard Final Cut<br />
Pro/Cinema Tools fi lm-to-fi lm workfl ow with cut work print, Pro Tools sound design and mixes,<br />
conformed negative, A-B rolls, and 35 mm release prints.<br />
We follow this fi lm as it moves through its workfl ow in the chapters that follow.<br />
Like all fi lms, the project started with a script—in this case, a submission of student scripts. Certain<br />
elements were required to be in every script submitted: each project had to be an action comedy,<br />
have a scene at a party, a scene at the Santa Barbara Film Festival, and a SWAT team. The script<br />
Figure i.3 Lost Hope and More<br />
The Kodak 35 mm Project<br />
xvii
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