Appendix 1

The Filmmaker’s Guide to Final Cut Pro Workfl ow
Figure i.1 Student’s work on fi lm project, Lost Hope and More at the Santa Barbara courthouse.
Brooks student Ben Kim slates the shot
Producers; Bill Butler, director of photography on more than eighty fi lms, including Jaws, The Conversation,
and Biloxi Blues; director Perry Lang of Alias, Dawson’s Creek, and NYPD Blue; and
photographer Wayne Goldwyn whose credits include CSI, Jeopardy, and Nixon. The list of professional
mentors numbers in the dozens and changes every year.
The Kodak 35 mm Project at Brooks involves a 150-person fi lm crew, more than thirty vendors, rental
equipment valued at more than $1,000,000, and an estimated 24,000 hours of labor from students,
faculty, and volunteers. Figure i.2 is a shot of some of the student crew for Lost Hope and More.
Figure i.2 Members of the student crew and production support vehicles in front of the Santa Barbara
courthouse for the Kodak 35 mm project, Lost Hope and More
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