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Appendix 1

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The Filmmaker’s Guide to Final Cut Pro Workfl ow<br />

generator has some serious limitations. While it’s great for simple titles, there are many things it<br />

simply can’t do.<br />

Adobe makes several great pieces of software that can be used to create graphics and titles. Photoshop,<br />

Illustrator, and After Effects work seamlessly with each other as well as Final Cut Pro. Each<br />

of these Adobe applications has functions necessary to creating, processing, and managing graphics<br />

and titles. There are many other graphic systems on the market, but these are the most popular.<br />

Adobe’s Illustrator is its vector-based system and is resolution independent. It can be used to create<br />

text and shapes in color, and because it is vector based, any text can be moved, resized, or edited in<br />

any way and rendered into any practical size or image format.<br />

Illustrator fi les cannot be imported directly into Final Cut Pro; they must be rendered into a pixelbased<br />

image format fi rst, as in Figure 8.1. The Illustrator fi les can be exported in any popular pixelbased<br />

image format and used directly in Final Cut Pro. It can also be exported as a PSD fi le and<br />

imported into Adobe’s Photoshop, and “rasterized” or rendered, into a pixel-based image. The original<br />

Illustrator project remains intact and can be changed, resized, edited and reexported in the new<br />

size.<br />

Figure 8.1 Adobe Illustrator titles<br />

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