Appendix 1

Sound Edit Workfl ows
session. If you are taking your mix back into Final Cut Pro, you may want to use 48 K 16- or 24-bit
AIFF or BWF and a stereo I/O setting. Click OK and this will launch Digi Translator (see Figure
7.2). From here, you can convert your OMF into a Pro Tools session. Do not import any scratch or
guide tracks you don’t want imported into the Pro Tools session, but select import as new track or
all wanted tracks.
Figure 7.2 Digi Translator is used to convert OMF fi les exported from Final Cut Pro into Pro Tools
sessions
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