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Finishing on Film<br />

lists rather than shooting the HD back to fi lm. It looks much better and doesn’t really cost any<br />

more.<br />

One of the problems is that many of these independent fi lms are shot on HD and don’t have a negative<br />

to cut. But many are shot back to fi lm because it’s easy and straightforward. Many are shot back<br />

because the workfl ow was not designed toward cutting the negative or editing systems were used<br />

that simply don’t allow for this workfl ow. So, the image is compromised and really for no good<br />

reason.<br />

As many big-budget fi lms are now using DI and small-budget, independent fi lms are using virtual<br />

DI, many independent negative cutters are going out of business. Most of the labs still offer this<br />

service, but fewer projects are cutting negative every year.<br />

Lost Hope and More —The Negative Edit<br />

Figure 5.12 Lost Hope and More poster<br />

77

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