BEELDEN IN VEELVOUD

the Windsor drawing exhibirion (1878-1879) in the
Grosvenor Gallery (London), or in Leonardo da
Vinci, 60 Handzeichnungen, Dornach (Braun &
Cic; undated), or in tbc Vasari Society's
Reproductions published betwecn 1910-191). Even in
1911 reproductions could still only bc found in
Rouveyre's publicatioo as can be concludcd from
the fitst complete, hut not illusirated catalogue of
all the Windsor drawïngs published by W. von
SeidHtz, 'l discgni di Leonardo da Vinci a
Windsor', L'arte; rivista di storia dell'arte medioevale
e moderna e d'arte decorativa, xiv (1911), p. 269-2.89.
Berenson roo did not include reproductions in The
Drawings of the b'lorentine Painters, vol. 2, London
1903, p. 67. It was only at the beginning of the
1930$ that one comes across new reproductions, for
instance in A. E. Popham, Jtalian drawings
exhibïted at the Royal Academy, Burlington House,
London 1950, Oxford 1931, p. 18-28, and Clark, op.
cit. (note 20).
36 Kandinsky, op. cit. (note 2), for instance p. 43 and
p. 106-107.
37 Berenson, op. cit. (note 35), p. 165.
38 'Sie Ssr vielmchr in der Lufr schwebend und sieht
wie von Dampt umgeben aus': Kandinsk}', op. cit.
(note 4), p. xxxvii. For Leonardo's text, sec Richter,
op. cit. (note 25), p. 310-312.
KANDINSKY S COMPLF, TION OF LEONARDO S DEL U G F. 469