impressions 2011 (pdf) - Mohonasen Central School District
impressions 2011 (pdf) - Mohonasen Central School District
impressions 2011 (pdf) - Mohonasen Central School District
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Impressions <strong>2011</strong>
Marrissa Laven: Art Editor, Allison Thayer, Danya Benson, Amanda Herbert, Cory Keegan, Christian<br />
Keegan, Theresa Whittemore, Tia Guarneri, Becky Quinn<br />
<strong>Mohonasen</strong>’s<br />
Art and Literary<br />
Magazine<br />
Tia Guarneri<br />
Art Editor<br />
Mrs. Rowbo<br />
Art and<br />
Layout<br />
Advisor<br />
Theresa Whittemore<br />
Chief Art Editor<br />
Danya Benson<br />
Chief Literary Editor<br />
Mrs. Burega Literary Advisor<br />
Becky Quinn<br />
Photographer
Mrs. Lang<br />
Each year Impressions dedicates its pages to great teachers who will be leaving the halls of <strong>Mohonasen</strong><br />
for the well earned respite of retirement and the new opportunities afforded in that next phase of their<br />
lives. This year, we dedicate our pages to Mrs. Latefa Lang for her many years of inspired teaching with<br />
her students and her sassy, dynamic persona that has been cherished among the faculty. She will be<br />
missed greatly.<br />
This year we also dedicate our pages to others who will be missed. The economic impact on education<br />
for the coming year is immense, and there will be far too many dedicated teachers affected by the cuts to<br />
education funding. They are not retiring to a well afforded break; they will be facing uncertainty and,<br />
hopefully, new beginnings in other places. The truth remains, however, that they will not be here in our<br />
halls, our classrooms. With work left to be done and years left to be teaching students, many of our<br />
teachers will be taking their gifts with them when they pack their classrooms in June. For this, we can<br />
all acknowledge a sense of loss. It is important to know, however, that this loss is not absolute. For every<br />
moment that these teachers have inspired creativity, provoked deep thought, and opened the doors of<br />
understanding for a student here at <strong>Mohonasen</strong>, they have left a lasting impression. Part of these teachers<br />
and their work will remain in the memories of the students here, their hearts and their minds. No matter<br />
where the uncertain future takes them, it is important for them to remember what they’ve been a part of<br />
and to feel, with the loss of leaving, all that they have gained. For the time spent here at <strong>Mohonasen</strong>, to<br />
have taught is to have touched lives forever. Best of luck to many great teachers as you take new paths.<br />
“Langisms”<br />
Langism’s are:<br />
“too funny”<br />
&<br />
too many to list:)<br />
“The Queen” Latefa<br />
1<br />
DEDICATION<br />
The Louvre is the book in which we learn<br />
to read. We must not, however, be satisfied<br />
with retaining the beautiful formulas<br />
of our illustrious predecessors. Let us<br />
go forth to study beautiful nature, let us<br />
try to free our minds from them, let us<br />
strive to express ourselves according<br />
to our personal temperaments.<br />
-Paul Cezanne<br />
1839-1906
Portfolio Day<br />
Nov. 2010<br />
at sage college<br />
<strong>Mohonasen</strong> and area Art students showing their art portfolios to US Art College Reps<br />
2<br />
2
J. APPLEGATE, A. BROWN, DOMINICO<br />
NANCY, B. McKEON<br />
Class of<br />
2010<br />
SENIOR<br />
SHOW<br />
ART<br />
SHOWS<br />
3<br />
J. GLASSER<br />
DAN SABATINI<br />
Art is either a plagiarist<br />
or a revolutionist.<br />
–Paul Gauguin<br />
1848-1903<br />
M. DEMIDIO<br />
I consider a work of art<br />
as a product of calculations,<br />
calculations<br />
that are frequently<br />
unknown to the author<br />
himself.<br />
-PABLO PICASSO<br />
1881-1973<br />
STEPHANIE HEWETT
<strong>2011</strong> Capital Regional Media Arts Festival and Competition<br />
Thirteen area school districts participated in the Media Arts Festival<br />
hosted by Niskayuna.<br />
Tommie Burch accepting her award in: Digitally Enhanced Photography at<br />
the art reception<br />
Jenna Zaborowski<br />
Lea McClain<br />
4<br />
Melissa Piscitella<br />
Jenn Gagne<br />
Lea McClain<br />
Tonmmie Burch<br />
Reba Greene
HS students viewing Video and electronic<br />
music created by the students.<br />
Reba Greene<br />
Antonio D’Elia<br />
Evelyn Bohl<br />
This year <strong>Mohonasen</strong> submitted 20 hard copy - media art pieces, Theresa Whittemore<br />
submitted a music video and Christian Gunn submitted an electronic music<br />
composition. Niskayuna did a great job hosting this event.<br />
Clip from Theresa Whittemore’s video, “Whose gotta ya money”<br />
Kelsey Shive<br />
5<br />
Linda Thompson<br />
Allison Thayer<br />
Marissa Laven
The Capital <strong>District</strong> HS<br />
Regional Juried Art<br />
Exhibition<br />
HOSTED BY SAGE COLLEGE AT ALBANY<br />
Sierra Woodard<br />
My My Lieu<br />
6<br />
…one doesn’t really work for oneself.<br />
That’s a myth. Artists have to show<br />
their work. It doesn’t mean they have<br />
to sell it, or peddle it, or use it for anything,<br />
but they have to show it.<br />
Ad Reinhardt<br />
1913-1967<br />
Art Reception at Sage College<br />
Emily Reutter<br />
Kelsey Shive
M AD<br />
o mohonasen<br />
art department<br />
mohonasen art department<br />
ART CLASSES<br />
Marissa Laven<br />
Lea McClain<br />
Lea McClain<br />
Fine art is that in which the<br />
hand, the head, and the heart<br />
of man go together.<br />
-JOHN RUSKIN<br />
1819-1900<br />
7<br />
Tia Guarneri<br />
<strong>2011</strong> 3D Regional hosted by <strong>Mohonasen</strong><br />
The minute I sat in front of a canvas.<br />
I was happy. Because it was a world,<br />
and I could do as I like in it.<br />
-Alice Neel 1900-1984<br />
Gianluca Puorto<br />
Marissa Laven
Aaron Giummarra<br />
Aaron Giummarra<br />
Ms.Rowbo’s<br />
Adv. Drawing and Painting<br />
Observation Drawings<br />
& Portfolio Paintings<br />
Mrs. Rowbo Reba Greene<br />
Zack Smith<br />
8<br />
Haley Macherone<br />
Felicia Wingle<br />
Great art is art that strips you of words, and<br />
then allows you to find the new words to<br />
describe that experience.<br />
-Eric Fischl 1948-<br />
Zack Smith<br />
Kailee Roderick<br />
Zack Smith
Haley Macherone<br />
Kailee Roderick<br />
Art is a language of symbols.<br />
-Pablo Picasso<br />
1881-1973<br />
Art does not reproduce the visible,<br />
rather, it makes visible.<br />
-PAUL KLEE<br />
1879-1940<br />
Rachel Sulflita<br />
Reba Greene<br />
9<br />
Rachel Sulflita<br />
Haley Macherone<br />
Aaron Giumarra<br />
Haley Macherone<br />
Rachel Sulflita<br />
The artist begins with a vision -<br />
a creative operation requiring an<br />
effort. Creativity takes courage.<br />
-Henri Matisse<br />
1869-1954
Michelle Baldwin<br />
Amanda Bartik<br />
Ben Scarff<br />
Emily Reutter<br />
Adv. Drawing and Painting<br />
Observation Drawings<br />
& Portfolio Paintings<br />
10<br />
Antonio D’Elia<br />
Antonio D’Elia<br />
Stephen DiLorio<br />
Things are not difficult to make; what is difficult is<br />
putting ourselves in the state of mind to make them.<br />
Constantin Brancusi<br />
1876-1957<br />
Victoria Moore<br />
Ben Scarff<br />
Michelle So<br />
Ben Scarff
Emily Reutter<br />
Victoria Moore<br />
Michelle So<br />
11<br />
Victoria Moore<br />
Emily Reutter<br />
Michelle Baldwin<br />
Ahmed Wise<br />
Stephen DiLorio
Samantha Hall<br />
Samantha Hall<br />
Sapphire Stefaniak<br />
Rebecca Fortune<br />
Drawing<br />
&<br />
Painting<br />
12<br />
Morgan Miller<br />
Morgan Miller<br />
Kindra Dunsmore<br />
Santana Rorick<br />
Kindra Dunsmore<br />
Abby Hess<br />
Kindra Dunsmore ZacK Stoddard
Allen Collins<br />
Adam Mahan<br />
Shayla Brewer<br />
Shane Connell<br />
Samantha Hall<br />
Imagination Drawings<br />
Still lifes,<br />
Self portraits<br />
Josh Thomas Sierra Woodard<br />
13<br />
Alex Ciralo<br />
ZacK Stoddard<br />
Sierra Woodard<br />
Matthew Miller<br />
Rebecca Fortune<br />
Kindra Dunsmore<br />
Samantha Hall
Christian Keegan<br />
My My Lieu<br />
Jenni Gagne<br />
Drawing<br />
&<br />
Painting<br />
Sarah Van der Wouden Chelsea Reed<br />
14<br />
Amanda Herbert<br />
Kirsten Burroughs<br />
Allison Thayer<br />
Amanda Herbert<br />
Serena Cascarano<br />
Christian Keegan<br />
Kaley Thapa<br />
Serena Cascarano
Alexis Tasso<br />
Nicole Valley<br />
Kirsten Burroughs<br />
Nicole Valley<br />
Found I could say things with color and shapes that I couldn’t<br />
say in any other way- things that I had no words for.<br />
Georgia O’Keeffe 1887-1986<br />
Aislinn Elmore<br />
15<br />
My My Lieu<br />
Aislinn Elmore<br />
Serena Cascarano Ryan Haake<br />
Kaley Thapa<br />
Ben Scarff<br />
My My Lieu<br />
Kaley Thapa
Robb Ogilvie<br />
Haley Simpson<br />
Christine Love<br />
ADVERTISING<br />
&<br />
DESIGN<br />
CLASS<br />
16<br />
Tommie Burch<br />
Courtney Garry<br />
Brea Bielecki<br />
Linda Thompson<br />
Ashley Horn
Melissa Piscitella<br />
Kelsey Shive<br />
Christine Love<br />
& Now I Know Why All The Trees Change In The Fall<br />
I Know You Were On My Side Even When I Was Wrong<br />
& I Love You For Giving Me Your Eyes<br />
Standing Back And Watching Me Shine<br />
& I Didn’t Know If You Knew,<br />
So I’m taking this chance to say...<br />
Best Day<br />
That I Had The<br />
With You Today<br />
Marissa Laven<br />
Linda Thompson<br />
I‘m 5 years old, It’s getting cold, I’ve got my big coat on. I Hear your laugh, I look up smiling at you, I run and Run<br />
Past the pumpkin patch and the tractor rides, Look now, The Sky Is Gold. I hug your legs and fall asleep, on the way<br />
home. I don’t know why all the trees change in the fall, But I know you’re not scared of anything at all . Don’t know if Snow White ‘s<br />
I‘m 13 now, and don’t know how my friends could be<br />
so mean, I come hold crying and you<br />
hold me tight and grab the keys<br />
and we drive and drive until we find a town far enough<br />
away, and we talk an window shop ‘til I’ve forgotten all their<br />
names, I don’t know who I’m gonna talk to now at school<br />
But I know I’m laughing on the car ride home with you<br />
Don’t know how long it’s gonna take to feel okay ...<br />
but i had the best day with you today<br />
i have an excellent father, his<br />
stronger<br />
strength is making me<br />
17<br />
Carley Mulley<br />
God smiles on my older<br />
sister, inside and out<br />
she’s better than<br />
I am, I grew up<br />
in a pretty house<br />
and I had space<br />
and i had<br />
to run<br />
the best<br />
days with you<br />
there is a<br />
video I<br />
found<br />
from<br />
back when<br />
I was<br />
three, you<br />
set up a paint<br />
set in the<br />
kitchen and<br />
you’re talking to<br />
me. It’s the age<br />
of princesses and<br />
& Daddy’s strong and<br />
pirate ships and seven dwarfs<br />
you’re the prettiest lady<br />
in the whole wide world<br />
smiling<br />
house is near or far away, but I had the best day, with you today<br />
not scared of anything at all<br />
Tommie Burch<br />
Linda Thompson<br />
Courtney Garry<br />
Haley Simpson
Liana<br />
Liana<br />
Walter<br />
Stephanie<br />
Ms. Farry’s Class<br />
18<br />
Tim<br />
Lindsey<br />
Steven<br />
Dylan<br />
Jeffrey<br />
18<br />
Ryan
Mrs. Empie and Mrs. Murray’s Students<br />
Cassi Stefaniak<br />
John Wilson<br />
John Miller<br />
19<br />
Sarah Jackson<br />
Kaylee LeBuis<br />
Hannah Willey Gabby Domain
“ A picture is<br />
worth a thousand words...”<br />
-Napoleon Bonaparte<br />
Will DiIonio<br />
Sarah Jackson<br />
Cati Hendron<br />
Taylor Valley<br />
Cassi Stefaniak<br />
Cati Hendron<br />
20<br />
Jennifer Ziobrowski<br />
Megan Reese<br />
Deanna Boiani<br />
Alexis Gage<br />
20
21<br />
Thomas Shuler<br />
Brooke Demarest<br />
Tiaja Harris<br />
Megan Reese<br />
Deanna Boiani<br />
Alexis Gage<br />
Taylor DelNegro<br />
21<br />
Taylor Piscitella<br />
Will DiIorio<br />
Megan Reese
John Miller<br />
Andrew Barndt<br />
Shanti Boghe<br />
Sylvia Mach<br />
Rayshawn Jones<br />
Morgan Papa<br />
Rachel Lambert<br />
22<br />
Saviaon Parson<br />
Jennifer Ziobrowski
Alicia Hottois<br />
Morgan Papa<br />
Brooke Doherty<br />
Paul Witckitch<br />
Monica Supal<br />
Alicia Hottois<br />
23<br />
Amanda Peart<br />
Rachel Lambert<br />
Shanti Bhoge
“Good art is not what it looks like, but what it does to us.” -Roy Adzak<br />
Hannah Willey<br />
Ryan Corbitt<br />
Mrs. Empie Mrs. Murray<br />
24<br />
Grant Massaroni<br />
Velma Monroe
Sylvia Mach<br />
Nina DeLoreto<br />
John Miller<br />
25<br />
Vittorio Stoccheti<br />
Danielle Crandall<br />
Alexis Gage
Julie Riley<br />
Kaylee LeBuis<br />
Kelly Moran<br />
Shyanne DeLancey<br />
26<br />
Ryan Corbitt<br />
Cameron McDermott
“A picture is a<br />
poem without<br />
words...”<br />
Cameron McDermott<br />
-Horace<br />
27<br />
Vittorio Stocchetti<br />
Selina Dunn<br />
Tiaja Harris Jess Deweese
“Never leave this world without first leaving a few<br />
<strong>impressions</strong>....”<br />
Julie Riley Rachel Lambert<br />
Kayla Boniecki<br />
28<br />
Jessie Alescio<br />
Vicky Hsu<br />
28
Mrs. Empie & Mrs. Murray’s<br />
Jessie Lombombard<br />
Will DiIorio<br />
Jessie Alescio<br />
Deanna Boiani<br />
Will DiIorio<br />
Gabby Semento<br />
Alicia Hottois<br />
29<br />
Studio and Drawing and Painting<br />
classes...<br />
Jessie Alescio<br />
Megan Reese<br />
Kaylee Le Buis
The 23rd Annual Capital Region BOCES Art Show<br />
17 Participating <strong>District</strong>s K-12<br />
Reception shown above April 26th, <strong>2011</strong><br />
Rachel Nardareski 2nd grade<br />
Ryan Corbett 10th grade<br />
Nicole Marsh 7th gr.<br />
Gianni DiCocco K<br />
Victoria Wasiak<br />
Gregory Fiozzo 1st Grade<br />
Jessica Stewart 4th grade<br />
30<br />
Megan Reese 10th grade<br />
Gordon O’Hanleon Draper<br />
Olivia Cafarelli 8th grade<br />
Michael Redmond 9th grade<br />
Nicole March 7th grade<br />
Rachel Suflita 11th grade Antonio D’Elia 12th grade
Mrs. Rowbo’s<br />
Classes<br />
Tommie Burch<br />
Amanda BartiK<br />
Steven Dilorio<br />
Sarah Van der Wouden<br />
Advance Drawing & Painting,<br />
Drawing & Painting, and Advertising &Design<br />
Haley Macherone<br />
31<br />
Stan Piasecki<br />
Emily Reutter<br />
Kailee Roderick<br />
Victoria Moore<br />
Cassie Chamberlain<br />
Allison Thayer<br />
Gianluca Puorto
Mr. York’s Pages<br />
Amanda Bartik<br />
Selby Smith<br />
Chris Cimino<br />
Victoria Wasiak<br />
32<br />
Presentation at the 3-D Regional<br />
Trevor Ballo<br />
Linda Thompson<br />
Amelia Izzo
Andrew Celmins<br />
Emily Reutter<br />
John Gage<br />
Theresa Whittemore<br />
33<br />
Robb Ogilvie<br />
Eddie Santamaria<br />
Tynashia Parson<br />
Tia Guarneri<br />
Critics, mathematicians,<br />
scientists and busybodies want<br />
to classify everything, marking<br />
the boundaries and limits....<br />
In art, there is room for all<br />
possibilities.<br />
- Pablo Picasso 1881-1973
Rebecca Singh<br />
Kendell Maliszewski<br />
Nick Drago<br />
Emily Montayne<br />
34<br />
John Gage<br />
Tabitha Reutter<br />
Victoria Wasiak
Theories are<br />
patterns without<br />
value. What<br />
counts is action.<br />
- Constantin<br />
Brancusi<br />
1876-1957<br />
Angela Dagostino<br />
Rebecca Davis<br />
Michael Redmond<br />
Brittney Fusco<br />
35<br />
Sarah Kress<br />
Nick Drago<br />
Matt Glasser
Michael Redmond<br />
Linda Thompson<br />
Kariann Newcomb<br />
Aaron Giumarra<br />
36<br />
Michelle Baldwin<br />
Rebecca Fortune<br />
Sarah Reilly
Art Club<br />
(President) Theresa Whittemore, Aaron Giumarra, Allison<br />
Thayer, Lianna Dineen, Amanda Herbert, Tia Guarneri<br />
Tiara Kruzinski<br />
Trevor Ballo<br />
Ryan McCrum<br />
37<br />
Victoria Wasiak<br />
Tom Beerle<br />
Linda Thompson
Rebekah Bolton<br />
Deanna Pfau<br />
Mike “Giraffe” York<br />
- Christinae Love<br />
38<br />
Patrick Flouton Johnson<br />
Eddie Santamaria<br />
Amanda Bartik Gretchen Almeida
Garrett Sisson<br />
Kailee Roderick<br />
Chris Cimino<br />
39<br />
Liana Dineen<br />
Gretchen Almeida<br />
Jessica Casso<br />
Sabina Longo
Chris Cimino<br />
Theresa Whittemore<br />
Samantha Pouchak<br />
Riley Kenyon<br />
40<br />
Paula Longo<br />
Frankie Mastroianni<br />
Emily Reutter
3-D<br />
Art<br />
Regional<br />
At<br />
Mohon<br />
Participating <strong>School</strong>s<br />
Averill Park Bethlehem Guilderland <strong>Mohonasen</strong> Niskayuna<br />
Schenectady Shaker Shenendehowa Voorheesville<br />
41
42<br />
42<br />
Evelyn Bohl
Behind The Mirror<br />
That girl in the mirror<br />
Is only a mask<br />
There’s more on the inside<br />
So take a walk through the mirror<br />
And see what I have to hide.<br />
See the scars on her face<br />
And bullet holes in her heart<br />
No physical abuse, not a single violent action<br />
But emotions run wild<br />
Leaving her to be a bruised up child<br />
Frantic shooting<br />
Of every painful mood<br />
Words slicing like a blade<br />
Self hatred screaming hurt me<br />
Does not a happy girl make<br />
Mischievous feelings<br />
Crawling down her back<br />
She itches to find a cure<br />
To this dangerous alter ego<br />
With thoughts so un-pure<br />
Carley Mulley<br />
artwork by: Kelsey Shive<br />
43<br />
Utopia<br />
Patchwork skies, butterflies<br />
Are all found in this meadow.<br />
I often lay here<br />
Running my fingers through the young tendrils of<br />
grass<br />
A brush through knotted hair.<br />
I think I’d like to gather bushels of it<br />
And build myself a nest.<br />
The wind blows like a deadbeat sigh.<br />
It’s such a perfect place.<br />
This beautiful utopia of my mind.<br />
So serene ,untouched, so cloistered.<br />
So sheltered and so tame.<br />
I’m trapped here, a butterfly under glass<br />
The wind changes.<br />
Bringing with it the scent of rotting flowers<br />
The grass crawls up to choke me.<br />
The butterflies turn to stony eyed crows.<br />
“You’re Ours.” They caw<br />
“Forever Ours.”<br />
Danya Benson<br />
I’m truly flattered you would pick someone like me,<br />
so I will take this award with dignity.<br />
And although I do not have much grace,<br />
(I’ve already broken my mother’s vase.)<br />
I will stand up tall in front of the crowd,<br />
and voice my opinions way out loud.<br />
The paper in my hand should be read at this time,<br />
the award goes to the girl who cannot tell a rhyme!<br />
Brittney Fusco<br />
Poetry
Sugar or Spice<br />
The white gown every girl dreams of<br />
A line of blushing attendants<br />
Picture pretty<br />
Roses and baby’s breath<br />
On tuxedoed arms<br />
Wide, glassy, smiling gazes.<br />
Telling me how perfect this all is<br />
Yet now, I’m not so sure<br />
A moment ago<br />
I was ready<br />
To commit myself<br />
To the supporting, faithful friend.<br />
Who has always been here<br />
Then Jimmy showed up...<br />
Now it’s all become a question.<br />
I wonder; who will I be?<br />
Do I let myself be swayed<br />
By this bad boy?<br />
Sugar or Spice?<br />
Naughty or Nice?<br />
A moment of truth.<br />
My heart speaks,<br />
I listen.<br />
I choose Jimmy,<br />
Jimmy Choo.<br />
Setting aside my safe and sane, character shoes.<br />
Theresa Whittemore<br />
Rebecca Fortune<br />
Moonlit Dancing<br />
Children of the moon,<br />
44<br />
The Unforgettable Walk<br />
God, what is life?<br />
It is a new feeling every day.<br />
Is it a reality or an illusion?<br />
Some things aren’t as they appear.<br />
God, how did you create such things?<br />
From the birds in the sky to the fish in<br />
the sea.<br />
I hope I will fly one day.<br />
Lea McClain<br />
And swim in search of my destiny.<br />
break from celestial slumber and dance in our mother’s light.<br />
Let allure pull you from reality and beckon you from a paralyzed existence.<br />
You are her child, drink from her as she is you and you are she.<br />
Mother to child, you share lunar blood.<br />
Embrace the rays that ignite the darkness around us,<br />
luminescence.<br />
Alexis Willey<br />
Felicia Wingle
With My Button Eyes<br />
I am in the dark<br />
A light appears, and you take me out<br />
You are happy.<br />
Your eyes light up and you hold me up.<br />
You bring me up to your room, and I sit on your pillow.<br />
I look around with my button eyes and I see your friends.<br />
We all play together.<br />
We have fun.<br />
You grow older, inch by inch, year by year.<br />
I grow older, stitch by stitch, tear by tear.<br />
I break<br />
You fix me<br />
The sun goes down and I am in your arms<br />
I see you smile in your sleep dreaming of wonderful things.<br />
You wake up<br />
I sit high on a shelf, watching you.<br />
I watch you as you grow older, you get new friends,<br />
Dust settles on me.<br />
My stitches are frail; my insides peek out from my skin.<br />
With my button eyes, I watch over you.<br />
Sad days, happy days drag on as I sit high on the shelf.<br />
You hold me, you smile at me<br />
And you put me away.<br />
It is cold.<br />
I am in the dark.<br />
Amanda Bartik<br />
Danya Benson<br />
45<br />
Broken Compass<br />
I hold a compass in my arms<br />
The needle spinning wildly.<br />
Where is my direction?<br />
My magnetic north.<br />
There is no wind for these tatter torn sails<br />
I am stuck in the cross current<br />
Idly floating on my crystalline future.<br />
Are we lost without direction?<br />
The power of the powerless<br />
The knowledge of fools<br />
Swim beside me like golden koi.<br />
Lifelessly I dip my fingers in the water<br />
Trying to grasp something beyond my reach.<br />
We are failed helmsmen.<br />
Reading the fickle faced stars<br />
In hope that one day we might all find<br />
Our own personal Polaris.<br />
Danya Benson<br />
Amanda Bartik
Cigarettes<br />
I met with God on a street corner,<br />
In a dark city, at night.<br />
Standing in the shadows, I saw<br />
Two grey orbs fix upon my face.<br />
I knew it was God,<br />
I didn’t want to insult,<br />
So I decided to ask questions<br />
To get answers that<br />
Wouldn’t offend.<br />
“What should I call you?”<br />
“Whatever you’d like.”<br />
“But you have so many names.”<br />
“Pick one.”<br />
I was stumped. I tried to get closer<br />
God backed away.<br />
“Why wont you let me see you?”<br />
“You haven’t decided what I look like yet.”<br />
Je Zsa Nay Stevens<br />
Danielle Crandall<br />
46<br />
Never Lose Your Youth<br />
I remember all<br />
The long summer days<br />
All we did was ride bikes and<br />
Think of new games to play<br />
We would steal cans of<br />
Soda from the shed<br />
Make beautiful music<br />
And paint the whole town red<br />
I remember all those<br />
Nights under the stars<br />
Chasing fireflies around<br />
Watch the headlights of the cars<br />
Oh how I wish<br />
I could go back to my youth<br />
Find out all those secret meanings<br />
And discover the truth<br />
Nick DeOrio<br />
Indecision. It’s a prison,<br />
Just like a maze of long division.<br />
It’s not about a lack of vision,<br />
It’s a need for real precision.<br />
Fearful of ever making mistakes,<br />
It’s enough to give you a bellyache.<br />
Thoughts racing keep me awake.<br />
What’s the real you? What’s fake?<br />
Always the chance of being wrong,<br />
The whole way trying to be strong.<br />
Staying afloat and playing along,<br />
Like forgetting the words to your favorite song.<br />
How do you find out what is right,<br />
When all you want is your future bright?<br />
You’re staring at a canvas of white,<br />
And you feel like you’re stuck at a red light.<br />
Just waiting to see what the future will be.<br />
Maybe someone could wait it out with me.<br />
Although the picture is still unforeseen,<br />
Say you’ll stay with me ‘till the light turns green.<br />
Valerie Tommasone
Breathe Again<br />
Time is running out.<br />
The days are going by so fast.<br />
I have lost sight of what life is about,<br />
Get me back on track.<br />
Get me back on track...<br />
I fall so often now.<br />
I should walk before I run.<br />
I know you are trying and teaching me how,<br />
Please just let me go.<br />
I just need to get home.<br />
As I find it harder to breathe,<br />
And the good gets harder to see,<br />
I stop and I search for the good all around me...<br />
I see you.<br />
I breathe for you.<br />
I can’t see the sky...<br />
It looks like empty space to me.<br />
I don’t quite know the reasons why,<br />
But I want to be free.<br />
I want to be free...<br />
I wake up each morning alone with myself.<br />
I feel like a doll that’s left up on the shelf,<br />
Or a guitar that’s never been played.<br />
It seems to me they feel the same way.<br />
As I find it harder to breathe,<br />
And the good gets harder to see,<br />
I stop and I search for the good all around me...<br />
When it feels there’s nothing to lose,<br />
And it looks as thought there’s nothing left but old news...<br />
I sit and I wait for the dark to recede.<br />
I sit and wait for you.<br />
I sit and breathe for you.<br />
Jenni Gagne<br />
Haley Macherone<br />
47<br />
Lil’ Robot<br />
He is a robot and people think he cannot feel,<br />
But deep down inside all of these feelings are real.<br />
He cannot say,<br />
That on this day,<br />
When he plays out in the snow,<br />
He can sense happiness, joy, and glee<br />
And even if his voice won’t show it,<br />
He claims, “I’m happy to be me!”<br />
When at night in his bed,<br />
He dreams of warmth in is head.<br />
As he strolls down the street,<br />
He looks down at his shinny feet.<br />
If only he could just smile<br />
I would last for a while;<br />
All day and all night,<br />
With all his might.<br />
No matter what happens or what people may say,<br />
This little robot always has the greatest of all days.<br />
Tia Guarneri<br />
Will DiLorio
My Road<br />
The roads ahead of me,<br />
Are both beautiful.<br />
One with roses begging to be explored the other<br />
With white lilies daring to be picked.<br />
They’re both screaming to me!<br />
But how do I choose?<br />
One promises safe success the other<br />
Fun and excitement. Where will<br />
They lead? For a slight minute<br />
I’m drawn to safe success but like a hand,<br />
Fun and excitement grabs me by the shoulders and I’m following<br />
That path.<br />
I see creatures that guide me to a creepy,<br />
House with blackness as deep as the midnight<br />
Sky, did I make the right choice?<br />
I don’t know, then the wind whispers to me<br />
“There is always time for fun but more importantly<br />
there is always time to be taken seriously.”<br />
Corinne Kochan<br />
Love sucks<br />
Every time it starts it seems so good then just as fast I’m left clueless and misunderstood.<br />
I got to say I’ve really enjoyed every second<br />
But it’s shame to see this go over a silly text message,<br />
You leave me breathless,<br />
Without even a word to speak my mind is going blank while my heart goes underneath.<br />
I’ve been here for some time trying my hardest, honestly.<br />
It seems every time I try to go that’s when you notice me.<br />
I try looking back and seeing everything we’ve done, frowning at mistakes and smiling during the fun.<br />
No matter how bad the fight we seemed to get by now I realize why the human being cries.<br />
Baby, I must admit moving on is a crazy nightmare<br />
Especially when I’m thinking of all the memories that we once shared.<br />
I only have one regret, I wonder if your love was true.<br />
I wonder if what you mean for me is what I mean to you.<br />
Mattia Robustiano<br />
48<br />
I loved the kid within him<br />
So pure and sweet<br />
The hurt in his eyes<br />
His rosy red cheeks<br />
The tender way he spoke that<br />
Showed me he cared<br />
The touch of his glowing hand<br />
That gently touched my hair<br />
The smiles and laughs we shared<br />
That filled my life with delight<br />
When I was with him<br />
I found the kid in me<br />
Elizabeth Giacchetta<br />
Design by: Evelyn Bohl
There’s Something Wrong<br />
There’s something wrong with the economy.<br />
The recession, is quite depressin’<br />
Remember the 1930s?<br />
I thought we’d learned our lesson.<br />
There’s something wrong with politics.<br />
It makes me sick,<br />
How we can start a war,<br />
But yet let the teachers become poor.<br />
There’s something wrong with the president<br />
All he does is sit in his chair and make a dent.<br />
What happened to all the promises you made?<br />
Oh well, the bombs were a raid.<br />
There’s something wrong with the Libyans,<br />
Didn’t you know violence was a sin,<br />
Against your own religion?<br />
Think about your revolution again.<br />
There’s something wrong with the world.<br />
I wish I were still a little girl who didn’t understand,<br />
What was going on throughout the land.<br />
I just wish all the bad things could be banned.<br />
Halie DeMasi<br />
Design by: Christine Love<br />
49<br />
Life is High school<br />
Life is high school.<br />
Facing criticism from all because you’re different.<br />
Learning Life lessons.<br />
Trying to get ahead of everyone.<br />
Life is High school.<br />
Everyone dressing the same.<br />
Trying to be popular.<br />
Trying to win the title “Prom queen.”<br />
Life is high school.<br />
The same the kids getting bullied.<br />
The same comments “you’ll never get there.”<br />
The same feeling of “here we go again.”<br />
And “not again.”<br />
The same exhaustion of this place.<br />
“Why am I here again?”<br />
Life is High school.<br />
Corinne Kochan
artwork by:<br />
Serena Cascarano<br />
Short Fiction<br />
That’s All It Takes<br />
A young woman sat outside and waited on a bench fiddling<br />
with her long bright blond hair. She sat there with<br />
dignity and grace. Her bright blue eyes, that seemed as<br />
if they were glistening sapphire gems, watched the small<br />
family of birds fly through the trees. This was a good<br />
spot for her to think, were she can be outside her doors<br />
instead of staying all day in her boring estate. She closed<br />
her eyes and dreamed of her dream life, she demanded<br />
to go outside of the usual routine and visit the world, to<br />
see Spain, Italy, and Greece, even China. Anywhere but<br />
here, this town has too much pain for her to bear. A short<br />
sigh flows out of her as she looks up to find a group of<br />
young girls walking by giggling under their bonnets.<br />
Finally they left and it was peaceful again. Her eyes closed<br />
once more.<br />
“Ma’am? Madam?”<br />
Her eyes slowly opened to see a man in front of her, “Yes?”<br />
He was in total shock to see her eyes, she supposed, and gave an annoyed look. After a moment he blinked<br />
a few times in a row and then his mouth opened again, “A-are you ok miss? I noticed you were sitting there for<br />
hours and with your eyes closed.”<br />
She rolled her eyes then looked back into his dark brown eyes and replied, “I am in perfect shape sir, now, if<br />
you’ll excuse me, I would like to live the rest of my day in peace.” She shot a glare that made him flinch a small bit.<br />
His eyes bolted down in annoyance as well. “Well ma’am, I have seen you here for days and I’ve seemed to<br />
have grown a bit of interest about you.”<br />
“Hmmm, I’m sure you have, many people do, since I am not a normal person.” she raised a brow surprised<br />
that he has not run away with his tail between his legs, like a mutt in the streets.<br />
This young lady was not like other women who would hide themselves as soon as they slip on their corset.<br />
“I see no interest in myself therefore there is not much to say, I live a boring life day after day there is no change.<br />
Talking to me is just a waste of your time.”<br />
He leaned forward towards her with his hand out in front. In it he was clutching the stem of a rose. The petals<br />
were all close together at the base and loosened at the tip. He went down to one knee and placed it in her loose<br />
hands lying on her lap. Her eyes widened as she watched him place it. “Just looking into your eyes gives me interest.<br />
There’s so much beauty I see to just be sitting here so alone, and to tell me you have such a boring life? I wish to be<br />
here so I may make your life not so... painful.” He stood back up looking at her with a smile, “My name is John Higgins.”<br />
She looked at John still surprised. He waited patiently for her response. It took time, for his words to soak<br />
into her she took a deep breath and looked at him deeply bringing up strength, “I... I am Violette Valentine,” she<br />
was still seated.<br />
His smile grew larger as he gave a slight bow and took her gloved hand to kiss. “It was a pleasure talking<br />
with you Violette.” He spoke so sweetly, her heart started to flutter. He grinned and walked down the path and<br />
faded in the light fog that formed over the large pond in the middle of the park.<br />
50
Violette looked back down at the rose, “Is he for real?” she mouthed. The children’s chatter start up<br />
again. Louder and louder it grew as the small group of girls came closer. Their teacher, who seemed too young<br />
to teach, was flirting with other men. The girls were on their own walking in a small clump. The one girl in front<br />
seemed to be the most popular while the others followed her every move. Then she spotted Violette’s rose, her<br />
eyes glistened. Quickly she ran and snatched it from Violette’s hand. “Oh this is pretty miss,” she said in her little<br />
young voice. “Who gave it to you?” Violette was speechless she watched the girls every move making sure the<br />
rose was safe, “Um... a man, May I please have that back?” She slowly reached closer to the rose.<br />
The girl gripped onto the rose tighter stepping back, giving Violette an angry pout. Violette glared back<br />
reaching more and faster trying to snatch it from the girl. The little girl jumped back and made a heart wrenching<br />
scream. She held out her finger and on the pad a small slit formed. It was outlined with a red color. She reached<br />
over and gripped onto the rose. Her long blond hair flowed with the breeze. Her fingers wrapped around the<br />
rose with an index finger touching on of the bright red petals. She has a terrible secret the must not be told to<br />
the world. Silent amongst others she sat in the far off corner fiddling with her hair. Her bright blue eyes startled<br />
most around her. With a large sigh through her black corset, she fell onto the ground and stared at the trees, her<br />
hair flowing all around her head and over her face, but she didn’t care. All she did care about was this rose and<br />
the man who gave it to her...<br />
This rose was something more than a desperate attempt to get her attention, she could feel it. “What<br />
do you want?” she whispered to the rose. Looking at it desperately as if it could answer her. Spinning it between<br />
her fingers, she looked deeply into it. The sharp red color was mesmerizing. The wind blew and pulled her hair<br />
over her eyes. The blond locks blocked her view from this interesting object. The red petals felt like a soft, fragile<br />
piece of a moist cloth against her skin. At least she remembered the feel, she missed it so. She lightly brushed<br />
the peddles against her lips Pulling her hair away from her eyes, looked up to see the bright sunset. The horizon<br />
looked like a painting made by the heart.<br />
Day after day she waited on the bench the rose in her hair. It was able to stay put and hold back her hair. She<br />
sat in the same spot and every day, he would come with a smile. He would take her hand and hold it closely.<br />
Tia Guarneri<br />
What moves men of genius,<br />
or rather what inspires their work,<br />
is not new ideas but their obsession<br />
with the idea that what has already<br />
been said is still not enough.<br />
Eugene Delacroix<br />
1798-1863<br />
artwork by:<br />
Brandy Toler<br />
51
The Pen Click<br />
The pen in the next cubicle clicked every seven seconds; she had counted as she read the portfolio that had<br />
been slapped on her desk this morning. 1, 2, 3, 4, 5, 6, 7...click. She wondered what could possibly be worse than this<br />
constant sound, maybe water torture she mused as she scanned the paper trying to find the line she had been reading.<br />
Click. Her brain rattled, she’d been working all day and with the new addition of this portfolio would enjoy a busy night<br />
at the office. She shot a tired glance at the wool cushioned couch; it would be her only luxury tonight. Dang did she hate<br />
her boss, that sadistic paper pushing jerk. Not that she had anything exciting to go back to at home, just her one room<br />
studio, with the paint peeling in the corner. It was just the simple fact that he thought he could take advantage of her<br />
that pushed her to the brink. After three years of working for the marketing company she thought she’d at least reap the<br />
same seniority benefits of her co-workers. She was undoubtedly mistaken; she gripped the paper tightly wrinkles rippling<br />
across the corners of the neatly printed cover.<br />
Click.<br />
She wondered who was in the cubical beside her; whoever it was she’d like to give them a piece of her mind. The<br />
day ticked by, each set of seven seconds outlined by the deafening click of a pen. Was this person ever going to leave?<br />
She’d never finish this portfolio at the rate she was going. Her mind began to wander, as one by one her co-workers<br />
clocked out sending a mocking wave in her direction. The pen clicking however, stayed strong. Her head started to outline<br />
the rhythm it clicked out. Pulse, Click, Pulse, click. A half an hour later she threw down the papers in defeat. She was<br />
done with this nonsense. Quickly she popped her head over the cubical and began to shout “You know you have some<br />
fricking nerve what the- nobody was there. The cubical was entirely empty devoid of even the most simplistic office<br />
supplies. She couldn’t believe it, she must be crazy, overworked, sleep deprived, and this was all her boss’s fault! A soft,<br />
feather like, chill rested on her shoulders like a gently knit sweater. She got up determined to find the source of the pen<br />
click. She weaved in and out of cubicles, poked her head in conference rooms, and rummaged through the copy room.<br />
Her search rendered no evidence of anybody beside herself in the office. Running a hand through her hair she sighed,<br />
exasperated. Planting herself back in her office chair she tried to calm down by taking deep and slow breaths like some<br />
sort of yogi.<br />
The portfolio, yes she had to stay concentrated on her work. However her pounding head had other ideas, frantically<br />
she searched her drawers for her secret stash of aspirin. With clammy hands she fished out two white pills and<br />
gulped them down, feeling them fall into the pit of her stomach. Maybe she should lie down? She heard a sound, vibrant<br />
and loud to her ears which were only accustomed to a pen click. The elevator door had opened. Slowly cautiously she<br />
took the pair of scissors from her pencil jar and made her way over to the elevator. She thought she had been the only<br />
one here, that the elevators had been turned off for the night. But there sat the velvet lined elevator, doors open light<br />
hovering on the 5th floor, nobody inside. The closing of the doors made her jump. Putting a hand on her chest, she tried<br />
to quiet her fragile heart. In the reflection of the steel-faced doors, she saw something move. Whipping around with a<br />
fear-given speed she pointed the scissors in a shaky defiance. The conference room loomed before her like a dark mass,<br />
eager to consume her; she could feel the darkness tugging at the dim lighting that came from her office lamp, a finger<br />
waving “come here”. Her nerves convulsed, body quaked, and mind spun like broken marry-go-round, unable to stop.<br />
The pen click sounded louder as if it were in her very ear. From out of the darkness an object rolled to her feel, a small<br />
blue ballpoint pen. She screamed, clutching at her ears, tearing at her face trying to mentally push back the blackness<br />
until the dark conference room, the office and the pen clicking ate her up.<br />
* * * * *<br />
“How long has she been like this Doctor?” the white-coated lab assistant asked as he clicked open a pen to take<br />
notes.<br />
“She gets these fits every so often; I’ve never been able to figure out the cause.” Dr. Garrison flipped through the<br />
paper attached to his clip board. Sylvia Keller, 28, female admitted for hysterical hallucinations. She had been here for<br />
over 6 months. The doctor watched the young woman who frantically fought the nurse who tried to deliver a sedative.<br />
“It’s clicking! It’s clicking! Make it stop!” she cried. The doctor documented this, then clicked his pen closed and exited<br />
the testing room.<br />
Danya Benson<br />
52
53<br />
Destination: Antarctica<br />
In fear of what may happen in the time approaching, I<br />
document it is 1:30:36 on February 3rd 2016. I have been on<br />
the run from this plague since my freshman year at the university.<br />
I have spent years running from those who are infected by<br />
the disease, and no answers have come about on how to stop<br />
it. I have spent the past eleven months living in boarded up<br />
grocery stores and abandoned farmhouses, running from what<br />
seems to have spread across nations. They appear to be weak<br />
and cold blooded, though they have great strength, a keen<br />
sense of smell, and seem to travel in packs. I am greatly outnumbered<br />
by the number of the diseased and I don’t believe<br />
I can fight for much longer. My research has resolved a safe<br />
house in the center of Antarctica. I have driven, swam, even<br />
flown the greatest distance, and battled many herds of infection.<br />
With the battles I’ve conquered, one would believe I was<br />
Alexander The Great destined to take over Persia. And now that<br />
I’m here, at the safe house my studies have led me to, I see there is no one here. At first I imagined I was<br />
the first to have arrived, now I understand that I am the last one standing. I am the last of the human<br />
race, the only one with a functional brain and a beating heart. This feeling is worse than the desperation<br />
I felt traveling here. Before today there was hope for a new world, now I see everyone is gone. I wish I<br />
could return to my loving family and my amazing friends. Those were my comrades, my amigos, and we<br />
were unstoppable. And to Tanna, she meant the world to me. Her beautiful smile and loving warmth<br />
could save me on any day that is . . . until now. Now my fingers are frozen to the tip, and I cannot keep<br />
my eyes open much longer. I am the last one; and I gave it the hardest fight I could. I go in honor.<br />
Nicholas DeOrio<br />
My Salutation<br />
When I first came into high <strong>School</strong>, I was<br />
always scared about the older kids and all the<br />
new classes, but what really made me nervous<br />
was my fear of losing what makes me who I am.<br />
Getting older meant taking on new responsibilities,<br />
while I leaving behind the kid in me. Here I<br />
am, four years later, and I am a new me without<br />
losing my youth. Through the best of times and<br />
worst of times, I was able to keep going and<br />
make plenty of new friends along the way. We<br />
all tell a different story. No two are alike, through<br />
many are very similar. I will never forget who<br />
I’ve met and what I learned in the halls of this high<br />
Abby Hess<br />
school, because the deepest secret in these walls is a vital piece of information they will keep me going<br />
for a long time: Never forget who you are, never forget where you came from, and never forget the<br />
events un your life that make you who you are today. I’ve made some of the greatest friends here in a<br />
following of the noblest men. My heart lies in the future of these students. I hope the kids here can live<br />
in my word of hope and spread love and make friends of sworn enemies and treat everyone equally with<br />
the greatest respect. To make a bond among friends that no war could overcome a friendship four years<br />
strong. So everybody, don’t forget me and don’t forget what I’ve told you here. This life is what you make<br />
of it. Write this book and make your own history.<br />
Nicholas DeOrio
Crash<br />
The headlights go out; the U-haul we are pulling is causing the car to swerve. We are thrown into the other lane and<br />
then off the road. Down a hill our car rolls further and further, glass flying through the air, past my face. The seat belt<br />
loosening I slip through, I crash through the side window and lay on the ground unconscious. The coldness piercing<br />
my skin I struggle to get up, pain fills my body burning every bone, every muscle. I open my eyes but only see blurry<br />
figures. Figures stopping on the road above, figures running down the hill, they were pointing and screaming over and<br />
over, call 911. Tears ran down my cheek, I was so scared. I didn’t know what was going on, where was my family, my<br />
sisters, my mother, are they dead. My eyes gaining focus, I saw the car sitting on its side all smashed up, smoke rising<br />
above it. I looked around and caught sight of one of my little sisters lying on the ground silent, motion less. Tears were<br />
racing down my cheek soaking my face. I scream out loud “please God let my family still be alive, please don’t leave<br />
me here alone, please”! I tried to crawl over to her but I could not move my body frozen in pain and shock. I could not<br />
feel my arm, my heel was cut open, and I could taste the blood rolling down from my fractured nose. I see a man racing<br />
towards me; he was tall with brown hair and had a look of distress on his face. He knelt by me and told me everything<br />
was going to be okay. I just keep saying over and over “I can’t feel my arm, I want my sisters, I want my mom”. He didn’t<br />
say anything more to me; he just looked at other people screaming at them asking when the ambulance would be<br />
here. I looked over the man’s shoulder when I saw my second oldest sister come slowly walking out from around the<br />
side of the car, her face covered in blood. She saw me sitting up and then she looked over to where my little sister was<br />
lying. She rushed to her and held her in her arms tight, crying heavily until my little sisters’ hair was soaked. My oldest<br />
sister, seconds later, came around from the side of the car then my other sister and then the other one. People rushing<br />
to our aid telling us the ambulance was on its way. All of us sat in a circle and looked at each other with fear, we were<br />
all praying to God for the same thing...that we will come out of this unbroken. The sirens in the distance gave us a small<br />
bit of hope. They were getting closer to us and then finally arrived at the top of the hill. Two more came racing after<br />
the first one and stopped next to each other. A crowd of people gathered at the edge of the road and in between cars,<br />
looking over other peoples shoulder, all wanting to see what happened. The first paramedic came rushing to us but he<br />
stopped about a foot away and looked at the car. The look of worry on his face told me he knew that there was still one<br />
more person to be rescued from the car. He looked back up to the other paramedics yelling, “Everyone to the car, there<br />
is still one more person!”<br />
We watched as they ran to our smashed up car. They looked in the window and we knew that they found our mom.<br />
“Bring wire cutters, and something to cut this car door off with”, said one of the paramedics.<br />
There was so many people running around, so much confusion that I could not keep up. I only heard the sounds<br />
of pain and distress, felt the touch of the paramedic’s sympathetic hand on my shoulder. While paramedics and cops<br />
worked on getting my mom out of the car, two came over to my sisters and I and started with the little ones’ first to the<br />
oldest. He took a look at my youngest sister who still in my other sisters’ tight grip. She still was motion less, silent.<br />
“We need life flight here now”, he screamed. “Get the damn helicopters here ASAP”!<br />
A loud pop and all of our heads turned in unison; they were able to get the door off and were now heading into the<br />
car to get our mom.<br />
“Hand me the wire cutters”, said the paramedic as he held out his hand.<br />
The guy went further into the car till we could not see him anymore. A loud piercing scream that made the earth<br />
shatter and tears fill my eyes. My body radiating heat and my heart beating so fast I could not breathe. I could feel my<br />
mothers’ pain; her screams so loud breaking the hearts of all that could hear. The paramedics just reassured us that everything<br />
was going to be okay. I was getting sick of that word, my mother was still screaming, all of us kids bloody and<br />
broken, we were not okay. Okay, okay, what does that mean, look at us, do we look okay. I look back over towards our<br />
car and all the paramedics are carefully helping get my mom out of the car and strapped to a backboard. The sound<br />
of the helicopter and the gust of wind upon my face as it lands. My mom and my little sister are both rushed into<br />
the helicopter. If flew away, disappearing in the distance, I got scared. What would happen to my sisters and I, where<br />
are we going, when will we see our mother and sister again. A few minutes later my sisters and I were strapped into<br />
backboards and put into three different ambulances. We raced down the highway to somewhere unknown. I stared at<br />
the ceiling of the ambulance and thought, what is going to happen to us, will we see our mother again, and if so when?<br />
These questions racing through my mind, but the one question that I am asking myself over and over is...will we be<br />
okay?<br />
Kresten Ballantyne<br />
54
Definition of unconditional love<br />
Love... We think about it, sing about it, dream about it, and lose sleep over it. When we don’t know<br />
we have it, we search for it. When we discover it, we don’t know what tk do with it. When we have it, we<br />
fear losing it. It is the constant source of pleasure and pain. But we don’t know which it will be from one<br />
moment to the next. Love is a short word, easy to spell, difficult to define, and impossible to live without.<br />
Love is as much as an object as an obsession, everybody wants it, everybody seeks it, but few ever achieve<br />
it, Those who do... Will cherish it, be lost in it, and among all never forget it. And if it all falls apart I will<br />
know, deep in my heart, the only dream that mattered to me had come true and that is I was loved by you.<br />
Some of the greater things in life are kept unseen that is why you kiss cry or dream. I am nothing special;<br />
of this I am sure. I am just a common person with common thoughts. There are no monuments dedicated<br />
to me and once I die my name will be soon forgotten. But I have loved another with all my heart and soul,<br />
so to me that has always be enough. My heart to you is given, so please give me yours, we’ll lock them up<br />
and throw away the key. My love, death cannot stop true love; it can only delay it for a little while. And if I<br />
had to choose between living and breathing, I would use my last breath to say I love you, and to me that is<br />
the definition of unconditional love.<br />
Kaylee Le Buis<br />
55<br />
Megan Reese
Book I: ReAction<br />
Prologue<br />
The year is 2473 A.D., and an alien dictator has risen to power. He calls himself Gold, and all he wants is to enslave or<br />
destroy all of humanity. The Academy of Advanced Soldiers has selected their best soldiers to run an infiltration mission<br />
to Goldinia, the planet where Gold resides. They were given the Z-925, the best starship in the military’s fleet, and a<br />
crew of twenty nine people. They are humanity’s last hope. If they fail, may Gold have mercy on us all.<br />
Chapter I<br />
The Z-925 sat at the base of the launch track, it’s body shimmering with the morning sun. Crowds had gathered to<br />
watch their last hope for survival blast into deep space. Anyone could sense the tension from a mile away, but then<br />
again, everyone was a mile away from the launch track. All the real tension was in the bridge though, as the two inhabitants<br />
were strapping in.<br />
The pilot, Antari, was about twenty two years old and didn’t have much to show for it besides a liver that wasn’t his<br />
and several scars from one bar fight. His cool gray eyes were covered by his long red hair. Cremitoris, the ships co-pilot<br />
and the team’s squad leader, was also twenty two and had been decorated with the medal of honor for saving several<br />
civilians from a burning building a few years ago, he also had a mechanical leg because a large beam crushed his own.<br />
His blue eyes were focused on the control panels in front of him and his long brown hair was tied back with a headband.<br />
The ships front window turned dark and a video COM channel was opened, a man’s face appeared and it bore a look<br />
of fear, “I trust all readings are in the green?” The man asked. Cremitoris saluted the man and Antari rolled his eyes, “Sir,<br />
yes sir. Commander Willow, sir.” Commander Willow looked at a clipboard then spoke again, “Alright boys, everything<br />
looks good. We’re on schedule and there seems to be no malfunctions. We’re going to light that tin can you’re in within<br />
the next few minutes. Tell your crew.” After that the front window was transparent again.<br />
Cremitoris picked up a microphone and turned it on, and after tapping it to make sure it was operational, cleared his<br />
throat and spoke, “Attention, this is your squad leader Major Cremitoris. All crew members are to return to their stations<br />
and brace themselves,” Antari leaned over, grabbed the microphone, and shouted, “ Cuz it’s gonna be one hell of<br />
a ride!” He tossed the microphone back to Cremitoris who wasn’t amused at all. Cremitoris turned the microphone off<br />
and put it back in its place.<br />
The engines roared and the powerful starship ran up the launch track. In an instant the Z-925 was airborne. On the<br />
inside Antari was making preparations to turn off the auto pilot. He turned to Cremitoris, “Are you ready?” Cremitoris<br />
tightened his seat harness and said, “Not really, but I know you’re going to anyway...” Antari flipped a switch and the<br />
ship began to descend rapidly. Cremitoris looked at the monitors and said, “What the hell happened?!” Antari just<br />
laughed and pulled the yoke back making the ship ascend quickly. Everything was going pretty smoothly until the main<br />
alarms began to blare.<br />
“Gimme a full system diagnostic!” Antari shouted. Cremitoris pulled up the main system control monitor, looked at<br />
it, then said, “Engines at ninety four percent power, shielding at eighty six percent.” Antari was getting tense, Cremitoris<br />
was tightening the straps that were holding him to his seat. The alarms continued to blare, and they got louder. Antari<br />
looked at Cremitoris again, “Update me.” Cremitoris looked at the monitor again, “Engines at ninety percent power,<br />
shielding at eighty percent.” The ship began to shake violently, and the alarms continued to ring. Antari was getting annoyed,<br />
he pulled out his pistol, and without looking, shot the alarm and it broke, “There, much better.” he said. Cremitoris<br />
laughed, “Now why couldn’t you do that during training?” Antari tossed the pistol aside, “Cuz I wasn’t pissed off.”<br />
The ship’s interior lighting began to flicker, Antari slammed his fist on the control panel, “Gimme the goddamned<br />
status!” Cremitoris kept his eyes on the monitors, hoping to find something less disappointing to report. With lack of<br />
good news, he simply gave the current status, “Engines at fifty percent, shielding at forty eight percent.” The shaking<br />
kept getting worse, and Antari flipped a switch. Everything went dark. The only light came from Cremitoris’ monitors and<br />
a small battery operated light above Antari. He looked at Cremitoris, “Now update me.” Cremitoris looked at the monitor<br />
in awe, “Engines at seventy five percent power, shields at sixty two percent power. Now, what did you do?” Antari<br />
pushed a button and the ship accelerated “I turned off all non vital systems. Life support, your monitor, and the fuel<br />
pumps remained active. How much further until we pass through the atmosphere?” Cremitoris pulled a different screen<br />
up on his monitor, “Exactly two hundred seventy six thousand meters.”<br />
Antari spoke again, “Alright, prep the afterburners. When I tell you to, activate them.” Cremitoris looked at Antari, “I<br />
am the squad leader here, I’ll give the orders.” Antari clenched his hands on the yoke, “Right now, I’m in charge. Once<br />
we’re on Goldinia, you’re the boss. But now, what I say is law!” Cremitoris didn’t know what to say, this was the first<br />
time Antari had retaliated in such a manner, plus he had a point. It was his job to deliver them all to Goldinia in one<br />
piece, at any cost.<br />
56
Suddenly one of the soldiers opened the door, “Permission to<br />
speak sir!?” Cremitoris waved his hand, “You can dispense with the<br />
formalities for now private, speak.” The soldier entered the bridge and<br />
shut the door, “We’ve been boarded sir, one of our video images show<br />
a large breach in the hull of the ship.” Cremitoris pulled up the ships<br />
schematics, “Where is this breach?” “Near the engineering section.”<br />
Said the soldier. Cremitoris turned to Antari, “How much longer?” Antari<br />
shrugged his shoulders, “Maybe nine minutes.” Cremitoris loaded<br />
a pistol and sighed, “Alright, you get a team together and kill whatever<br />
it is. After we’re through the atmosphere, I’ll come and help with<br />
the cleanup.” The soldier saluted and left.<br />
Cremitoris turned to the microphone and turned it on, “I need<br />
Ben Scarff<br />
the best mechanic in the bridge, on the double!” Cremitoris turned<br />
the mic off and turned his gaze back to his monitor. Within moments a man ran through the door. He was not wearing a<br />
typical uniform, he was wearing grease covered overalls and a ragged orange t-shirt. His dirty blonde hair fell to his shoulders<br />
and his hazel eyes sat behind a pair of thin glasses. “You rang?” He asked. Cremitoris turned to face the mechanic, “Yes<br />
I did. What is your name and rank?” The mechanic removed his glasses and wiped them off with a dirty rag, put them back<br />
on, and spoke, “My name is Marklar, I am the top ranked mechanic on this ship, and the third best mechanic on Earth.”<br />
Cremitoris pointed to the schematics, “We have a hull breach in engineering, I need you to take a crew of mechanics, and<br />
a few soldiers for protection, down there and patch that hole.” Marklar looked at the schematics and nodded, “Shouldn’t be<br />
too hard to fix up. I’ll need suits for my crew.” Cremitoris pulled up an armory screen on his monitor, “You’ll be given clearance<br />
to the service elevator and the armory. Mechanic suits are black and orange. Good luck.” Marklar left the bridge and<br />
Antari turned to Cremitoris, “Update me.” Cremitoris pulled up the engines screen, “Engines have decreased to sixty percent<br />
power, shielding holding at sixty two percent power.” Antari sighed, “Activate the afterburners.” Cremitoris pressed a button<br />
and the ships speed increased.<br />
The ship’s shaking worsened, and Antari kept his focus on his controls. Normally, there should be two pilots aboard<br />
a vessel like the Z-925, but Antari was the best. If he couldn’t get this ship to Goldinia, any two pilots couldn’t do much<br />
better. Antari turned to Cremitoris, “Update. Now.” Cremitoris refreshed the screen on his monitor, “Engines down to forty<br />
seven percent power, shielding steady at sixty two percent.” Antari tightened his grip, “Come on girl, hold in there.” The ship<br />
continued to shake violently. Cremitoris refreshed his monitor, “Engines down to thirty six percent, shielding down to sixty<br />
percent.” Antari was irritated, “Every simulation was so smooth, so simple. Now, I’m not sure if we’re gonna make it through<br />
our own atmosphere.”<br />
Cremitoris checked his watch, “It’s been six minutes, so I think you’ll make it.” He refreshed the monitor, “Also, engines<br />
have dropped to twenty five percent power, shielding down to fifty percent power.” Antari clenched his teeth, sweat was<br />
forming on his brow. Cremitoris continued to refresh the monitor. Finally, the shaking ceased. Antari checked a small screen,<br />
“We are through the atmosphere. To your left you will see stars, to your right are more stars and in front of us is, wow! More<br />
freakin’ stars!” He said it sarcastically.<br />
Cremitoris sighed as he unlocked his seat harness and loaded a submachine gun, “Well, mister tour guide, there is no<br />
need to stay here, when we have a stow away in engineering.” Antari nodded, unlocked his seat harness, and picked up the<br />
pistol that Cremitoris loaded, “By the way, how much power does the ship have left?” Cremitoris leaned over and checked<br />
the monitor, “Engines at-” The power cut out. All the lights went dark. “Zero percent power.” Cremitoris finished as he lit the<br />
flashlight on his gun. Antari followed Cremitoris and lit the light on his pistol.<br />
“Alright, now we play by my rules. We’ll make our way down to the armory, pick up a suit for each of us, and then we try<br />
to make contact with that soldier.” Cremitoris said as he walked to the bridge door. Antari followed close behind him, “What<br />
about restoring power?” Cremitoris turned around to face Antari, “That is a secondary objective. What I say is law, so do not<br />
disobey me.” He opened the door and a soldier ran up to them, “Sirs! It is not safe out here, I ask that you both return to the<br />
bridge.” Cremitoris walked past the soldier, “Like hell I’m going to let you have all the fun. I told another soldier that I would<br />
help finish off whatever boarded us.” The soldier nodded and stepped aside.<br />
Antari and Cremitoris walked down a short hallway until they came to two elevators. One door was grey, the other<br />
was black. The grey elevator was the crew elevator, and the black one was the service elevator. They entered the crew elevator<br />
and it went down one level. They got off and found themselves on the crew deck. Several soldiers ran past them toward<br />
the armory. Cremitoris followed them, “One of you, any of you, status report. Now.” One of the soldiers stopped running<br />
and saluted Cremitoris, “Sir. This thing is a perfect killer. None of our men can see what’s coming at them. This, I may add, is<br />
a huge waste of time and resources sir.” Cremitoris sighed.<br />
57
“Alright soldier, what’s your name, rank, and area of expertise?” The soldier checked his watch before answering,<br />
“My name is Johndro, I am sergeant and an expert in the field of heavy weaponry.” Cremitoris put his hand on Johndro’s<br />
shoulder and looked at his face, his brown eyes looked a bit blood shot and his hair was cut short. “Alright sergeant,<br />
suit up, grab a rocket launcher, and take a team to protect the bridge.” Cremitoris said. Johndro nodded and ran to the<br />
armory.<br />
Cremitoris turned to Antari, “We’re going to the med-lab. I want to see the injured soldiers.” They ran toward the<br />
armory but stopped a few feet from it. Next to the armory was a door with a red plus sign on it. The red cross had been<br />
a symbol for medics for years, and things haven’t changed. Cremitoris opened the door and a woman was tending to an<br />
injured soldier. She turned to face them, her brown eyes looked tired and overworked. Her hair was orange, and fell just<br />
below her neck. “Look,” she began, “I am really busy, so unless you’re here to give me a hand sir, I need to ask you to<br />
leave.”<br />
Cremitoris approached her, “Name and rank ma’am.” She turned back to the soldier and started to wrap his wound<br />
with a bandage, “Name is Tarin, I’m the chief medic aboard this vessel, anything dealing with medicine goes through<br />
me first.” She tied off the bandage and moved on to the next soldier. Antari picked up a scalpel and tried to balance<br />
it on his finger. Cremitoris slapped Antari on the back of the head, the tool fell to the floor. “I’ll be out of your way as<br />
soon as you answer a few questions ma’am.” Cremitoris said as he put the scalpel back on a table. Tarin sighed, “I like<br />
long walks on the beach, smooth jazz, want exactly two point five kids, and a cute little house with a white picket fence.<br />
There, now please, these soldiers need my full attention.” She injected a needle into a soldier’s arm and then moved on<br />
to the next one.<br />
Cremitoris scratched his head, “That isn’t what I wanted to know, but thank you for sharing. What I came here to<br />
find out is what kind of injuries these soldiers are retaining?” Tarin shook her head, “I’ve never seen an injury quite<br />
so devastating. Close range strike. Almost, primitive. I’ll need to analyze the data later, but I don’t think the attacker is<br />
using a gun.” Cremitoris nodded, “Thank you. This will help us. Now, my next question is where are the other medics?”<br />
Tarin laughed, “That’s a good one. I’m the only chief medic on this ship. The other medics all had combat training, so<br />
they went to fight when more soldiers came in. I haven’t heard from them since.”<br />
Cremitoris seemed upset, “Commander Willow should’ve put more medics on this ship. But thank you. The information<br />
you’ve provided us with is very helpful.” Tarin waved her hand and the two left. Antari sighed, “So, now what?”<br />
Cremitoris opened the armory door and they entered. “Well,” he said, “We need to find those medics, take care of that<br />
thing, and make sure the mechanics aren’t dead.” Antari was putting on red armor over his black jumpsuit. It looked like<br />
standard soldier armor, but it was more sleek, perfect for a pilot. Cremitoris put on blue armor over his golden jumpsuit.<br />
It was bulkier and covered more than standard soldier armor, yet it did not restrict movement. Their armor suits<br />
both contained boots, leg protectors, pelvic and torso plating, arm and shoulder armor, and a unique helmet. Antari’s<br />
helmet had a large visor that allowed him to see in all directions. Cremitoris’ helmet had software in it that could allow<br />
him to analyze a battlefield and prepare tactics with ease. Antari picked up a shotgun, slung it over his back, and picked<br />
up a second pistol. Cremitoris holstered his submachine gun and took a battle rifle.<br />
“Are we all set?” Cremitoris asked. Antari nodded. They both ran out of the armory and back to the crew elevator.<br />
They got on and it went up a level. They got off and Johndro saluted them. He was wearing green armor and standing<br />
by the bridge door with a team of four soldiers. Cremitoris and Antari turned to the service elevator and got on. It too<br />
went down one level then stopped, but the doors no longer opened automatically. Cremitoris banged his fist on the<br />
door, nothing. The doors were already opened a crack. Cremitoris put his hand in the crack, “Antari, put your hand in<br />
here. I’ll pull to the left, you pull to the right.” Antari nodded and did as he was told. With his hand securely in the door,<br />
Cremitoris spoke again, “We need to pull at the same time. On three?” Antari nodded. Cremitoris sighed, “Alright then,<br />
one,” he tightened his grip, “two,” he clenched his teeth, “three!” They both pulled as hard as they could, and the doors<br />
flew open.<br />
Anthony Miller<br />
58
Best-selling author visits <strong>Mohonasen</strong> High <strong>School</strong><br />
March 17, <strong>2011</strong><br />
On Tuesday, March 15, New York Times best-selling author Ellen Hopkins<br />
spoke to nearly 600 students and faculty in the <strong>Mohonasen</strong> High<br />
<strong>School</strong> auditorium.<br />
Hopkins told the true story behind her novels Crank, Glass, and Fallout—which<br />
chronicle her daughter’s on-going methamphetamine<br />
addiction. She also talked about her life as a writer, as well as how she<br />
researched and wrote her other novels.<br />
After her presentation, Hopkins fielded numerous questions before signing<br />
books for a long line of students.<br />
Following this event, 20 students and other fans of Hopkins’ attended<br />
a “working lunch” in the high school library. Here they had a chance to<br />
talk one-on-one with one of their favorite authors.<br />
Afterwards, Hopkins held a writing workshop with 30 ninth graders. The<br />
students wrote about moments that changed their lives and received feedback and encouragement.<br />
Hopkins visit was made possible in part by a grant from the <strong>Mohonasen</strong> Foundation for Excellence.<br />
59<br />
Sisson, Roberts win<br />
Annual/Graduation speaker contest<br />
April 11, <strong>2011</strong><br />
The 21st annual Graduation Speaker Contest<br />
for the Class of <strong>2011</strong> was held on Monday<br />
April 11. Student contestants were: Shelby<br />
Leonard, Russell Roberts, Garret Sisson and<br />
JeZsaNay Stevens.<br />
Judges for the competition included FOX 23’s<br />
Rich Becker, CBS 6’s Steve LaPointe, Susan<br />
Whitaker of the Schenectady County Museum<br />
and Planetarium and Judge Douglas Griset.<br />
The two winners of the competition were<br />
Garret Sisson and Russell Roberts. They will<br />
both be keynote speakers at this year’s commencement ceremonies at Proctor’s Theatre on Saturday,<br />
June 25. JeZsaNay Stevens will give the greeting at graduation and Shelby Leonard will deliver the farewell<br />
for the ceremony.<br />
-----------------------------------------------------------
Richard Zimmerman, Deanna Pfau, Anastasia DeLancey, Erinn O’Brien, Antonio D’Elia, Tom Rorick,<br />
John Silal, Amed Wise, Danellie Jachlewski, Sam Pouchak, Andrew Barndt, Tia Guarneri, Amanda<br />
Bartik, Becky Quinn, Brittney Fusco, Kayla, Jessie, Anthony Diederich-Smith, Daniel Planty, Sean<br />
Ouillette, Zach, Breanna Bieleki, Evelyn Bohl, Danya Benson, Theresa Whittemore, Lea McClain,<br />
Jessica Deweese, Garrett Sisson, Gianluca Puorto, Mellissa Piscetella, Jenna Zabrowski, Marissa<br />
Lavem, Haley Simpson, Shane Connell, Robbie Ogilvie, Michelle Baldwin<br />
(Not all senior students in art are shown here)<br />
60
Visual Artists<br />
Aaron Giumarra<br />
Abigail Hess<br />
Adam Mahan<br />
Aislinn Elmore<br />
Alexis Gage<br />
Alexis Tasso<br />
Alicia Hottois<br />
Allen Collins<br />
Allison Thayer<br />
Amanda Bartik<br />
Amanda Herbert<br />
Amanda Peart<br />
Andrew Barndt<br />
Antonio D’Elia<br />
Ashley Horn<br />
Ben Scarff<br />
Breanna Bielecki<br />
Brooke Demarest<br />
Brooke Doherty<br />
Cameron McDermit<br />
Carley Mulley<br />
Cassie Chamberlain<br />
Cassi Stefaniak<br />
Cati Hendron<br />
Chad Bardin<br />
Chelsea Reed<br />
Christian Keegan<br />
Christine Love<br />
Courtney Garry<br />
Danielle Crandall<br />
Danya Benson<br />
Deanna Boiari<br />
Emily Reutter<br />
Evelyn Bohl<br />
Felicia Wingle<br />
Gabby Domian<br />
Gabby Semento<br />
Impressions<br />
Gianluna Puorto<br />
Gianni DiCocco<br />
Grant Massaroni<br />
Gregory Fiozzo<br />
Haley Macherone<br />
Haley Simpson<br />
Hannah Willey<br />
Jenni Gagne<br />
Jenna Ziobrowski<br />
Jennifer Ziobrowski<br />
Jessie Alescio<br />
Jess Deweese<br />
Jessica Stewart<br />
Jessie Lombombard<br />
John Miller<br />
John Wilson<br />
Josh Thomas<br />
Julie Riley<br />
Kailee Roderick<br />
Kaley Thapa<br />
Kayla Boniecki<br />
Kaylee Le Buis<br />
Kelly Moran<br />
Kelsey Shive<br />
Kindra Dunsmore<br />
Kirsten Burroughs<br />
Lea McClain<br />
Linda Thompson<br />
Marissa Laven<br />
Matthew Miller<br />
Megan Reese<br />
Melissa Piscitella<br />
Michael Redmond<br />
Michelle Baldwin<br />
Michelle So<br />
Morgan Miller<br />
Morgan Papa<br />
My My Lieu<br />
Nicole Marsh<br />
Nicole Valley<br />
Nina DeLoreto<br />
Ohanleon Gordan<br />
Olivia Cafarelli<br />
Paul Witckitch<br />
Rachel Lambert<br />
Rachel Nadareski<br />
Rachel Suflita<br />
Rayshawn Jones<br />
Reba Greene<br />
Rebecca Fortune<br />
Robb Ogilvie<br />
Ryan Corbitt<br />
Ryan Haake<br />
Samantha Hall<br />
Santana Rorick<br />
Sapphire Stefaniak<br />
Sarah Jackson<br />
Selina Dunn<br />
Sarah Van der Wouden<br />
Saviaon Parson<br />
Serena Cascarano<br />
Shane Connell<br />
Shanti Bhoge<br />
Shyanne DeLacey<br />
Shayla Brewer<br />
Sierra Woodward<br />
Stephen DiIorio<br />
Sylvia Mach<br />
Taylor DelNegro<br />
Taylor Piscitella<br />
Taylor Valley<br />
Theresa Whittemore<br />
Thomas Shuler<br />
Tia Guarneri<br />
Tiaja Harris<br />
Tomasina Burch<br />
Velma Monroe<br />
Victoria Moore<br />
Victoria Wasiak<br />
Vicky Hsu<br />
Vittorio Stocchetti<br />
Will DiIori<br />
Zack Stoddard<br />
Zackary Smith<br />
Cover art by:<br />
Robb Ogilvie<br />
Literary Artists<br />
Alexis Willey<br />
Amanda Bartik<br />
Brittney Fusco<br />
Carley Mulley<br />
Danya Benson<br />
Elizabeth Giacchetta<br />
Je Zsa Nay Stevens<br />
Jenni Gagne<br />
Kaylee Le Buis<br />
Lea McClain<br />
Mattia Robustiano<br />
Nick DeOrio<br />
Theresa Whittemore<br />
Tia Guarneri<br />
Valerie Tommasone<br />
Artist to Artist,<br />
Inspiration & Advice<br />
from Artist Past & Present,<br />
Compiled by Clint Brown,<br />
Jackson Creek Press,<br />
Corvallis Oregon 1998
Printed By