Tbilisis saerTaSoriso kinofestivali T B ILIS I IN T E R N A T IO N A L ...

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Tbilisis saerTaSoriso kinofestivali TBILISI INTERNATIONAL FILM FESTIVAL 70 HAMSUN KNUT HAMSUN’S CAUCASIAN MYSTERIES GROWTH OF THE SOIL HUNGER THE TELEGRAPHIST hamsuni da kino HAMSUN AND CINEMA hamsuni knut hamsunis kavkasiuri misteriebi miwis madli SimSili telegrafisti
knut hamsuni da kino wels knut hamsunis samSobloSi, norvegiaSi saze- imod aRniSnes mwerlis dabadebidan 150 wlis iubile, 2009 weli ki hamsunis wlad gamocxadda. mTeli qveynis masStabiT Catarebul RonisZiebebs patronaJs Tavad norvegiis samefo ojaxi da piradad dedofali mete_ mariti uwevda. mwerlis iubiles, amerikisa da evropis qveynebTan erTad, Cveni qveyanac gamoexmaura. 1899 wels hamsunma saqarTveloSi imogzaura, rac misi Canawerebis wignSi „zRaprul qveynad` darCa. piesa „dedofali Tamaric` swored am odiseis Sedegia. XX saukunis dasawyisidan moyolebuli, saqarTveloSi hamsunis nawarmoebebis mimarT mZafri interesi dResac ar ganelebula. wels Tbilisis saiubileo _ meaTe saerTaSoriso kinofestivalis farglebSi pirvelad iqneba warmodgenili norvegieli mwerlis romanebis mixedviT Seqmnili filmebi. hamsunis nawarmoebebis mixedviT 25_ze meti filmia Seqmnili, maT Soris _ avtobiografiuli Janris. ekranizaciebis simravliT hamsuns wamyvani adgili uWiravs skandinaviur literaturaSi. paradoqsia, rom norvegieli mwerlis Tavdapirveli ekranizaciebi reJisorebs ki ara, msaxiobebs ekuTvniT. magaliTad, misi romani „pani~ oslos nacionaluri Teatris msaxiobma harald Svencenma gadaitana ekranze (1922). „panis~ mayureblis cnobismoyvareoba gansaku- TrebiT gaamZafra dramatulma epilogma, romelic filmis avtorebma afrikasa da alJirSi gadaiRes. swored am periodSi Semovida kinematografSi „moda aRmosavleTze~ da drois esTetikur moTxovnebs filmis epilogi _ Soreul, egzotikur qveyanaSi leitenant glanis avantiuruli mogzauroba _ savsebiT miesadaga. munji kinos epoqaSi hamsunis nawarmoebebis bolo ekranizacia pirveli profesionali reJisoris _ Svedi bruniusis filmi „nebiT Zlierni~ iyo, romelic mwerlis moTxrobis „meocnebenis~ motivebze Seiqmna. filmis premiera 1923 wels, stokholmSi gaimarTa. mogvianebiT, 1935 wels, hamsunis romanis mixedviT germaniaSi pirveli xmovani filmi „viqtoria` gadaiRes, romlis reJisori cnobili kinooperatori, karl hofmani gaxldaT. „viqtorias~ maleve mohyva aseve germanelis, olav fordis filmi „pani~. leitenant glanis istoria~. Tavad hamsuns, rogorc konservatuli gemovnebis adamians, sakmaod skeptikuri da gulgrili damokidebuleba hqonia XX saukunis teqnikuri saocrebis _ kinematografis mimarT da arc Tavisi romanebis ekranizaciebs xvdeboda didi enTuziazmiT. erTaderTi gamonaklisi gunar somerfeldtis munji filmi „miwis madli~ (1921) iyo, romliTac mwerali kmayofili dar- Cenila. wels qarTvel mayurebels saSualeba aqvs Tavad naxos da Seafasos festivalis farglebSi warmodgenili didi norvegieli mwerlis romanebis zogierTi ekranizacia da misi cxovrebis Sesaxeb gadaRebuli filmebi, maT Soris oliko JRentis `knut hamsunis kavkasiuri misteriebi~. KNUT HAMSUN AND CINEMA The homeland of Knut Hamsun Norway celebrated the 150th anniversary of the writer’s birth in the present year and implemented yearlong program of commemorations of the author. The nation-wide events were held under the patronage of the royal family of Norway and personally Queen Mete-Meritt. Our country along with the American and European countries responded to the writer’s jubilee. Hamsun traveled in Georgia in 1899 and reflected his journey in his book of In Wonderland. His play Queen Tamar is a result of this Odyssey as well. Keen interest towards the Hamsun works has been unfading in Georgia since XX century. The Tbilisi 10th jubilee film festival of this year presents some films based on the novels of Norwegian writer for the first time. More than 25 films are based on Hamsun’s works including a biopic. It is paradoxical that the first screen versions of the Norwegian writer’s works belong to actors rather than directors. For example his Pan was filmed by an actor of Oslo National theatre Harald Schwenzen in 1922. The curiosity of viewers of Pan was particularly aggravated by a dramatic epilogue shot by the film authors in Africa and Algeria. Right in that period of time orientalism came into fashion and the film’s epilogue_ adventurous trip of lieutenant Glan to the remote exotic country - fits in an aesthetic demand of that time. The last screen version of Hamsun’s works in the period of silent movies was Sværmere a film by the first professional director of Swedish nationality - Brunius, which was based on Hamsun’s Dreamers. The film’s premiere was held in Stockholm in 1923. The first sound film on the basis of Hamsun’s novel Victoria was made later on in Germany in 1935 and was directed by a famous cameraman Carl Hoffman. Soon Victoria was followed by another German director’s Olav Ford’s film Pan. The Story of Lieutenant Glan. Hamsun himself as a man of conservative manner was quite skeptical and indifferent about the XX century technical miracle _ cinematography and was not enthusiastic about the screen versions of his novels. The only exception which the writer approved of was Markens grøde (Growth of the Soil, 1921), a silent movie by Gunnar Sommerfeldt. This year Georgian filmgoers can see and appreciate some screen versions of the novels by the great Norwegian writer and the films made about his life. Tbilisis saerTaSoriso kinofestivali TBILISI INTERNATIONAL FILM FESTIVAL 71
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evropuli kinos forumi FORUM OF EURO
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mSvidobiT, iaraRo! FAREWELL TO ARMS
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masterklasebi MASTERCLASSES QUADROP
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saZieblebi INDICES Tbilisis saerTaS
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ALEKSI-MESKHISHVILI, SALOME .......
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A MR. MINISTER . . . . . . . . . .
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Cveni gansakuTrebuli madloba nukri
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festivalis saorganizacio jgufi THE
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Tbilisis saerTaSoriso kinofestivali T B ILIS I IN T E R N A T IO N A L ...

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