Tbilisis saerTaSoriso kinofestivali T B ILIS I IN T E R N A T IO N A L ...

Tbilisis saerTaSoriso kinofestivali T B ILIS I IN T E R N A T IO N A L ... Tbilisis saerTaSoriso kinofestivali T B ILIS I IN T E R N A T IO N A L ...

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masterklasebi MASTERCLASSES ARIA aria didi britaneTi Directors: Robert Altman (segment “Les Boréades”) Bruce Beresford (segment “Die tote Stadt”) Bill Bryden (segment “I pagliacci”) Jean-Luc Godard (segment “Armide”) Derek Jarman (segment “Depuis le jour”) Franc Roddam (segment “Liebestod”) Nicolas Roeg (segment “Un ballo in maschera”) Ken Russell (segment “Nessun dorma”) Charles Sturridge (segment “La virgine degli angeli”) Julien Temple (segment “Rigoletto”) 138 1987 aTi sxvadasxva reJisoris aTi moklemetraJiani filmi. TiToeuli filmi TiTo saopero ariis interpretaciaa. Tavidan proeqtSi federiko felinic iRebda monawileobas. is romSi, produser don boidTan erTad muSaobda, magram reJisoris avadmyofobis gamo gadaRebebi Sewyda. rogorc yvelas, visac „aria~ unaxavs, felinisac mxolod misi calkeuli filmebi moswonebia, kerZod _ frenk rodamisa da julian templis. ARIA UK 1987 90 wT, 35 mm, feradi 90 min, 35 mm, colour reJisorebi: robert altmani (“Les Boréades”) brius beresfordi (“Die tote Stadt”) bil braideni (“I pagliacci”) Jan-luk godari (“Armide”) derek janmeni (“Depuis le jour”) frenk rodami (“Liebestod”) nikolas roegi (“Un ballo in maschera”) ken raseli (“Nessun dorma”) Carlz sTariji (“La virgine degli angeli”) julian templi (“Rigoletto”) Production: R.V.P. Productions Virgin Vision A Don Boyd Production Ten short pieces directed by ten different directors. Each short uses an aria as soundtrack/sound (Vivaldi, Bach, Wagner), and is an interpretation of the particular aria. Federico Fellini was attached to this project in the very beginning. He worked with Don Boyd the producer in Rome and only dropped out because he was ill - he was making his much delayed Intervista. Like everybody else who saw Aria, he loved various sections of the movie, particularly Roddam’s and Temple’s sections.

masterklasebi MASTERCLASSES QUADROPHENIA kvadrofenia didi britaneTi 1979 Director: Franc Roddam Screenplay: Dave Humphries, Martin Stellman, Franc Roddam Cinematography: Brian Tufano Production Design: Simon Holland Editing: Sean Barton, Mike Taylor Sound: Christian Wangler Producers: Roy Baird, Bill Curbishley Cast: Phil Daniels, Leslie Ash, Philip Davis, Mark Wingett, Sting, Ray Winstone, Garry Cooper, Gary Shail QUADROPHENIA UK 1979 117 wT, 35 mm, feradi 125 min, 35 mm, colour londoni, 1965 weli. sxva mravali axalgazrdis msgavsad, jimisac sZuls obivateluri cxovreba, sakuTari mSoblebi da samuSao safosto kompaniis gzavnilebis ganyofilebaSi. Tavs mxolod maSin grZnobs kargad, rodesac megobrebTan erTad skuteriT daqris londonis quCebSi da The Who_sa da The High Numbers_is musikas usmens, Tumca misi es samyaroc iluzorulia... reJisori: frenk rodami scenari: devid hamfrisi, martin stelmani, frenk rodami operatori: braian tufano mxatvari: saimon holandi montaJi: Son bartoni, maik teilori xmis reJisori: qristian vangleri produserebi: roi berdi, bil karbiSli monawileoben: fil denielsi, lesli eSi, filip devisi, mark uingeti, stingi, rei uinstoni, geri kuperi, geri Seili Production: The Who Films Polytel London, 1965: Like many other youths, Jimmy hates the philistine life, especially his parents and his job in a company’s mailing division. Only when he’s together with his friends, a “Mod” clique, cruises London on his motor-scooter and hears music such as that of THE WHO and “The High Numbers”, he feels free and accepted. However, it’s a flight into an illusionary world. 139

masterklasebi<br />

MASTERCLASSES<br />

QUADROPHENIA<br />

kvadrofenia didi britaneTi 1979<br />

Director:<br />

Franc Roddam<br />

Screenplay:<br />

Dave Humphries, Martin Stellman,<br />

Franc Roddam<br />

Cinematography:<br />

Brian Tufano<br />

Production Design:<br />

Simon Holland<br />

Editing:<br />

Sean Barton, Mike Taylor<br />

Sound:<br />

Christian Wangler<br />

Producers:<br />

Roy Baird, Bill Curbishley<br />

Cast:<br />

Phil Daniels, Leslie Ash, Philip Davis,<br />

Mark Wingett, Sting, Ray Winstone,<br />

Garry Cooper, Gary Shail<br />

QUADROPHENIA UK 1979<br />

117 wT, 35 mm, feradi<br />

125 min, 35 mm, colour<br />

londoni, 1965 weli. sxva mravali axalgazrdis msgavsad, jimisac sZuls obivateluri<br />

cxovreba, sakuTari mSoblebi da samuSao safosto kompaniis gzavnilebis<br />

ganyofilebaSi. Tavs mxolod maSin grZnobs kargad, rodesac megobrebTan<br />

erTad skuteriT daqris londonis quCebSi da The Who_sa da The High Numbers_is<br />

musikas usmens, Tumca misi es samyaroc iluzorulia...<br />

reJisori:<br />

frenk rodami<br />

scenari:<br />

devid hamfrisi, martin<br />

stelmani, frenk rodami<br />

operatori:<br />

braian tufano<br />

mxatvari:<br />

saimon holandi<br />

montaJi:<br />

Son bartoni, maik teilori<br />

xmis reJisori:<br />

qristian vangleri<br />

produserebi:<br />

roi berdi, bil karbiSli<br />

monawileoben:<br />

fil denielsi, lesli eSi,<br />

filip devisi, mark uingeti,<br />

stingi, rei uinstoni, geri<br />

kuperi, geri Seili<br />

Production:<br />

The Who Films<br />

Polytel<br />

London, 1965: Like many other youths, Jimmy hates the philistine life, especially his parents and<br />

his job in a company’s mailing division. Only when he’s together with his friends, a “Mod” clique,<br />

cruises London on his motor-scooter and hears music such as that of THE WHO and “The High<br />

Numbers”, he feels free and accepted. However, it’s a flight into an illusionary world.<br />

139

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