KRK

Oko Nove godine je vrijeme koledve kada kolejani
ophode ku}e, skupljaju darove i pjevaju stare obredne
pjesme da bi uku}anima po`eljeli dobru sre}u. Ovaj
prastari narodni obi~aj ~estitanja, sabiranja darova i
zajedni~kog go{}enja najbolje se je sa~uvao u Omi{lju i
na Duba{nici.
Ve}ina ovih starih obi~ajnih sve~anosti proiza{lo je
iz nekada{nje `ive vjerske i gospodarske podloge kraja i
predstavljale su tek predah na istom putu rada i
opstanka. Gotovo neizostavni dio svakog pira i obi-
~ajnog dru`enja na otoku je tanec, rasko{ni narodni
ples. Obi~no ga se izvodi na javnom mjestu, po unaprijed
utvr|enom redu u narodnim no{njama uz svirku
sopela, pu~kog muzi~kog glazbala tipa oboe. Sopele
sviraju uvijek u paru, velika i mala, ili debela i tanka,
i sla`u specifi~an tonski niz kr~kog predajnog muziciranja,
takozvanu netemperiranu muzi~ku ljestvicu.
Tanec se ple{e gotovo na svim sve~anostima, po svim
mjestima u razli~itim propisanim oblicima i trajanjima
kao najsve~anija javna potvrda svega onoga {to
vlastita sredina ima i pru`a. Spomenimo da Dobrinj
ima okolo i suportu, a Vrbnik kolo, nogi, ruki i osobito
lijep i zanimljiv potancu. Potancu je tanec poslije
tanca kojeg ple{u ~etiri grupe sastavljene od po tri `ene
i jednog mu{karca. Neki misle da je potancu slika i prilika
godi{njih mjenja i sun~evog sistema, jer se izvodi
elegantnim kretanjem i okretanjem plesa~a i plesa~ica
kao da se po prostoru kre}u nebeska tijela. Kolo je uvod
u tanec u kojem sudjeluju `ene i djevojke i samo dva
mu{karaca, jedan na po~etku kola koji ga vodi i drugi
186
Dobrinj, narodna no{nja
Dobrinj, folk costumes
Tanec ruki na Placi u Vrbniku (str. 184.-185.)
The tanec ruki dance at the Placa square in Vrbnik (pp. 184-185)
Most of these old traditional festivities have originated
from the live religious and economic base of this
region of the time, and they represented only a respite
on the same path of work and survival. An almost certain
part of each wedding or meeting of friends on the
island is the tanec, a beautiful folk dance. It is usually
performed in public, according to a previously determined
schedule, in folk costumes and with the music of
sopelas, a type of folk musical instrument similar to
oboe. Sopelas are always played in pairs, a large and a
small one or a thick and a thin one, and together they
put together a specific tonal series of traditional Krk
music playing, the so-called intemperate musical scale.
Tanec is danced at almost all festivities, in every
town, according to various prescribed forms and duration
as the most solemn public confirmation of everything
one’s own milieu possesses and offers. Let us
mention that Dobrinj has okolo and suporta, while
Vrbnik has kolo, nogi, ruki, and a particularly beautiful
and interesting dance, potancu. Potancu is a
tanec after the tanec danced by four groups consisting
of three women and one man each. Some believe that
potancu is the embodiment of the seasons and the
solar system since it is performed with elegant movement
and turns of the dancers as if celestial bodies
were moving in the space. Kolo is an introduction to a
tanec in which along with women and girls participate
only two men, one at the beginning of the kolo,
and he is leading it, and the other at the end named
bed. It is said that in the ancient times, which are no
longer remembered by anyone, bed hopped while dancing
and did everything to catch the eye of an evil force
so that it would not hurt the girls and the women.
Krk, sopci iz Pinezi}a
Krk, sopela players from Pinezi}i